Orchestra Music
Identifieur interne : 000267 ( Istex/Corpus ); précédent : 000266; suivant : 000268Orchestra Music
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- Music Educators Journal [ 0027-4321 ] ; 1938-02.
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DOI: 10.1177/002743213802400438
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Olmsted</json:string><json:string>Hector MacCarthy</json:string><json:string>Sacred Communion</json:string></persName><placeName></placeName><ref_url></ref_url><ref_bibl></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-J7J4MNLG-S</json:string></ark><publicationDate>1938</publicationDate><copyrightDate>1938</copyrightDate><doi><json:string>10.1177/002743213802400438</json:string></doi><id>3D12F35BA92F4BB4BA27EB820BF502D67D674DA9</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/ark:/67375/M70-J7J4MNLG-S/fulltext.pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/ark:/67375/M70-J7J4MNLG-S/bundle.zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/ark:/67375/M70-J7J4MNLG-S/fulltext.tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Orchestra Music</title></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://scientific-publisher.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1938</date></publicationStmt><notesStmt><note type="review-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Orchestra Music</title><idno type="istex">3D12F35BA92F4BB4BA27EB820BF502D67D674DA9</idno><idno type="ark">ark:/67375/M70-J7J4MNLG-S</idno><idno type="DOI">10.1177/002743213802400438</idno><idno type="article-id">10.1177_002743213802400438</idno></analytic><monogr><title level="j">Music Educators Journal</title><idno type="pISSN">0027-4321</idno><idno type="eISSN">1945-0087</idno><idno type="publisher-id">MEJ</idno><idno type="PublisherID-hwp">spmej</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><date type="published" when="1938-02"></date><biblScope unit="volume">24</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="59">59</biblScope><biblScope unit="page" to="59">59</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1938</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="1938-02">Published</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/ark:/67375/M70-J7J4MNLG-S/fulltext.txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="review-article" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
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<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1177/002743213802400438</article-id><article-id pub-id-type="publisher-id">10.1177_002743213802400438</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Orchestra Music</article-title></title-group><pub-date pub-type="ppub"><month>02</month><year>1938</year></pub-date><volume>24</volume><issue>4</issue><fpage>59</fpage><lpage>59</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> CHORAL IMUS. C. C. Birchard Co., Boston. Double choir of mixed voices.-(1) Magnificat and Nunc Dimittis in G, by Charles Wood. Sixteen pages, organ accompaniment. Medium difficult. No. 1196, 25 cents. (2) Magniflcat and Nunc Dimittis in G, by Charles Wood. Sixteen pages, a cappella. Medium difficult. No. 1195, 25 cents. Mixed voices.