BourgeoisGentilV1, Hal, Checkpoint, bibRecord, 000024

Xerse. Cavalli/Lully

Identifieur interne : 000024 ( Hal/Checkpoint ); précédent : 000023; suivant : 000025

Xerse. Cavalli/Lully

Auteurs : Barbara Nestola [France] ; Michael Klaper ; Sara Elisa Stangalino ; Hendrik Schulze

Source :

RBID : Hal:halshs-01370307

Descripteurs français

mix :
- Opéra italien du XVIIe siècle.

English descriptors

mix :
- Performance practice studies.

Abstract

First performed in Venice on January 12, 1655 in the Santi Giovanni e Paolo theatre, Xerse is one of Venetian master Francesco Cavalli’s most successful works, after Egisto (1643) and Giasone (1649), and is the result of a collaboration between Cavalli and a promising young librettist, Nicolò Minato. The work was an immediate success and was reprised in the largest Italian cities (Milano, Rome, Genoa, Naples, etc.) during the second half of the century, and in a revised form in Paris in 1660, for the wedding of Louis XIV and Maria Theresa of Spain.The revival of Xerse in Paris in 1660 takes place during the celebration of Louis XIV and Maria Theresa of Spain’s marriage. Since the 1640’s, Cardinal Mazarin had been very involved in the efforts to establish Italian opera at the French court, and he had hoped to invite Francesco Cavalli to Paris to mark this event, since Cavalli was already a famous composer at this time and the author of more than 20 operas.In 2015, the Parisian version of Xerse was revived. This work, unique in the context of seventeenth-century Italian opera, is produced by the Lille Opera and its coproducers, the Centre de musique baroque de Versailles and the Caen Theatre. Guy Cassiers directed, with musical direction by Emmanuelle Haïm, leading the “Concert d’Astrée” ensemble.

Url:

https://halshs.archives-ouvertes.fr/halshs-01370307

Links toward previous steps (curation, corpus...)

