Xerse. Cavalli/Lully
Identifieur interne : 000024 ( Main/Curation ); précédent : 000023; suivant : 000025Xerse. Cavalli/Lully
Auteurs : Barbara Nestola [France] ; Michael Klaper ; Sara Elisa Stangalino ; Hendrik SchulzeSource :
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English descriptors
Abstract
First performed in Venice on January 12, 1655 in the Santi Giovanni e Paolo theatre, Xerse is one of Venetian master Francesco Cavalli’s most successful works, after Egisto (1643) and Giasone (1649), and is the result of a collaboration between Cavalli and a promising young librettist, Nicolò Minato. The work was an immediate success and was reprised in the largest Italian cities (Milano, Rome, Genoa, Naples, etc.) during the second half of the century, and in a revised form in Paris in 1660, for the wedding of Louis XIV and Maria Theresa of Spain.The revival of Xerse in Paris in 1660 takes place during the celebration of Louis XIV and Maria Theresa of Spain’s marriage. Since the 1640’s, Cardinal Mazarin had been very involved in the efforts to establish Italian opera at the French court, and he had hoped to invite Francesco Cavalli to Paris to mark this event, since Cavalli was already a famous composer at this time and the author of more than 20 operas.In 2015, the Parisian version of Xerse was revived. This work, unique in the context of seventeenth-century Italian opera, is produced by the Lille Opera and its coproducers, the Centre de musique baroque de Versailles and the Caen Theatre. Guy Cassiers directed, with musical direction by Emmanuelle Haïm, leading the “Concert d’Astrée” ensemble.
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Hal:halshs-01370307Le document en format XML
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<front><div type="abstract" xml:lang="en">First performed in Venice on January 12, 1655 in the Santi Giovanni e Paolo theatre, Xerse is one of Venetian master Francesco Cavalli’s most successful works, after Egisto (1643) and Giasone (1649), and is the result of a collaboration between Cavalli and a promising young librettist, Nicolò Minato. The work was an immediate success and was reprised in the largest Italian cities (Milano, Rome, Genoa, Naples, etc.) during the second half of the century, and in a revised form in Paris in 1660, for the wedding of Louis XIV and Maria Theresa of Spain.The revival of Xerse in Paris in 1660 takes place during the celebration of Louis XIV and Maria Theresa of Spain’s marriage. Since the 1640’s, Cardinal Mazarin had been very involved in the efforts to establish Italian opera at the French court, and he had hoped to invite Francesco Cavalli to Paris to mark this event, since Cavalli was already a famous composer at this time and the author of more than 20 operas.In 2015, the Parisian version of Xerse was revived. This work, unique in the context of seventeenth-century Italian opera, is produced by the Lille Opera and its coproducers, the Centre de musique baroque de Versailles and the Caen Theatre. Guy Cassiers directed, with musical direction by Emmanuelle Haïm, leading the “Concert d’Astrée” ensemble.</div>
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