-(1) Musette, by Handel, arranged by John B. Archer. Without words, to be hummed or vocalized. For five-part chorus, the basses carrying the organ point. Low bass F. A Medium. No. 1079, 10 cents. cappella. (2) Sunny Bank, based on an old French melody and a piano sonata by Scarlatti, Solo for arranged by Frank C. Butcher. medium organ accompaniment, voice, bells ad libitum. Four-part chorus. Effective. Medium. No. 1077, 16 cents. How Dazzling (3) Fair, by Charles Wood. Many changes in measure signature. Medium difficult. Organ accompaniment. No. 1197, 16 cents. Women' s voices. - (1) Close Thine Eyes, by Edward T. Chapman. A very slumber appealing song for four-part chorus. Piano accompaniment. Medium. No. 1192, 15 cents. (2) Lord, Thou Art an arrangement of Bach' s Mindful, famed “ Air for the G String,” by Robert W. Gibb, to words by Frank J. chorus. Medium. Coyle. For three-part No. 1081, 16 cents. (3) Spring Chorus, from “ The Bartered Bride,” by Smetana. Arranged for three-part chorus, by Bertha Remick. Piano accompaniment. Easy. No. 1084, 15 cents. (4) Eternal Source of Every Joy, by Bortniansky, arranged for two-part chorus by Harry L. Harts. Piano, ad libitum. Easy. No. 1263, 10 cents. (5) Unto Thy Temple, Lord, We Come, by Gretchaninoff, abridged and arranged for two-part chorus by Harry L. Harts. Piano accompaniment. Easy. No. 1264, 15 cents. (6) The Honour of May, by Thomas F. Dunhill. Two-part chorus. Piano accompaniment. Medium. No. 1198, 16 cents. Unison.-(1) Daffodil, by Thomas F. Dunhill. Unison song with piano accompaniment. Easy. No. 1199, 15 cents. (2) And Ever Shall Be, by Geoffrey Shaw. Unison song, suitable throughout for all voices. Piano accompaniment. Easy. No. 1193, 15 cents. T.T.B.B.-Where' er You Walk, by Handel, arranged and simplified by Stuart Bliss Hopkin. Piano accompaniment. Medium. No. 1082, 16 cents. Galaxy Music Corporation, New York. The Christ Child Lay on S.A.T.B.-(1) Mary' s Lap, a Christmas carol, by J. Willis Conant. Text by G. K. Chesterton. Very attractive. Piano or organ Medium. No. 838, 15 accompaniment. cents. (2) O Lord, Support Us, a prayer, by G. Darlington Richards. Text by John Newman. A sustained Henry number. A cappella. Low bass G-flat; other ranges easy. Medium to medium difficult. No. 840, 10 cents. (3) How Can the Heart Forget Her?, by Arthur A melodious and graceful num Bergh. ber. Piano accompaniment. The text is from Davison' s “ Poetical Rhapsody,” 1602. Easy voice ranges; low bass G. Medium to medium difficult. No. 834, 15 cents. Wanderer' s S.A.B.-(1) Night Song, by Anton Rubinstein, arranged by Donald Hale. Piano ac Text, Lermontoff. companiment. Easy. No. 822, 15 cents. Berceuse from Jocelyn, (2) Lullaby, Piano ac Godard, arranged by Hale. Medium. No. 821, 10 cents. companiment. - (1) T.T.B.B. The Cowboy' s Life, tune from the John A. Lomax collection of cowboy songs, setting by Keith Eleven pages. A gay Crosby Brown. and rollicking number. Piano accomin imitation of the banjo. paniment “ Hi! giddy-up, giddy-up” refrains. Easy Medium. No. ranges; high tenor A. (2) Sicilian Rhapsody, 842, 20 cents. Two Sicilian folk by Alberto Bimboni. melodies freely treated, with text by Lorraine Noel Finley. A splendid number with distinctive qualities as to both music and text. Twenty-three pages long; rehearsal markings; 6 minutes for performance. High tenor A; other parts of easy range, but for effective performance the abilities of groups of some advancement will be required. (3) Songs My Mother Taught Me, by Anton choral transcription Arthur Dvorak, by Hall. Solo for soprano or tenor against humming background in the four parts. Piano accompaniment, if desired. Easy range of parts; one low D in the bass could be optional. Medium. No. 811, 15 cents. O Shepherd (4) Whence, folk song, ar Maiden?, French-Canadian ranged by William H. Anderson. Easy range of parts; Low bass F; high tenor G. A pleasing number. A cappella. Medium. No. 836, 15 cents. (5) I Have Culled a Lovely French Rosebud, Canadian folk song, arranged by William H. Anderson. A cappella. French and Medium. No. 837, 15 cents. English. (6) Little Finnish Folk Song, arranged by Kosti Vehanen, choral transcription Texts in English by Mark Andrews. and Finnish. A cappella or piano ac Medium. No. 814, 15 companiment. cents. T.T.B.