Stemma Theory
Identifieur interne : 000458 ( Istex/Corpus ); précédent : 000457; suivant : 000459Stemma Theory
Auteurs : Guerino MazzolaSource :
Abstract
Summary: The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the stemma of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding genetic and environmental principles.
Url:
DOI: 10.1007/978-3-0348-8141-8_38
Links to Exploration step
ISTEX:AE9F96E70E2DA13AB131E04E733D5021D1F549B3Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Stemma Theory</title><author><name sortKey="Mazzola, Guerino" sort="Mazzola, Guerino" uniqKey="Mazzola G" first="Guerino" last="Mazzola">Guerino Mazzola</name><affiliation><mods:affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: mazzola@ifi.unizh.ch</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:AE9F96E70E2DA13AB131E04E733D5021D1F549B3</idno><date when="2002" year="2002">2002</date><idno type="doi">10.1007/978-3-0348-8141-8_38</idno><idno type="url">https://api.istex.fr/document/AE9F96E70E2DA13AB131E04E733D5021D1F549B3/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000458</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000458</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Stemma Theory</title><author><name sortKey="Mazzola, Guerino" sort="Mazzola, Guerino" uniqKey="Mazzola G" first="Guerino" last="Mazzola">Guerino Mazzola</name><affiliation><mods:affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: mazzola@ifi.unizh.ch</mods:affiliation></affiliation></author></analytic><monogr></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Summary: The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the stemma of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding genetic and environmental principles.</div></front></TEI><istex><corpusName>springer-ebooks</corpusName><author><json:item><name>Guerino Mazzola</name><affiliations><json:string>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</json:string><json:string>E-mail: mazzola@ifi.unizh.ch</json:string></affiliations></json:item></author><arkIstex>ark:/67375/HCB-VVFM0VLR-6</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>chapter</json:string></originalGenre><abstract>Summary: The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the stemma of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding genetic and environmental principles.</abstract><qualityIndicators><score>7.792</score><pdfWordCount>7995</pdfWordCount><pdfCharCount>43433</pdfCharCount><pdfVersion>1.4</pdfVersion><pdfPageCount>18</pdfPageCount><pdfPageSize>505 x 720 pts</pdfPageSize><refBibsNative>false</refBibsNative><abstractWordCount>66</abstractWordCount><abstractCharCount>462</abstractCharCount><keywordCount>0</keywordCount></qualityIndicators><title>Stemma Theory</title><chapterId><json:string>38</json:string><json:string>Chap38</json:string></chapterId><genre><json:string>chapter</json:string></genre><host><title>The Topos of Music</title><language><json:string>unknown</json:string></language><copyrightDate>2002</copyrightDate><doi><json:string>10.1007/978-3-0348-8141-8</json:string></doi><eisbn><json:string>978-3-0348-8141-8</json:string></eisbn><bookId><json:string>978-3-0348-8141-8</json:string></bookId><isbn><json:string>978-3-0348-9454-8</json:string></isbn><pages><first>755</first><last>772</last></pages><genre><json:string>book</json:string></genre><author><json:item><name>Guerino Mazzola</name><affiliations><json:string>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</json:string><json:string>E-mail: mazzola@ifi.unizh.ch</json:string></affiliations></json:item></author><subject><json:item><value>Mathematics and Statistics</value></json:item><json:item><value>Mathematics</value></json:item><json:item><value>Applications of Mathematics</value></json:item><json:item><value>Philosophy of Science</value></json:item><json:item><value>Geometry</value></json:item><json:item><value>Algebraic Geometry</value></json:item><json:item><value>Mathematics, general</value></json:item><json:item><value>Visualization</value></json:item></subject></host><ark><json:string>ark:/67375/HCB-VVFM0VLR-6</json:string></ark><publicationDate>2002</publicationDate><copyrightDate>2002</copyrightDate><doi><json:string>10.1007/978-3-0348-8141-8_38</json:string></doi><id>AE9F96E70E2DA13AB131E04E733D5021D1F549B3</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/AE9F96E70E2DA13AB131E04E733D5021D1F549B3/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/AE9F96E70E2DA13AB131E04E733D5021D1F549B3/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/AE9F96E70E2DA13AB131E04E733D5021D1F549B3/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Stemma