Alexander Goehr: The Recent Music (II)
Identifieur interne : 001633 ( Main/Curation ); précédent : 001632; suivant : 001634Alexander Goehr: The Recent Music (II)
Auteurs : Bayan NorthcottSource :
- Tempo [ 0040-2982 ] ; 1978-06.
Abstract
‘I have the greatest regard for Goehr, but I think his music gets worse and worse,’ one of our senior chroniclers of the avant-garde remarked to me some five years ago: ‘First it was neo-expressionism, then neo-romanticism, now it is neoclassicism—where will it end?’ To be fair, the same speaker has since endorsed with delight Goehr's setting of Psalm IV (1976). Moreover, any indictment of backsliding from historical necessity has been complicated, for instance, by the composition of the ‘expressionistic’ Symphony in One Movement (1970) two years after the ‘romantic’ Romanza for Cello and Orchestra (1968), and by Goehr's considerable success in approaching an ideal of piano writing as ‘a sort of Bach crossed with Debussy—polyphonic impressionism’ in Nonomiya (1969). And, as I have already argued, his reclamation of ‘historical’ procedures and genres could be seen as the necessary complement to the stability of the serial-modal, bloc sonore harmonic method he developed after the Two Choruses (1962)—in other words, as modifications and enrichments of a technique and aesthetic essentially deriving from the Modern Masters. Yet it must be admitted that any residual questions posed by such a synthesis would seem vastly more pressing in the light of his unexpected progress since the appearance of Psalm IV.
Url:
DOI: 10.1017/S0040298200030096
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000A20
- to stream Istex, to step Curation: Pour aller vers cette notice dans l'étape Curation :000A20
- to stream Istex, to step Checkpoint: Pour aller vers cette notice dans l'étape Curation :001574
- to stream Main, to step Merge: Pour aller vers cette notice dans l'étape Curation :001664
Links to Exploration step
ISTEX:09247C80D7AD4719DAE26925AAF49205D986C1CBLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Alexander Goehr: The Recent Music (II)</title>
<author><name sortKey="Northcott, Bayan" sort="Northcott, Bayan" uniqKey="Northcott B" first="Bayan" last="Northcott">Bayan Northcott</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:09247C80D7AD4719DAE26925AAF49205D986C1CB</idno>
<date when="1978" year="1978">1978</date>
<idno type="doi">10.1017/S0040298200030096</idno>
<idno type="url">https://api.istex.fr/document/09247C80D7AD4719DAE26925AAF49205D986C1CB/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000A20</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000A20</idno>
<idno type="wicri:Area/Istex/Curation">000A20</idno>
<idno type="wicri:Area/Istex/Checkpoint">001574</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">001574</idno>
<idno type="wicri:doubleKey">0040-2982:1978:Northcott B:alexander:goehr:the</idno>
<idno type="wicri:Area/Main/Merge">001664</idno>
<idno type="wicri:Area/Main/Curation">001633</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Alexander Goehr: The Recent Music (II)</title>
<author><name sortKey="Northcott, Bayan" sort="Northcott, Bayan" uniqKey="Northcott B" first="Bayan" last="Northcott">Bayan Northcott</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Tempo</title>
<title level="j" type="abbrev">Tempo</title>
<idno type="ISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="1978-06">1978-06</date>
<biblScope unit="issue">125</biblScope>
<biblScope unit="page" from="12">12</biblScope>
<biblScope unit="page" to="18">18</biblScope>
</imprint>
<idno type="ISSN">0040-2982</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0040-2982</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">‘I have the greatest regard for Goehr, but I think his music gets worse and worse,’ one of our senior chroniclers of the avant-garde remarked to me some five years ago: ‘First it was neo-expressionism, then neo-romanticism, now it is neoclassicism—where will it end?’ To be fair, the same speaker has since endorsed with delight Goehr's setting of Psalm IV (1976). Moreover, any indictment of backsliding from historical necessity has been complicated, for instance, by the composition of the ‘expressionistic’ Symphony in One Movement (1970) two years after the ‘romantic’ Romanza for Cello and Orchestra (1968), and by Goehr's considerable success in approaching an ideal of piano writing as ‘a sort of Bach crossed with Debussy—polyphonic impressionism’ in Nonomiya (1969). And, as I have already argued, his reclamation of ‘historical’ procedures and genres could be seen as the necessary complement to the stability of the serial-modal, bloc sonore harmonic method he developed after the Two Choruses (1962)—in other words, as modifications and enrichments of a technique and aesthetic essentially deriving from the Modern Masters. Yet it must be admitted that any residual questions posed by such a synthesis would seem vastly more pressing in the light of his unexpected progress since the appearance of Psalm IV.</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001633 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Curation/biblio.hfd -nk 001633 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= DebussyV1 |flux= Main |étape= Curation |type= RBID |clé= ISTEX:09247C80D7AD4719DAE26925AAF49205D986C1CB |texte= Alexander Goehr: The Recent Music (II) }}
![]() | This area was generated with Dilib version V0.6.33. | ![]() |