Stemma Theory
Identifieur interne : 000880 ( Main/Curation ); précédent : 000879; suivant : 000881Stemma Theory
Auteurs : Guerino Mazzola [Suisse]Source :
Abstract
Summary: The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the stemma of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding genetic and environmental principles.
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DOI: 10.1007/978-3-0348-8141-8_38
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<front><div type="abstract" xml:lang="en">Summary: The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the stemma of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding genetic and environmental principles.</div>
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