Ident. | Authors (with country if any) | Title |
---|
000054 (2012) |
Philip J. Davis [États-Unis] ; Reuben Hersh [États-Unis] ; Elena Anne Marchisotto [États-Unis] | Varieties of Mathematical Experience |
000056 (2012) |
Jon Solomon [États-Unis, Niger] | Boccaccio and the Ineffable, Aniconic God Demogorgon |
000057 (2012) |
Karl Gustafson [États-Unis] | 14. Realities |
000082 (2010) |
Judith Milhous [États-Unis] | WHAT ARE YOU READING? |
000084 (2010) |
Michele Cabrini [États-Unis] | Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata |
000089 (2010) |
Amanda Eubanks Winkler [États-Unis] | Sexless Spirits?: Gender Ideology and Dryden's Musical Magic |
000102 (2010) |
Carl B. Schmidt [États-Unis] | Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship |
000105 (2010) |
Stuart Cheney [États-Unis] | Early autograph manuscripts of Marin Marais |
000107 (2010) |
Peter Bennett [États-Unis] | Collaborations between the Musique de la Chambre and the Musique de la Chapelle at the court of Louis XIII: Nicolas Formé's Missa Æternae Henrici Magni (1638) and the origins of the grand motet |
000114 (2010) |
Jama Stilwell [États-Unis] | A New View of the Eighteenth-Century ‘Abduction’ Opera: Edification and Escape at the Parisian ‘ThéâTres de la foire’ |
000133 (2009) |
Wendy Heller [États-Unis] | Venice without the Carnival: Pierre Audi's Monteverdi Cycle on DVD |
000134 (2009) |
Julia Prest [États-Unis] | Thomas Corneille (1625–1709): Beyond the Triumvirate |
000138 (2009) |
Leeman L. Perkins [États-Unis] | Sounding Objects: Musical Instruments, Poetry, and Art in Renaissance France. By Carla Zecher |
000142 (2009) |
Francesca Schironi [États-Unis] | Notes in Papyri |
000152 (2009) |
David Hunter [Royaume-Uni, États-Unis] | Bridging the gap: the patrons-in-common of Purcell and Handel |
000191 (2009) |
Aaron Kozbelt [États-Unis] | Performance time productivity and versatility estimates for 102 classical composers |
000206 (2009) |
Laura Stein [États-Unis] ; Amit Schejter [États-Unis] | Interview With Robert McChesney |
000442 (2008) |
Choi Chatterjee [États-Unis] | Transnational Romance, Terror, and Heroism: Russia in American Popular Fiction, 1860–1917 |
000448 (2008) |
Judith Milhous [États-Unis] ; Robert D. Hume [États-Unis] | One Hundred and Thirty-Seven Neglected English Play Manuscripts in the British Library (c. 1770–1809), Part I |
000467 (2008) |
Jon Solomon [États-Unis, Niger] | The Vacillations of the Trojan Myth: Popularization & Classicization, Variation & Codification |
000471 (2008) |
Jonathon Erlen [États-Unis] | Research on the history of psychiatry |
000487 (2007) |
James A. Winn [États-Unis] | ‘A Versifying Maid of Honour’: Anne Finch and the Libretto for Venus and Adonis |
000488 (2007) |
Berthold Hoeckner [États-Unis] | Wagner and the Origin of Evil |
000489 (2007) |
Don Fader [États-Unis] | Philippe II d'Orléans's ‘chanteurs italiens’, the Italian cantata and the goûts-réunis under Louis XIV |
000501 (2007) |
Rebecca Cypess [États-Unis] | Chambonnières, Jollain and the first engraving of harpsichord music in France |
000505 (2007) |
Kathryn Lowerre [États-Unis] | A ballet des nations for English audiences: Europe's revels for the peace of Ryswick (1697) |
000515 (2007) |
Marcel Gutwirth [États-Unis] | "Le Bourgeois gentilhomme", comédie à double-, à triple fond ? |
000526 (2006) |
Odai Johnson [États-Unis] | Thomas Abthorpe Cooper: Father of the American Stage, 1775–1849 |
000595 (2006) |
Glenn E. Weisfeld [États-Unis] | Humor appreciation as an adaptive esthetic emotion |
000617 (2005) |
Harley Erdman [États-Unis] | Making Americans: Jews and the Broadway Musical . By Andrea Most. Cambridge, MA: Harvard University Press, 2004. Pp. viii + 253. $29.95 Hb |
000618 (2005) |
Brett Bowles [États-Unis] | MARCEL PAGNOL'S THE BAKER'S WIFE, A CINEMATIC CHARIVARI IN POPULAR FRONT FRANCE |
000645 (2005) |
Robert D. Hume [États-Unis] | Construction and Legitimation in Literary History |
000657 (2004) |
Michael M. Chemers [États-Unis] | The Stage Life of Props. By Andrew Sofer. Ann Arbor: University of Michigan Press, 2003; pp. 278. $19.95 paper. |
000662 (2004) |
Anne Larabee [États-Unis] | Staging America: Cornerstone and Community-Based Theater. By Sonja Kuftinec. Carbondale: Southern Illinois University Press, 2003; pp. xviii + 255. $45 cloth. |
000713 (2004) |
Anne E. Duggan [États-Unis] | Women and absolutism in French opera and fairy tale |
000796 (2002) |
Jeffrey L. Griffin [États-Unis] | Global English infiltrates Bulgaria |
000833 (2001) |
Tim Carter (musicologue) [États-Unis] | Vocal mannerisms |
000882 (2001) |
Jacqualine Pagani [États-Unis] | MIXING ART AND LIFE: The Conundrum of the Avant‐Garde's Autonomous Status in the Performance Art World of Los Angeles |
000883 (2001) |
Marcia Landy [États-Unis] | Just an image: Godard, cinema, and philosophy |
000967 (2000) |
Lori Ann Garner [États-Unis] | Contexts of Interpretation in the Burdens of Middle English Carols |
000982 (1999) |
Arnold Aronson [États-Unis] | Technology and Dramaturgical Development: Five Observations |
000A12 (1999) |
Eric Mckee [États-Unis] | Influences of the Early Eighteenth‐Century Social Minuet on the Minuets From J. S. Bach’s French Suites, BWV 812‐17 |
000A31 (1998) |
Maryam B. Sanjabi [États-Unis] | Mardum-gurīz: An Early Persian Translation of Moliere's Le Misanthrope |
000A47 (1998) |
Bruno W. Augenstein [États-Unis] | Complexity, Universal Libraries, dna Sequences |
000A59 (1998) |
Chang-Tai Hung [États-Unis] | Women and sexuality in China: Female sexuality and gender since 1949 |
000A60 (1998) |
Hans Pols [États-Unis] | William James on consciousness beyond the margin |
000A62 (1998) |
Chandra Mukerji [États-Unis] | Unspoken Assumptions: Voice and Absolutism at the Court of Louis XIV |
000A63 (1998) |
Daniel Levine [États-Unis] | Under the cover of kindness: The invention of social work |
000A64 (1998) |
Brent D. Slife [États-Unis] | Theoretical issues in psychology |
000A66 (1998) |
John Carson [États-Unis] | The science and politics of racial research |
000A67 (1998) |
James Gilbert [États-Unis] | The opening of the American mind: Canons, culture, and history |