| Ident. | Authors (with country if any) | Title |
|---|
| 000452 (2008) |
John Golder | Molière and the Circumstances of Late Seventeenth-Century Rehearsal Practice |
| 000528 (2006) |
Sarah Nancy | The ‘Deaf Ear’ of Classicism: Searching for the Female Voice in French Tragédie Lyrique |
| 000607 (2005) |
Meg Mumford | Women and German Drama: Playwrights and their Texts, 1860–1945 . By Sarah Colvin. Rochester, US and Woodbridge, UK: Camden House, 2003. Pp. 211. £50/$70 Hb |
| 000608 (2005) |
Ian Ruffell [Royaume-Uni] | Tragedy, Modernity and Mourning By Olga Taxidou. Edinburgh: Edinburgh University Press, 2004. Pp. 215. £45 Hb |
| 000609 (2005) |
Helen Thomson | Theatre Australia (Un)limited . By Geoffrey Milne. Amsterdam/New York: Rodopi, 2004. Pp. xiv + 444 + illus. $115 Pb |
| 000610 (2005) |
Peter A. Davis | The Undiscovered Country: The Later Plays of Tennessee Williams . Edited by Philip C. Kolin. New York: Peter Lang Publishing, 2002. Pp. ix + 223 + illus. £23.00 Pb |
| 000611 (2005) |
Victoria E. Price [Royaume-Uni] | The Cambridge Companion to Christopher Marlowe . Edited by Patrick Cheney. Cambridge: Cambridge University Press, 2004. Pp. xix + 312 + illus. £45 Hb; £15.99 Pb |
| 000612 (2005) |
Lisa Wolford Wylam | The Archive and the Repertoire: Performing Cultural Memory in the Americas . By Diana Taylor. Durham, NC: Duke University Press, 2003. Pp. 328 + illus. $79.95 Hb; $22.95 Pb |
| 000613 (2005) |
Willy Maley [Royaume-Uni] | Shakespeare, ‘Hamlet’: A Student Guide . Second edition. By Paul A. Cantor. Cambridge: Cambridge University Press, 2004. Pp. xvi + 101. £27.50/$45 Hb; £9.99/$15 Pb Beckett, ‘Waiting for Godot’: A Student Guide . Second edition. By Lawrence Graver. Cambridge: Cambridge University Press, 2004. Pp. xx +107 + illus. £27.50/$45 Hb; £9.99/$15 Pb |
| 000614 (2005) |
Carol Fisher Sorgenfrei | National Abjection: The Asian American Body Onstage . By Karen Shimakawa. Durham and London: Duke University Press, 2002. Pp. xi + 192+ illus. $18.95 Pb |
| 000616 (2005) |
Martin Harries | Modern Drama: Defining the Field . Edited by Ric Knowles, Joanne Tompkins, and W.B. Worthen. Toronto: University of Toronto Press, 2003. Pp. xiii + 212. $27.95 Pb |
| 000617 (2005) |
Harley Erdman [États-Unis] | Making Americans: Jews and the Broadway Musical . By Andrea Most. Cambridge, MA: Harvard University Press, 2004. Pp. viii + 253. $29.95 Hb |
| 000619 (2005) |
Murray G. H. Pittock [Royaume-Uni] | Frae Ither Tongues: Essays on Modern Translations into Scots . Edited by Bill Findlay. Clevedon: Multilingual Matters, 2004. Pp. viii + 272. £49.95 Hb |
| 000620 (2005) |
Brian Singleton | Before Orientalism: London's Theatre of the East, 1576–1626 . By Richmond Barbour. Cambridge: Cambridge University Press, 2004. Pp. xii + 238. £45; $60 Hb |
| 000621 (2005) |
Chris Dunton | A History of Theatre in Africa. Edited by Martin Banham. Cambridge: Cambridge University Press, 2004. Pp. xvii + 478. £80; $130 Hb History and Theatre in Africa. Edited by Yvette Hutchison and Eckhard Breitinger. Bayreuth: University of Bayreuth, 2000. Pp. 216 + illus. €14.99 Pb Contemporary Nigerian Theatre. By Olu Obafemi. Bayreuth: University of Bayreuth, 1996. Pp. 293 + illus. DM 59.90 Hb; DM 44.90 Pb Theatre and Performance in Zimbabwe. By Martin Rohmer. Bayreuth: University of Bayreuth, 1999. Pp. 289 + illus. €23.99 Pb Issues in Nigerian Theatre. Edited by Ola Rotimi. Ibadan: Humanities Publishers, 2001. Pp. 125. £14.95; $24.95 Pb |
| 000728 (2003) |
| Books Received |
| 000772 (2002) |
Brian Parker [Canada] | Williams: A Streetcar Named Desire. By Philip C. Kolin. Cambridge: Cambridge University Press, 2000. Pp. xix + 229 + illus. $54.95 Hb; $19.95 Pb. |
| 000776 (2002) |
John Ripley [Canada] | The Theatre of Form and the Production of Meaning: Contemporary Canadian Dramaturgies. By Ric Knowles. Toronto: ECW Press, 1999. Pp. 288. $19.95 Pb. |
| 000778 (2002) |
Karl Toepfer | The Changing Room: Sex, Drag and the Theatre. By Laurence Senelick. London & New York: Routledge, 2000. Pp. xvi + 540 + illus. $100 Hb; $29.95 Pb. |
| 000779 (2002) |
Jan Mcdonald [Royaume-Uni] | The Cambridge Companion to Chekhov. Edited by Vera Gottlieb and Paul Allain. Cambridge: Cambridge University Press, 2000. Pp. xxxiii + 293 illus. £37.50 Hb; £13.95 Pb. |
| 000780 (2002) |
