BourgeoisGentilV1, PascalFrancis, Corpus, bibRecord, 000015

Women and absolutism in French opera and fairy tale

Identifieur interne : 000015 ( PascalFrancis/Corpus ); précédent : 000014; suivant : 000016

Women and absolutism in French opera and fairy tale

Auteurs : Anne E. Duggan

Source :

The French review [ 0016-111X ] ; 2004.

RBID : Francis:523-05-10311

Descripteurs français

Pascal (Inist)
- France, Siècle 17, Aulnoy (M. C. d'), Opéra, Conte de fées, Vie mondaine, Femme, Absolutisme, Stéréotype, Influences, Merveilleux, Idéologie sociale, Aristocratie.

English descriptors

KwdEn :
- Absolutism, Aristocraty, Aulnoy (M. C. d'), Century 17, Fairy tale, France, Influences, Marvelous, Opera, Social ideology, Stereotype, Woman, Worldly life.

Abstract

This essay considers the influence of Philippe Quinault and Jean-Baptiste Lully's operas on the fairy tales of Marie-Catherine d'Aulnoy, particularly with respect to how d'Aulnoy recombines elements borrowed from their operas to defend mondain culture and to contest some of opera's ideological underpinnings. While opera is emblematic of what Lewis Seifert has referred to as mondain culture, associated in particular with aristocratic women, opera is also marked by the ideology of absolutism and negative stereotypes of women. On the one hand, I show how d'Aulnoy inscribes elements of opera to defend mondain culture, and consequently how opera shaped the specific form the marvelous would take in her tales. On the other, I demonstrate that the ways in which d'Aulnoy redeploys operatic elements served to contest opera's representations of women and absolutism, and to glorify mondain women.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

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A11	`01`	`1`		`@1 DUGGAN (Anne E.)`
A14	`01`			`@1 Wayne State University @2 (MI) @3 USA @Z 1 aut.`
A20				`@2 249, 302-315 [15 p.]`
A21				`@1 2004`
A23	`01`			`@0 ENG`
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A44				`@0 0000 @1 © 2005 INIST-CNRS. All rights reserved.`
A45				`@0 22 ref.`
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A66	`01`			`@0 USA`
A68	`01`	`1`	`FRE`	`@1 Les femmes et l'absolutisme dans l'opéra français et le conte de fées`
A99				`@0 7 notes`
C01	`01`		`ENG`	@0 This essay considers the influence of Philippe Quinault and Jean-Baptiste Lully's operas on the fairy tales of Marie-Catherine d'Aulnoy, particularly with respect to how d'Aulnoy recombines elements borrowed from their operas to defend mondain culture and to contest some of opera's ideological underpinnings. While opera is emblematic of what Lewis Seifert has referred to as mondain culture, associated in particular with aristocratic women, opera is also marked by the ideology of absolutism and negative stereotypes of women. On the one hand, I show how d'Aulnoy inscribes elements of opera to defend mondain culture, and consequently how opera shaped the specific form the marvelous would take in her tales. On the other, I demonstrate that the ways in which d'Aulnoy redeploys operatic elements served to contest opera's representations of women and absolutism, and to glorify mondain women.
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C03	`03`	`I`	`FRE`	`@0 Aulnoy (M. C. d') @2 NF @2 FA @5 03`
C03	`03`	`I`	`ENG`	`@0 Aulnoy (M. C. d') @2 NF @2 FA @5 03`
C03	`04`	`I`	`FRE`	`@0 Opéra @5 04`
C03	`04`	`I`	`ENG`	`@0 Opera @5 04`
C03	`05`	`I`	`FRE`	`@0 Conte de fées @5 05`
C03	`05`	`I`	`ENG`	`@0 Fairy tale @5 05`
C03	`06`	`I`	`FRE`	`@0 Vie mondaine @5 06`
C03	`06`	`I`	`ENG`	`@0 Worldly life @5 06`
C03	`07`	`I`	`FRE`	`@0 Femme @5 07`
C03	`07`	`I`	`ENG`	`@0 Woman @5 07`
C03	`08`	`I`	`FRE`	`@0 Absolutisme @5 08`
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C03	`11`	`I`	`ENG`	`@0 Marvelous @5 11`
C03	`12`	`I`	`FRE`	`@0 Idéologie sociale @5 12`
C03	`12`	`I`	`ENG`	`@0 Social ideology @5 12`
C03	`13`	`I`	`FRE`	`@0 Aristocratie @5 13`
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Format Inist (serveur)