Theory</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">Birkhäuser Basel</publisher><pubPlace>Basel</pubPlace><availability><licence><p>Birkhäuser Verlag, 2002</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</p></availability><date>2002</date></publicationStmt><notesStmt><note type="chapter" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-CGT4WMJM-6">chapter</note><note type="book" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-5WTPMB5N-F">book</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Stemma Theory</title><author xml:id="author-0000"><persName><forename type="first">Guerino</forename><surname>Mazzola</surname></persName><email>mazzola@ifi.unizh.ch</email><affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</affiliation></author><idno type="istex">AE9F96E70E2DA13AB131E04E733D5021D1F549B3</idno><idno type="ark">ark:/67375/HCB-VVFM0VLR-6</idno><idno type="DOI">10.1007/978-3-0348-8141-8_38</idno><idno type="ChapterID">38</idno><idno type="ChapterID">Chap38</idno></analytic><monogr><title level="m">The Topos of Music</title><title level="m" type="sub">Geometric Logic of Concepts, Theory, and Performance</title><idno type="DOI">10.1007/978-3-0348-8141-8</idno><idno type="pISBN">978-3-0348-9454-8</idno><idno type="eISBN">978-3-0348-8141-8</idno><idno type="book-title-id">53262</idno><idno type="book-id">978-3-0348-8141-8</idno><idno type="book-chapter-count">54</idno><idno type="PartChapterCount">4</idno><imprint><publisher>Birkhäuser Basel</publisher><pubPlace>Basel</pubPlace><date type="published" when="2002"></date><biblScope unit="chap">Chapter 38</biblScope><biblScope unit="page" from="755">755</biblScope><biblScope unit="page" to="772">772</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2002</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>Summary: The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the stemma of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding genetic and environmental principles.</p></abstract><textClass><keywords scheme="Book-Subject-Collection"><list><label>SUCO11649</label><item><term>Mathematics and Statistics</term></item></list></keywords></textClass><textClass><keywords scheme="Book-Subject-Group"><list><label>SCM</label><label>SCM13003</label><label>SCE34000</label><label>SCM21006</label><label>SCM11019</label><label>SCM00009</label><label>SCM14034</label><item><term>Mathematics</term></item><item><term>Applications of Mathematics</term></item><item><term>Philosophy of Science</term></item><item><term>Geometry</term></item><item><term>Algebraic Geometry</term></item><item><term>Mathematics, general</term></item><item><term>Visualization</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="2002">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-11-28">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/AE9F96E70E2DA13AB131E04E733D5021D1F549B3/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus springer-ebooks not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//Springer-Verlag//DTD A++ V2.4//EN" URI="http://devel.springer.de/A++/V2.4/DTD/A++V2.4.dtd" name="istex:docType"></istex:docType><istex:document><Publisher><PublisherInfo><PublisherName>Birkhäuser Basel</PublisherName><PublisherLocation>Basel</PublisherLocation><PublisherImprintName>Birkhäuser</PublisherImprintName></PublisherInfo><Book Language="En"><BookInfo BookProductType="Monograph" ContainsESM="No" Language="En" MediaType="eBook" NumberingStyle="ChapterOnly" OutputMedium="All" TocLevels="0"><BookID>978-3-0348-8141-8</BookID><BookTitle>The Topos of Music</BookTitle><BookSubTitle>Geometric Logic of Concepts, Theory, and Performance</BookSubTitle><BookDOI>10.1007/978-3-0348-8141-8</BookDOI><BookTitleID>53262</BookTitleID><BookPrintISBN>978-3-0348-9454-8</BookPrintISBN><BookElectronicISBN>978-3-0348-8141-8</BookElectronicISBN><BookChapterCount>54</BookChapterCount><BookCopyright><CopyrightHolderName>Birkhäuser Verlag</CopyrightHolderName><CopyrightYear>2002</CopyrightYear></BookCopyright><BookSubjectGroup><BookSubject