Virginia Scott | The Actress and Utopian Theatre Reform in Eighteenth-Century France: Riccoboni, Rousseau, and Restif |
| 000782 (2002) |
Hayato Kosuge | Shakespeare and the Japanese Stage. Edited by Takashi Sasayama, J. R. Mulryne and Margaret Shewring. Cambridge: Cambridge University Press, 1998. Pp. xiii + 357 + illus. £45 Hb. Performing Shakespeare in Japan. Edited by Minami Ryuta, Ian Carruthers and John Gillies. Cambridge: Cambridge University Press, 2001. Pp. xiii + 259 + illus. £45 Hb. |
| 000784 (2002) |
Aleks Sierz | Post-War British Drama: Looking Back in Gender. By Michelene Wandor. London: Routledge, 2001. Pp. 265. £16.99 Pb. |
| 000785 (2002) |
Sherry A. Darling | Posing a Threat: Flappers, Chorus Girls and Other Brazen Performers of the American 1920s. By Angela J. Latham. Hanover, NH & London: Wesleyan University Press, 2000. Pp. xi + 203 + illus. $19.95. Pb. |
| 000786 (2002) |
Randy Martin | Performing History: Theatrical Representations of the Past in Contemporary Theatre. By Freddie Rokem. Iowa City: University of Iowa Press, 2000. Pp. xiv + 241 + illus. $42.95 Hb. |
| 000787 (2002) |
Ann Blake | O Brave New World: Two Centuries of Shakespeare on the Australian Stage. Edited by John Golder and Richard Madelaine. Sydney: Currency Press, 2001. Pp. xiv + 256 + illus. AUS$ 39.95 Pb. |
| 000788 (2002) |
William D. Howarth | Molière, A Theatrical Life. By Virginia Scott. Cambridge: Cambridge University Press, 2000. Pp. ix + 333 + illus. £35; $54.95 Hb. |
| 000789 (2002) |
David Bradby [Royaume-Uni] | Langhoff. Edited by Odette Aslan. Paris: CNRS Editions, 2000. Pp. 414 + illus. FF320 Pb. La scène et les images. Edited by Béatrice Picon-Vallin. Paris: CNRS Editions, 2001. Pp.404 + illus. FF295 Pb. |
| 000792 (2002) |
Bella Merlin [Royaume-Uni] | Jacques Lecoq and the British Theatre. Edited by Franc Chamberlain and Ralph Yarrow. London: Routledge Harwood, 2002. Pp. 121 + illus. £19.99 Pb. |
| 000794 (2002) |
Laurence Senelick | Harlequin Unmasked: The Commedia dell'Arte and Porcelain Sculpture. By Meredith Chilton, with an essay by Domenico Pietropaolo. New Haven & London: Yale University Press, 2001. Pp. xv + 368 + illus. £45 Hb. |
| 000799 (2002) |
Aparna Dharwadker | Authorship, Metatheatre, and Antitheatre in the Restoration |
| 000800 (2002) |
Eileen Fischer | A Beckett Canon. By Ruby Cohn. Ann Arbor: University of Michigan Press, 2001. Pp. 417. $59.50 Hb. |
| 000870 (2001) |
| Books Received |
| 000894 (2000) |
Claude Schumacher | Theatre Research International |
| 000896 (2000) |
Marvin Carlson | The Ghosts of Versailles |
| 000917 (2000) |
Nicole Vigouroux-Frey ; Monique Prunet | Panorama and Stages in Development: Theatre in Bulgaria: An Introductory Overview |
| 000918 (2000) |
Nicole Vigouroux-Frey | Opening Up Doors of Perception: Stanislav Stratiev and Yordan Radichkov |
| 000951 (2000) |
Snejina Roussinova-Zdravkova | Bulgarian Theatre Companies in the Second Half of the Twentieth Century |
| 000974 (1999) |
Claudia R. Jensen ; John S. Powell | ‘A Mess of Russians left us but of late’: Diplomatic Blunder, Literary Satire, and the Muscovite Ambassador's 1668 Visit to Paris Theatres |
| 000980 (1999) |
Eli Rozik | The Corporeality of the Actor's Body: The Boundaries of Theatre and the Limitations of Semiotic Methodology |
| 000982 (1999) |
Arnold Aronson [États-Unis] | Technology and Dramaturgical Development: Five Observations |
| 000A21 (1998) |
M. A. Katritzky | The Commedia dell'arte: An Introduction |
| 000A38 (1998) |
Virginia Scott | La Virtu et la volupté. Models for the Actress in Early Modern Italy and France |
| 000A42 (1998) |
Bent Holm | Harlequin, Holberg and the (In)visible Masks: Commedia dell'arte in Eighteenth-Century Denmark |
| 000A53 (1998) |
Maria Ines Aliverti | An Unknown Portrait of Tiberio Fiorilli |
| 000A76 (1998) |
William D. Howarth | Reviews |
| 000B18 (1997) |
Maria Shevtsova | Sociocultural Analysis: National and Cross-cultural Performance |
| 000B22 (1997) |
Bent Holm | Picture and Counter-Picture: An Attempt to Involve Context in the Interpretation of Théâtre Italien Iconography |
| 000B29 (1997) |
Charles Dietrich [États-Unis] | Les Opéras Parfumés: Aspects of Orientalism in Nineteenth-Century French Opera |
| 000B33 (1997) |
Brian Singleton | Introduction: The Pursuit of Otherness for the Investigation of Self |
| 000B46 (1997) |
Robert Wilcher [Royaume-Uni] | Reviews |