NO :	FRANCIS 523-05-10311 INIST
FT :	(Les femmes et l'absolutisme dans l'opéra français et le conte de fées)
ET :	Women and absolutism in French opera and fairy tale
AU :	DUGGAN (Anne E.)
AF :	Wayne State University/(MI)/Etats-Unis (1 aut.)
DT :	Publication en série; Niveau analytique
SO :	The French review; ISSN 0016-111X; Etats-Unis; Da. 2004; Vol. 78; No. 2; 249, 302-315 [15 p.]; Bibl. 22 ref.
LA :	Anglais
EA :	This essay considers the influence of Philippe Quinault and Jean-Baptiste Lully's operas on the fairy tales of Marie-Catherine d'Aulnoy, particularly with respect to how d'Aulnoy recombines elements borrowed from their operas to defend mondain culture and to contest some of opera's ideological underpinnings. While opera is emblematic of what Lewis Seifert has referred to as mondain culture, associated in particular with aristocratic women, opera is also marked by the ideology of absolutism and negative stereotypes of women. On the one hand, I show how d'Aulnoy inscribes elements of opera to defend mondain culture, and consequently how opera shaped the specific form the marvelous would take in her tales. On the other, I demonstrate that the ways in which d'Aulnoy redeploys operatic elements served to contest opera's representations of women and absolutism, and to glorify mondain women.
CC :	523174; 523
FD :	France; Siècle 17; Aulnoy (M. C. d'); Opéra; Conte de fées; Vie mondaine; Femme; Absolutisme; Stéréotype; Influences; Merveilleux; Idéologie sociale; Aristocratie
ED :	France; Century 17; Aulnoy (M. C. d'); Opera; Fairy tale; Worldly life; Woman; Absolutism; Stereotype; Influences; Marvelous; Social ideology; Aristocraty
LO :	INIST-23192.354000122568490040
ID :	523

Links to Exploration step

Francis:523-05-10311

Le document en format XML

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<front><div type="abstract" xml:lang="en">This essay considers the influence of Philippe Quinault and Jean-Baptiste Lully's operas on the fairy tales of Marie-Catherine d'Aulnoy, particularly with respect to how d'Aulnoy recombines elements borrowed from their operas to defend mondain culture and to contest some of opera's ideological underpinnings. While opera is emblematic of what Lewis Seifert has referred to as mondain culture, associated in particular with aristocratic women, opera is also marked by the ideology of absolutism and negative stereotypes of women. On the one hand, I show how d'Aulnoy inscribes elements of opera to defend mondain culture, and consequently how opera shaped the specific form the marvelous would take in her tales. On the other, I demonstrate that the ways in which d'Aulnoy redeploys operatic elements served to contest opera's representations of women and absolutism, and to glorify mondain women.</div>
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<FT>(Les femmes et l'absolutisme dans l'opéra français et le conte de fées)</FT>
<ET>Women and absolutism in French opera and fairy tale</ET>
<AU>DUGGAN (Anne E.)</AU>
<AF>Wayne State University/(MI)/Etats-Unis (1 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
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<LA>Anglais</LA>
<EA>This essay considers the influence of Philippe Quinault and Jean-Baptiste Lully's operas on the fairy tales of Marie-Catherine d'Aulnoy, particularly with respect to how d'Aulnoy recombines elements borrowed from their operas to defend mondain culture and to contest some of opera's ideological underpinnings. While opera is emblematic of what Lewis Seifert has referred to as mondain culture, associated in particular with aristocratic women, opera is also marked by the ideology of absolutism and negative stereotypes of women. On the one hand, I show how d'Aulnoy inscribes elements of opera to defend mondain culture, and consequently how opera shaped the specific form the marvelous would take in her tales. On the other, I demonstrate that the ways in which d'Aulnoy redeploys operatic elements served to contest opera's representations of women and absolutism, and to glorify mondain women.</EA>
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Women and absolutism in French opera and fairy tale

Women and absolutism in French opera and fairy tale

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Abstract

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Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

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