Code="SCM" Type="Primary">Mathematics</BookSubject><BookSubject Code="SCM13003" Priority="1" Type="Secondary">Applications of Mathematics</BookSubject><BookSubject Code="SCE34000" Priority="2" Type="Secondary">Philosophy of Science</BookSubject><BookSubject Code="SCM21006" Priority="3" Type="Secondary">Geometry</BookSubject><BookSubject Code="SCM11019" Priority="4" Type="Secondary">Algebraic Geometry</BookSubject><BookSubject Code="SCM00009" Priority="5" Type="Secondary">Mathematics, general</BookSubject><BookSubject Code="SCM14034" Priority="6" Type="Secondary">Visualization</BookSubject><SubjectCollection Code="SUCO11649">Mathematics and Statistics</SubjectCollection></BookSubjectGroup></BookInfo><BookHeader><AuthorGroup><Author AffiliationIDS="Aff1"><AuthorName DisplayOrder="Western"><GivenName>Guerino</GivenName><FamilyName>Mazzola</FamilyName></AuthorName><Contact><Email>mazzola@ifi.unizh.ch</Email></Contact></Author><Affiliation ID="Aff1"><OrgDivision>Department of Information Technology MultiMedia Laboratory</OrgDivision><OrgName>University of Zurich</OrgName><OrgAddress><Street>Winterthurerstrasse 190</Street><Postcode>8057</Postcode><City>Zurich</City><Country>Switzerland</Country></OrgAddress></Affiliation></AuthorGroup></BookHeader><Part ID="Part9"><PartInfo TocLevels="0"><PartID>9</PartID><PartNumber>Part IX</PartNumber><PartSequenceNumber>9</PartSequenceNumber><PartTitle>Expressive Semantics</PartTitle><PartChapterCount>4</PartChapterCount><PartContext><BookID>978-3-0348-8141-8</BookID><BookTitle>The Topos of Music</BookTitle></PartContext></PartInfo><Chapter ID="Chap38" Language="En"><ChapterInfo ChapterType="OriginalPaper" ContainsESM="No" Language="En" NumberingStyle="ChapterOnly" OutputMedium="All" TocLevels="0"><ChapterID>38</ChapterID><ChapterNumber>Chapter 38</ChapterNumber><ChapterDOI>10.1007/978-3-0348-8141-8_38</ChapterDOI><ChapterSequenceNumber>38</ChapterSequenceNumber><ChapterTitle Language="En">Stemma Theory</ChapterTitle><ChapterFirstPage>755</ChapterFirstPage><ChapterLastPage>772</ChapterLastPage><ChapterCopyright><CopyrightHolderName>Springer Basel AG</CopyrightHolderName><CopyrightYear>2002</CopyrightYear></ChapterCopyright><ChapterHistory><RegistrationDate><Year>2011</Year><Month>6</Month><Day>27</Day></RegistrationDate></ChapterHistory><ChapterGrants Type="Regular"><MetadataGrant Grant="OpenAccess"></MetadataGrant><AbstractGrant Grant="OpenAccess"></AbstractGrant><BodyPDFGrant Grant="Restricted"></BodyPDFGrant><BodyHTMLGrant Grant="Restricted"></BodyHTMLGrant><BibliographyGrant Grant="Restricted"></BibliographyGrant><ESMGrant Grant="Restricted"></ESMGrant></ChapterGrants><ChapterContext><PartID>9</PartID><BookID>978-3-0348-8141-8</BookID><BookTitle>The Topos of Music</BookTitle></ChapterContext></ChapterInfo><ChapterHeader><AuthorGroup><Author AffiliationIDS="Aff2"><AuthorName DisplayOrder="Western"><GivenName>Guerino</GivenName><FamilyName>Mazzola</FamilyName></AuthorName><Contact><Email>mazzola@ifi.unizh.ch</Email></Contact></Author><Affiliation ID="Aff2"><OrgDivision>Department of Information Technology MultiMedia Laboratory</OrgDivision><OrgName>University of Zurich</OrgName><OrgAddress><Street>Winterthurerstrasse 190</Street><Postcode>8057</Postcode><City>Zurich</City><Country>Switzerland</Country></OrgAddress></Affiliation></AuthorGroup><Abstract ID="Abs1" Language="En" OutputMedium="All"><Heading>Summary</Heading><Para TextBreak="No">The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the <Emphasis Type="Italic">stemma</Emphasis> of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding <Emphasis Type="Italic">genetic</Emphasis> and <Emphasis Type="Italic">environmental</Emphasis> principles.</Para></Abstract><ArticleNote Type="Motto"><SimplePara>O matre pulchra filia pulchrior.</SimplePara><SimplePara>Horace (65-8 B.C.)