to stream Hal, to step Corpus: 000020
to stream Hal, to step Curation: 000020

Links to Exploration step

Hal:halshs-01370307

Le document en format XML

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          <orgName>Centre d'études supérieures de la Renaissance UMR 7323</orgName>
          <orgName type="acronym">CESR</orgName>
          <desc>            <address>              <addrLine>59 Rue Néricault-Destouches - BP 12050 37020 TOURS CEDEX 1</addrLine>
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            <ref type="url">https://cesr.univ-tours.fr/version-francaise/centre-d-etudes-superieures-de-la-renaissance-50498.kjsp</ref>
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<sourceDesc><biblStruct><analytic><title xml:lang="en">Xerse. Cavalli/Lully</title>
<author><name sortKey="Nestola, Barbara" sort="Nestola, Barbara" uniqKey="Nestola B" first="Barbara" last="Nestola">Barbara Nestola</name>
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          <orgName type="acronym">CESR</orgName>
          <desc>            <address>              <addrLine>59 Rue Néricault-Destouches - BP 12050 37020 TOURS CEDEX 1</addrLine>
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          <date type="start">1970-12-17</date>
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<front><div type="abstract" xml:lang="en">First performed in Venice on January 12, 1655 in the Santi Giovanni e Paolo theatre, Xerse is one of Venetian master Francesco Cavalli’s most successful works, after Egisto (1643) and Giasone (1649), and is the result of a collaboration between Cavalli and a promising young librettist, Nicolò Minato. The work was an immediate success and was reprised in the largest Italian cities (Milano, Rome, Genoa, Naples, etc.) during the second half of the century, and in a revised form in Paris in 1660, for the wedding of Louis XIV and Maria Theresa of Spain.The revival of Xerse in Paris in 1660 takes place during the celebration of Louis XIV and Maria Theresa of Spain’s marriage. Since the 1640’s, Cardinal Mazarin had been very involved in the efforts to establish Italian opera at the French court, and he had hoped to invite Francesco Cavalli to Paris to mark this event, since Cavalli was already a famous composer at this time and the author of more than 20 operas.In 2015, the Parisian version of Xerse was revived. This work, unique in the context of seventeenth-century Italian opera, is produced by the Lille Opera and its coproducers, the Centre de musique baroque de Versailles and the Caen Theatre. Guy Cassiers directed, with musical direction by Emmanuelle Haïm, leading the “Concert d’Astrée” ensemble.</div>
</front>
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<hal api="V3">          <titleStmt>            <title xml:lang="en">Xerse. Cavalli/Lully</title>
            <author role="edt">              <persName>                <forename type="first">Barbara</forename>
                <surname>Nestola</surname>
              </persName>
              <idno type="halauthorid">89389</idno>
              <affiliation ref="#struct-542727"></affiliation>
            </author>
            <author role="aut">              <persName>                <forename type="first">Michael</forename>
                <surname>Klaper</surname>
              </persName>
              <ptr type="url" target="https://www.uni-jena.de/Fakult%C3%A4ten/Philosophische+Fakult%C3%A4t/Einrichtungen+_+%C3%9Cberblick/Institut+f%C3%BCr+Musikwissenschaft+Weimar_Jena/Professur+f%C3%BCr+Musik+des+Mittelalters+und+der+Renaissance/Personal/Prof_+Dr_+Michael+Klaper.html"></ptr>
              <idno type="halauthorid">1386617</idno>
            </author>
            <author role="aut">              <persName>                <forename type="first">Sara Elisa</forename>
                <surname>Stangalino</surname>
              </persName>
              <idno type="halauthorid">1386618</idno>
            </author>
            <author role="aut">              <persName>                <forename type="first">Hendrik</forename>
                <surname>Schulze</surname>
              </persName>
              <ptr type="url" target="https://music.unt.edu/faculty-and-staff/hendrik-schulze"></ptr>
              <idno type="halauthorid">1386639</idno>
            </author>
            <editor role="depositor">              <persName>                <forename>Barbara</forename>
                <surname>Nestola</surname>
              </persName>
              <email type="md5">6c5ac5077d4f5dc57a4703b296576f37</email>
              <email type="domain">cmbv.com</email>
            </editor>
          </titleStmt>
          <editionStmt>            <edition n="v1" type="current">              <date type="whenSubmitted">2016-09-22 12:50:20</date>
              <date type="whenModified">2018-09-20 12:06:03</date>
              <date type="whenReleased">2016-09-22 12:50:20</date>
              <date type="whenProduced">2015-10</date>
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              <name key="184435">                <persName>                  <forename>Barbara</forename>
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              </name>
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          <publicationStmt>            <distributor>CCSD</distributor>
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            <idno type="halUri">https://halshs.archives-ouvertes.fr/halshs-01370307</idno>
