List of bibliographic references indexed by 1474-0672
Number of relevant bibliographic references: 110.
[20-40] [
0 - 20][
0 - 50][
40-60]
| Ident. | Authors (with country if any) | Title |
|---|
| 000780 (2002) |
Virginia Scott | The Actress and Utopian Theatre Reform in Eighteenth-Century France: Riccoboni, Rousseau, and Restif |
| 000782 (2002) |
Hayato Kosuge | Shakespeare and the Japanese Stage. Edited by Takashi Sasayama, J. R. Mulryne and Margaret Shewring. Cambridge: Cambridge University Press, 1998. Pp. xiii + 357 + illus. £45 Hb. Performing Shakespeare in Japan. Edited by Minami Ryuta, Ian Carruthers and John Gillies. Cambridge: Cambridge University Press, 2001. Pp. xiii + 259 + illus. £45 Hb. |
| 000784 (2002) |
Aleks Sierz | Post-War British Drama: Looking Back in Gender. By Michelene Wandor. London: Routledge, 2001. Pp. 265. £16.99 Pb. |
| 000785 (2002) |
Sherry A. Darling | Posing a Threat: Flappers, Chorus Girls and Other Brazen Performers of the American 1920s. By Angela J. Latham. Hanover, NH & London: Wesleyan University Press, 2000. Pp. xi + 203 + illus. $19.95. Pb. |
| 000786 (2002) |
Randy Martin | Performing History: Theatrical Representations of the Past in Contemporary Theatre. By Freddie Rokem. Iowa City: University of Iowa Press, 2000. Pp. xiv + 241 + illus. $42.95 Hb. |
| 000787 (2002) |
Ann Blake | O Brave New World: Two Centuries of Shakespeare on the Australian Stage. Edited by John Golder and Richard Madelaine. Sydney: Currency Press, 2001. Pp. xiv + 256 + illus. AUS$ 39.95 Pb. |
| 000788 (2002) |
William D. Howarth | Molière, A Theatrical Life. By Virginia Scott. Cambridge: Cambridge University Press, 2000. Pp. ix + 333 + illus. £35; $54.95 Hb. |
| 000789 (2002) |
David Bradby [Royaume-Uni] | Langhoff. Edited by Odette Aslan. Paris: CNRS Editions, 2000. Pp. 414 + illus. FF320 Pb. La scène et les images. Edited by Béatrice Picon-Vallin. Paris: CNRS Editions, 2001. Pp.404 + illus. FF295 Pb. |
| 000792 (2002) |
Bella Merlin [Royaume-Uni] | Jacques Lecoq and the British Theatre. Edited by Franc Chamberlain and Ralph Yarrow. London: Routledge Harwood, 2002. Pp. 121 + illus. £19.99 Pb. |
| 000794 (2002) |
Laurence Senelick | Harlequin Unmasked: The Commedia dell'Arte and Porcelain Sculpture. By Meredith Chilton, with an essay by Domenico Pietropaolo. New Haven & London: Yale University Press, 2001. Pp. xv + 368 + illus. £45 Hb. |
| 000799 (2002) |
Aparna Dharwadker | Authorship, Metatheatre, and Antitheatre in the Restoration |
| 000800 (2002) |
Eileen Fischer | A Beckett Canon. By Ruby Cohn. Ann Arbor: University of Michigan Press, 2001. Pp. 417. $59.50 Hb. |
| 000870 (2001) |
| Books Received |
| 000894 (2000) |
Claude Schumacher | Theatre Research International |
| 000896 (2000) |
Marvin Carlson | The Ghosts of Versailles |
| 000917 (2000) |
Nicole Vigouroux-Frey ; Monique Prunet | Panorama and Stages in Development: Theatre in Bulgaria: An Introductory Overview |
| 000918 (2000) |
Nicole Vigouroux-Frey | Opening Up Doors of Perception: Stanislav Stratiev and Yordan Radichkov |
| 000951 (2000) |
Snejina Roussinova-Zdravkova | Bulgarian Theatre Companies in the Second Half of the Twentieth Century |
| 000974 (1999) |
Claudia R. Jensen ; John S. Powell | ‘A Mess of Russians left us but of late’: Diplomatic Blunder, Literary Satire, and the Muscovite Ambassador's 1668 Visit to Paris Theatres |
| 000980 (1999) |
Eli Rozik | The Corporeality of the Actor's Body: The Boundaries of Theatre and the Limitations of Semiotic Methodology |
| 000982 (1999) |
Arnold Aronson [États-Unis] | Technology and Dramaturgical Development: Five Observations |
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