-(1) Sleep On, My Little One, The Little ar Sandman, by Brahms, Donald Hale. ranged by Piano accompaniment optional. No. 813, 10 Easy. cents. (2) Sweet and Low, by Barnby, arranged by Hale. A cappella. Easy. No. 823, 10 cents. (3) Oh, Charlie Is My Darling, arranged by Hale. A cappella. Medium. No. 824, 10 cents. Women' s Voices O (1) Whence, Shepherd Maiden?, French-Canadian folk song, arranged by William H. Anderson for four-part treble voices. Easy range of parts. A cappella. Medium. No. 835, 15 cents. (2) Minnie and Winnie, by Text by Tennyson. Ruggero Vene. A number. graceful Piano accompaniment. Medium. No. 833, 15 cents. M. Witmark Sons, New York. Three-Choir the Wide Music.-Fling Gates, by Stainer, arranged by Kenneth E. Runkel. Well known as the opening chorus of the cantata “ The Crucifixion” and as a favorite Palm Sunday anthem, this number is effectively arranged for use by three choirs singing in combination as follows: children (S.A.); junior choir (S.A.B.); senior choir (S.A.T.B.). Medium. No. Organ accompaniment. 2914, 35 cents. Two-Choir Music. God So Loved the World, by Stainer, arranged by Kenneth Runkel. Also from “ The Crucifixion,” this number is arranged for the junior choir (S.A.B.) and senior choir (S.A.T.B.) Easy. Organ or piano accompaniment. No. 2912, 15 cents. Two-Part Choruses. S.A. or T.B. (1) The Chase of the Wolf, by Beethoven, edited by James Woodside. A Welsh folk song with text particularly suitable for boys. Piano accompaniment. Easy. No. 2888, 12 cents. (2) As I Lay AOne Night, modern English Dreaming version and accompaniment by James Woodside; composer unknown. A quaint of England' s early songs; this example one is of about the year 1450. It is a Christmas song in praise of the Virgin Mary. The original old English text is given, together with a modern version. Harp or piano accompaniment. Easy. No. 2911, 12 cents. T.T.B.B.-In C. Transit, by Franz Bornschein. From the standpoint of both music and text, this number will be more suited to mature groups than to high school boys. It concerns that hobo. There knight of the rails-the are some descriptive train effects-the under way and the whistle, but getting if desired these may be omitted. Low bass D; high tenor B. Piano accompaniment. Difficult. No. 2916, 20 cents. Music Willis Company, Cilcinn“ nti, Ohio. Mixed voices.-(1) Hear Thy For Praise, by Matthew N. Lundquist. six parts, soprano and tenor doubling the melody. A majestic choral-like A cappella. number. Medium difficult. No. 5730, 12 cents. the (2) Praise Lord, O Jerusalem, by Carlyle Duncan. A four-part festival anthem with solo for alto. Text from the Psalms. Organ or piano accompaniment. Medium. No. (3) The Day of Resur5748, 1t cents. An Easter Duncan. rection, by Carlyle anthem for four-part chorus, with organ or piano accompaniment. No. Easy. (4) Christ Is Risen 5694, 15 cents. from the Dead, Carlyle Duncan. Four Text from the part anthem for Easter. Organ or piano accompani Scriptures. ment. No. 5695, 15 cents. Easy. (5) The Omnipotence, by Schubert, arranged Treharne for S.A.B. with by Bryceson Medium. No. piano accompaniment. 5643, 15 cents. Women' s Voices.-(1) If I Had Wings, arranged by Florence Turner-Maley, for two- and three-part choruses. Piano No. 2036, 2-part, Easy. accompaniment. 12 cents; No. 2037, three-part, 12 cents. (2) A Face, by Florence Turner-Maley. Two-part chorus with piano accompaniment. Easy. No. 2038, 12 cents. Male Voices.-(1) Marching Down to Treharne. by Bryceson Armageddon, For four-part chorus with piano accom Eleven pages. Medium to paniment. medium difficult. No. 3028, 15 cents. (2) Kingdom Comin‘, by Henry Clay by Bryceson Treharne. Work, setting A lively number in two-four measure, for three-part chorus. Negro dialect. Piano accompaniment. Medium. No. (3) Nick, the Gnome, 5782, 12 cents. Two-part Turner-Maley. by Florence chorus with piano accompaniment. Ten Medium. No. 6008, 15 cents. pages. Carl Fischer, Inc., New York. Mixed Voices.-(1) April Rain, by Bainbridge Crist. A four-part song. Poem by ConA lively rad Aiken. number with a depictrhythmic piano accompanimenting the patter of rain. Medium difficult. No. 5601, 15 cents. (2) Evolution, by A lively Clarence Loomis. four-part song to the humorous poem of Clayton Medium Quast. Piano accompaniment. difficult. No. 4608, 15 cents. (3) Street Lamps, by Harriet Nash. Four-part song. Poem by Harry Kemp. A cappella. Medium difficult. No. 4603, 12 cents. (4) Chorus for Paquita, by Mae Nightingale. A-T.B. junior high school boys-S.A. Piano ac Spanish and English texts. Medium. No. 6118, 12 companiment. cents. Treble The Siren, by Voices.-(1) Elinor Remick Warren. Poem by James Russell Lowell. Three-part chorus with Difsoprano solo. Piano accompaniment. ficult. No. 5235, 20 cents. (2) Cradle Song, Norwegian folk melody, arranged by Theophil Wendt. -English version of text by Alice Mattullath. Three-part chorus with alto solo. Medium. Piano Medium. No. 5227, 10 accompaniment. cents. (3) Calling the Cows, Norwegian folk arranged by Theophil melody, Wendt. English version by Alice Mattullath. Three-part chorus with soprano solo. Piano accompaniment. Medium. No. 5223, 10 cents. (4) Spirit of Spring, by Florence Jepperson Madsen. Three Mepart chorus. Piano accompaniment. dium. No. 5234, 15 cents. (5) Music Makers of Kansas, by Charles Sanford Skilton. A club song. Unison and two Easy. No. part. Piano accompaniment. 6122, 10 cents. Do You Fear the Wind, T.T.B.B.-(1) Text by by Elinor Remick Warren. Hamlin Garland. A cappella. Medium. No. 2215, 12 cents. (2) Old Meg, the Thomas. Poem by Gypsy, by Lewys Keats. High tenor A. Piano accompaniment. Medium difficult. No. 2218, 15 cents. Clarence (3) Evolution, by Loomis. Humorous song. Piano accom Medium difficult. No. 2214, paniment. 15 cents. Page 56 Music Educators Journal A Distinguished Contribution to American Band Music ROB 4irary BINS of MIIODERN AMIIERICAN MUSIC for 3anl Arranged by ERIKW. G. LEIDZEN -Dr A. CATYON GD SUIT ', FERDE GROF AIH4ANrAN ?IEIRENAO?E I, LOUIS ALTER IPuJI RLE IDEEIPETER D ROSE 4 M A mk-C w 4 THOMAS GRISELLE r THOMAS GPJSELLE t IO AB.ICAN K SKATCHs .–TWO AHIMICAN; KITCHa*i ?irRIFEE IT SCENE 4 ALFRED NEWMAN FARrA KAvIERlFRANK IPs4 MATT / MALNECK SIGNOELU FULLBAND (including conductor part). $5.00 BAND (including conductor part) 7.50 SYMPHONIC.75… CONDUCTORSCORE (condensed) EXTRAPARTS, each………35 ROBBINS MUSIC CORP. 799 Seventh Ave., New York I I Harold York. Plammer, Inc., New S.A.T.B.–(1) Armenian Great Entrance, A canticle Gaul. arranged by Harvey for chorus with a solo tenor and baritone in the roles of deacons. Easy ranges of chorus parts; low bass, F. Occasional division of parts in alto and bass. the tenor and bari Considering tone solo requirements and the many changes in measure signature, the number is difficult. Eight pages in length. No. 84139, 15 Organ accompaniment. cents. (2) O Vos Omnes, by Cristofero Rieg Morales, arranged by Wallingford of ger. This motet, by a contemporary has texts in Latin and in Palestrina, the range of parts English. Although is easy, the number in its entirety is medium-difficult. No. 84135, 12 cents. (3) In Silent Night, Suabian folk song, harmonized by by Brahms, arranged Riegger. Optional second verse for male chorus or quartet. English and German texts. A cappella. No. Medium-easy. (4) My Love Dwelt in 81057, 15 cents. a Northern Land, by Edward Elgar, edited by Wallingford Occa Riegger. sional division of parts in alto, tenor, and bass. Low Medium. A cappella. bass F; high soprano G. No. 81067, 15 cents. (5) Lullaby and Goodnight, by Melody Brahms, arranged by Riegger. shared by sopranos and tenors alternately; short section for solo soprano. Range, high soprano G-flat; low bass Aflat. Piano accompaniment. No. 81061, 15 cents. (6) Ave Maria, by Schubert, arranged by Riegger. Soprano and tenor solos sung alternately and in unison against a section with vocal accompanihummed or sung with the vowel ment, “ ah.” Low bass F; high soprano A-flat. Latin and English texts. Piano accom Medium. No. 84136, 16 cents. paniment. (7) Dark Eyes, adapted and arranged The familiar Russian folk by Riegger. Piano song in an easy arrangement. No. 81064, 16 cents. accompaniment. (8) O Divine Redeemer, by Gounod, arranged by Theodore F. Ganschow. Occasional division of voice parts. Piano No. 84133, 16 cents. accompaniment. (9) Let the Words of My Mouth, by James R. Pears. An introit for solo soprano and chorus of mixed voices. Low bass F; other ranges easy. Organ Medium. No. 84140, 15 accompaniment. cents. (10) Bethlehem, by Frances WilA Christmas liams. carol or hymn. Piano or organ accompaniment. Easy. No. 84142, 15 cents. S.A.B.-(1) Jesu, Joy of Man' s Desiring, by Bach, arranged by Riegger. An effective arrangement which junior choirs or junior high school groups will find easy and delightful. Piano or organ No. 88507, 15 cents. accompaniment. (2) My Love Dwelt in a Northern Land, by Edward Elgar, arranged by Riegger. No. Medium. Piano accompaniment. (3) Prayer from “ Han88020, 15 cents. arsel and Gretel,” by Humperdinck, Piano accompaniranged by Riegger. 15 ment. No. 88019, Medium-easy. cents. by (4) Dance, My Comrades, Richard Bennett, arranged by Riegger. A lively Russian dance song, with piano Medium-easy. No. 88021, accompaniment. 15 cents. Robert S.S.A.-(1) by Dedication, German Franz, arranged by Riegger. texts. Piano accompaniand English 12 cents. No. ment. Easy. 83096, (2) Songs My Mother Taught Me, by Cain. Noble arranged by Dvorak, Medium easy. No. 83091, 15 cents. The C. C. Birchard Co., Boston. following releases are from well-known now avail Birchard choral collections, able as individual numbers in the same and in other voice arrangements. Lend Me Your Aid, Mixed voices.-(1) from Queen of Sheba, by Gounod, arranged by N. Clifford Page. Four-part Piano mixed voices. accompaniment. No. 152, 15 cents. Medium. (2) The Minuet, from Don Juan, by Mozart. A cappella. mixed voices. Four-part Easy. No. 63, 10 cents. (3) Those Pals When writing to advertisers, please mention JOURNAL The MUSIC EDUCATORS For A. of Ours, by Brown Greaton-Cole. A-T. B.B. A cappella. Easy. No. 1074, 12 cents. No Blade of Grass Can (4) Flourish, by Wilhelm F. Bach, arranged For three-part by Kenneth E. Runkel. mixed voices. A cappella. Medium. No. 1070, 12 cents. Male voices.-(1) Night' s Shades Are Gently Falling, by Volkmann, arranged For four-part by Morten J. Luvaas. male voices. A cappella. Easy. No. 125, 11 cents. (2) The Long Day Closes, by Me Four parts. A cappella. Sullivan. dium. No. 1071, 10 cents. (3) The Captain of the Pinafore, by Sullivan, armale voices by ranged for two-part Piano accompaniment. Gladys Pitcher. Medium. No. 915, 12 cents. the Starry Night, by S.S.A.-Through Charles Repper. A lullaby, ballad type. Southern dialect. Piano accompaniment. Medium. No. 1073, 10 cents. S.S.A. H. W. Gray Co., New York. When Soft Voices Die, T.T.B.-Music, Poem by Shelley. Gordon Jacob. by A number in sustained style with conA cappella. siderable melodic appeal. No. 1502, 15 cents. Medium. The Song of the LaceS.A.T.B.-(1) maker, by Russell Hancock Miles; poem An attractive by Elizabeth Mac Intire. dechorus, with piano accompaniment of bobbins. the whir Easy picting voice ranges, but medium difficult to No. 476, 15 cents. perform effectively. (2) The Melody of Night, by Maurice A A short sustained number. Blower. Medium. No. 1499, 15 cents. cappella. The Shofar Is Sounded, traditional (3) edited Hebrew by Clarence melody, The shofar is sounded by Dickinson. The a trumpet or the organ. means of number is mainly for solo bass with and responses short interludes by the Very short and easy. organ and chorus. No. 197, 12 cents. (4) Eternal Ruler of the Ceaseless Round, by Marianne Genet. An anthem in nonmetrical plainsong style, with organ accompaniment. Easy voice ranges, but medium difficult to perform effectively. (5) Hide Me Under the Shadow of Thy Wing, by Text from the Psalms. Edgar Priest. Anthem for solo soprano and chorus. 15 Medium. accompaniment. Organ cents. (6) Jubilate Deo, by Edgar F. Organ Day. A joyous song of praise. Medium. No. or piano. accompaniment, (7) If Ye Love Me, 1209, 15 cents. by Graham Keep My Commandments, Text St. John xiv; 15, 16, 17. George. No. Medium. Organ accompaniment. 1429, 12 cents. S.S.A.-(1) Heigh-Ho! for a Husband, folk song, arranged by Boris English Levenson. Light and gay. A cappella. Medium difficult. No. 480, 15 cents. (2) Poem by Sanctuary, by Lucie Landen. William Alexander Percy. Piano accom Medium difficult. No. 477, paniment. 15 cents. (3) Sunset and Serenade, by Sentimental ballad with Lucie Landen. Medium. No. 478, piano accompaniment. 15 cents. The Office of the Holy Unison.-(1) Contains Communion, by Leo Sowerby. the after the following: Responses Gloria Commandments; Kyrie Eleison; Sanc Tibi; Laus Tibi; Sursum Corda; Qui Venit; Agnus Dei; tus; Benedictus texts. in Excelsis. Gloria English Medium difficult. Organ accompaniment. No. 1451, 15 cents. (2) Bless the Lord, arO My Soul, by Ippolitow-Iwanow, Organ or piano ranged by John Holler. No. 1426, 12 Easy. accompaniment. cents. (3) Magnificat and Nunc Dimit There is tis, by David McK. Williams. an optional second part in one section, and in another there is four-part harmony for the voices if desired. Medium. No. 1436, 15 cents. (4) Lead Us, Heavenly Father, by John Holler. For junior choir. Easy. Organ or piano accom No. 1427, 12 cents. paniment. T.T.B.B.-She Walks in Beauty, by Granville Bantock. Poem by Byron. For chorus or quartet, unaccompanied. Medium. No. 656, 15 cents. Page 58 Music Educators Journal Mixed G. Schirmer, Inc., New York. voices, more than four parts. (1) Pawnee Based on Horses, by Arthur Farwell. an Omaha song given by Francis La The voices are arranged in Flesche. eight parts, some parts then being diof The text consists vided. mainly Difficult. A cappella. Indian vocables. No. 8148, 15 cents. (2) What Can Life Be But a Shadow?, by Bach, edited by for Motet Williamson. John Finley mixed voices in nine parts, or since the choirs do not combine the antiphonal work may be sung by a six-part mixed German text; also English verchorus. A cappella.sion by Willis J. Wager. A 19-page number. No. 8135, Difficult. 