            <idno type="halBibtex">nestola:halshs-01370307</idno>
            <idno type="halRefHtml">2015, http://www.lesdossiersducmbv.fr/xerse/</idno>
            <idno type="halRef">2015, http://www.lesdossiersducmbv.fr/xerse/</idno>
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            <idno type="stamp" n="AO-MUSICOLOGIE" corresp="SHS">AO-MUSICOLOGIE</idno>
            <idno type="stamp" n="UNIV-TOURS">Université François Rabelais</idno>
            <idno type="stamp" n="CESR">Centre d'Etudes Supérieures de la Renaissance</idno>
          </seriesStmt>
          <notesStmt>            <note type="description">Dossier numérique réalisé à l'occasion de la première recréation moderne du 'Xerse' de Francesco Cavalli et Jean-Baptiste Lully (Paris 1660) à l'Opéra de Lille (octobre 2015)</note>
            <note type="popular" n="1">Yes</note>
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          <sourceDesc>            <biblStruct>              <analytic>                <title xml:lang="en">Xerse. Cavalli/Lully</title>
                <author role="edt">                  <persName>                    <forename type="first">Barbara</forename>
                    <surname>Nestola</surname>
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                  <idno type="halauthorid">89389</idno>
                  <affiliation ref="#struct-542727"></affiliation>
                </author>
                <author role="aut">                  <persName>                    <forename type="first">Michael</forename>
                    <surname>Klaper</surname>
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                  <ptr type="url" target="https://www.uni-jena.de/Fakult%C3%A4ten/Philosophische+Fakult%C3%A4t/Einrichtungen+_+%C3%9Cberblick/Institut+f%C3%BCr+Musikwissenschaft+Weimar_Jena/Professur+f%C3%BCr+Musik+des+Mittelalters+und+der+Renaissance/Personal/Prof_+Dr_+Michael+Klaper.html"></ptr>
                  <idno type="halauthorid">1386617</idno>
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                <author role="aut">                  <persName>                    <forename type="first">Sara Elisa</forename>
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                <author role="aut">                  <persName>                    <forename type="first">Hendrik</forename>
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            <abstract xml:lang="en">First performed in Venice on January 12, 1655 in the Santi Giovanni e Paolo theatre, Xerse is one of Venetian master Francesco Cavalli’s most successful works, after Egisto (1643) and Giasone (1649), and is the result of a collaboration between Cavalli and a promising young librettist, Nicolò Minato. The work was an immediate success and was reprised in the largest Italian cities (Milano, Rome, Genoa, Naples, etc.) during the second half of the century, and in a revised form in Paris in 1660, for the wedding of Louis XIV and Maria Theresa of Spain.The revival of Xerse in Paris in 1660 takes place during the celebration of Louis XIV and Maria Theresa of Spain’s marriage. Since the 1640’s, Cardinal Mazarin had been very involved in the efforts to establish Italian opera at the French court, and he had hoped to invite Francesco Cavalli to Paris to mark this event, since Cavalli was already a famous composer at this time and the author of more than 20 operas.In 2015, the Parisian version of Xerse was revived. This work, unique in the context of seventeenth-century Italian opera, is produced by the Lille Opera and its coproducers, the Centre de musique baroque de Versailles and the Caen Theatre. Guy Cassiers directed, with musical direction by Emmanuelle Haïm, leading the “Concert d’Astrée” ensemble.</abstract>
            <abstract xml:lang="fr">Créé à Venise le 12 janvier 1655 au théâtre Santi Giovanni e Paolo, Xerse compte parmi les titres à succès de Francesco Cavalli, après Egisto (1643) et Giasone (1649). Fruit de la collaboration entre le maître vénitien et un jeune librettiste prometteur, Nicolò Minato, l’œuvre remporta un succès immédiat et fut reprise dans les principales villes italiennes (Milan, Rome, Gênes, Naples, etc.) pendant la seconde moitié du siècle. Parmi les reprises, on compte également la représentation dans une version remaniée à Paris, en 1660, pour le mariage de Louis XIV avec Marie-Thérèse d’Autriche.La reprise de Xerse à Paris en 1660 s’inscrit dans le cadre des célébrations pour le mariage de Louis XIV et Marie-Thérèse d’Autriche. Le cardinal Mazarin, très impliqué depuis les années 1640 dans des tentatives d’implanter l’opéra italien à la cour de France, avait souhaité, pour marquer cet événement, inviter Francesco Cavalli à Paris, à cette date compositeur renommé et déjà auteur de plus de vingt opéras.En 2015, la version parisienne de Xerse renaît sur la scène. L’Opéra de Lille, en coproduction avec le Centre de musique baroque de Versailles et le Théâtre de Caen, recrée cette œuvre unique dans le contexte de l’opéra italien du XVIIe siècle, avec une mise en scène de Guy Cassiers et sous la direction musicale d’Emmanuelle Haïm, à la tête du Concert d’Astrée.</abstract>
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	Serveur d'exploration autour du Bourgeois gentilhomme
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Serveur d'exploration autour du Bourgeois gentilhomme

Xerse. Cavalli/Lully

Xerse. Cavalli/Lully

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri