Women and absolutism in French opera and fairy tale
Identifieur interne : 000011 ( PascalFrancis/Checkpoint ); précédent : 000010; suivant : 000012Women and absolutism in French opera and fairy tale
Auteurs : Anne E. Duggan [États-Unis]Source :
- The French review [ 0016-111X ] ; 2004.
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- Pascal (Inist)
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Abstract
This essay considers the influence of Philippe Quinault and Jean-Baptiste Lully's operas on the fairy tales of Marie-Catherine d'Aulnoy, particularly with respect to how d'Aulnoy recombines elements borrowed from their operas to defend mondain culture and to contest some of opera's ideological underpinnings. While opera is emblematic of what Lewis Seifert has referred to as mondain culture, associated in particular with aristocratic women, opera is also marked by the ideology of absolutism and negative stereotypes of women. On the one hand, I show how d'Aulnoy inscribes elements of opera to defend mondain culture, and consequently how opera shaped the specific form the marvelous would take in her tales. On the other, I demonstrate that the ways in which d'Aulnoy redeploys operatic elements served to contest opera's representations of women and absolutism, and to glorify mondain women.
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