</SimplePara></ArticleNote></ChapterHeader><NoBody></NoBody></Chapter></Part></Book></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Stemma Theory</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>Stemma Theory</title></titleInfo><name type="personal"><namePart type="given">Guerino</namePart><namePart type="family">Mazzola</namePart><affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</affiliation><affiliation>E-mail: mazzola@ifi.unizh.ch</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="chapter" displayLabel="chapter" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-CGT4WMJM-6"></genre><originInfo><publisher>Birkhäuser Basel</publisher><place><placeTerm type="text">Basel</placeTerm></place><dateIssued encoding="w3cdtf">2002</dateIssued><dateIssued encoding="w3cdtf">2002</dateIssued><copyrightDate encoding="w3cdtf">2002</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><abstract lang="en">Summary: The stemma theory is introduced from its musicological and practical motivation. Semiotically speaking, performance is a result of a diachronic process. This is traced on the structure of a genealogical tree, the stemma of a performance. The stemma formalizes the diachronic process of rehearsal and practising. We describe the structure of stemmata as “family trees of performance”, together with the corresponding genetic and environmental principles.</abstract><relatedItem type="host"><titleInfo><title>The Topos of Music</title><subTitle>Geometric Logic of Concepts, Theory, and Performance</subTitle></titleInfo><name type="personal"><namePart type="given">Guerino</namePart><namePart type="family">Mazzola</namePart><affiliation>Department of Information Technology MultiMedia Laboratory, University of Zurich, Winterthurerstrasse 190, 8057, Zurich, Switzerland</affiliation><affiliation>E-mail: mazzola@ifi.unizh.ch</affiliation></name><genre type="book" displayLabel="Monograph" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-5WTPMB5N-F">book</genre><originInfo><publisher>Springer</publisher><copyrightDate encoding="w3cdtf">2002</copyrightDate><issuance>monographic</issuance></originInfo><subject><genre>Book-Subject-Collection</genre><topic authority="SpringerSubjectCodes" authorityURI="SUCO11649">Mathematics and Statistics</topic></subject><subject><genre>Book-Subject-Group</genre><topic authority="SpringerSubjectCodes" authorityURI="SCM">Mathematics</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM13003">Applications of Mathematics</topic><topic authority="SpringerSubjectCodes" authorityURI="SCE34000">Philosophy of Science</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM21006">Geometry</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM11019">Algebraic Geometry</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM00009">Mathematics, general</topic><topic authority="SpringerSubjectCodes" authorityURI="SCM14034">Visualization</topic></subject><identifier type="DOI">10.1007/978-3-0348-8141-8</identifier><identifier type="ISBN">978-3-0348-9454-8</identifier><identifier type="eISBN">978-3-0348-8141-8</identifier><identifier type="BookTitleID">53262</identifier><identifier type="BookID">978-3-0348-8141-8</identifier><identifier type="BookChapterCount">54</identifier><identifier type="PartChapterCount">4</identifier><part><date>2002</date><detail type="part"><title>Part IX: Expressive Semantics</title></detail><detail type="part"><number>Part IX</number></detail><detail type="chapter"><number>Chapter 38</number></detail><extent unit="pages"><start>755</start><end>772</end></extent></part><recordInfo><recordOrigin>Birkhäuser Verlag, 2002</recordOrigin></recordInfo></relatedItem><identifier type="istex">AE9F96E70E2DA13AB131E04E733D5021D1F549B3</identifier><identifier type="ark">ark:/67375/HCB-VVFM0VLR-6</identifier><identifier type="DOI">10.1007/978-3-0348-8141-8_38</identifier><identifier type="ChapterID">38</identifier><identifier type="ChapterID">Chap38</identifier><accessCondition type="use and reproduction" contentType="copyright">Birkhäuser Verlag, 2002</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</recordContentSource><recordOrigin>Springer Basel AG, 2002</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/AE9F96E70E2DA13AB131E04E733D5021D1F549B3/metadata/json</uri></json:item></metadata><annexes><json:item><extension>txt</extension><original>true</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/AE9F96E70E2DA13AB131E04E733D5021D1F549B3/annexes/txt</uri></json:item></annexes><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000458 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000458 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:AE9F96E70E2DA13AB131E04E733D5021D1F549B3
|texte= Stemma Theory
}}
| This area was generated with Dilib version V0.6.33. |  |