25 cents. (3) Christ Was Born on German Christmas Day, 16th century carol, arranged by Katherine K. Davis. Alto solo against humming five-part A cappella. Easy. No. accompaniment. 8152, 10 cents. Gloria in Excelsis Deo, S.A.T.B.-(1) A 15-page numby L. F. Heckenlively. Occain character. ber, contrapuntal of parts in soprano. division sional No. 8147, 20 cents. Medium difficult. by (2) Silent Stars Were Watching, A Christmas Edward Shippen Barnes. Easy. carol with organ accompaniment. No. 8141, 12 cents. (3) Everywhere, Christmas by Tonight! Everywhere, Elinor Remick Warren; text by Phillips A cappella. Medium difficult. Brooks. No. 8138, 15 cents. (4) Christmas MornA hymning, by William D. Olmsted. sections. like number with humming A Medium. Edwin Waugh. Text by No. 8165, 15 cents. (5) Holy cappella. edited Radiant Light, by Gretchaninoff, and arranged by Noble Cain. An early Consider Greek Hymn of Sophronius. able division of parts in all voices, and A many changes of measure signature. Difficult. No. 8081, 15 cents. cappella. Women' s Voices-(1) A Christmas A three Folk Song, by Amy Worth. chorus with incidental soprano solo part Modal in and piano accompaniment. Medium. No. 8134, 12 cents. character. (2) Sigh River, by Hector Mac Carthy. chorus with piano accom Three-part paniment based, in part, on a basso the relentless ostinato, which suggests flow of the river. Medium difficult. No. 8094, 12 cents. (3) Waltz of the Flowers, from the “ Nutcracker Suite,” by Tschaikowsky, arranged by Bryceson Treharne. The very pleasing poem, by Lorraine Noel Finley, is skillfully adapted to the music; this is not always the case when numbers. words are set to instrumental No. Piano Medium. accompaniment. (4) Come Where My 8080, 20 cents. Love Lies Dreaming, by Stephen Foster, arranged by Sumner Salter. Three-part chorus with piano or harp accompaniment. Medium. No. 8082, 15 cents. (5) Ye Banks and Braes O‘ Bonnie Doon, arranged by Percy Grainger for women' s or children' s (or both) unison men' s chorus, accompanied by four or voices and whistlers. Harmonium Medium. No. 8068, 12 organ at will. cents. O Sacrum Convivium, O T.T.B.B.-(1) Sacred Communion, by L. F. Hecken Latin and English texts. The lively. Medium music is modal in character. difficult. A cappella. No. 8130, 12 cents. (2) Tantum Ergo, Thus We Therefore A Pay Our Homage, by Heckenlively. Latin and Enghymn for benediction. lish texts. A cappella. No. Medium. (3) O Salutaris Hostia, 8136, 12 cents. O Saving Sacrificial Lamb, by HeckenA Latin and English texts. lively. Medium. No. 8131, 10 cents. cappella. ORu i-r Jf, A MUSIC F V ed By Beethoven, Egmont Overture. ited and fingered by Henry Sopkin. [C. Fischer: Set A, score and parts, $5.75; Set B, score and parts, $7.85; Set C, score and parts, $9.50; conductor' s score, Medium. $3.00; extra parts, 25 cents.] from “ The Southern At Evening, Mountains.” By Lamar Stringfield. [C. Fischer: SO, $1.35; FO, $1.85; GO, $2.50; 35 cents.] A tranquil piano conductor, Medium. intermezzo. STRING ORuas& tlxA MUSIC Berceuse. tran By Gretchaninoff, scribed by Ruggero Vene. Medium. [Galaxy: score and parts, $1.25; score, 75 cents; extra parts, 15 cents.] Gavotte. By Lully, arranged by Ar Medium. [Associated: cady Dubensky. score, 50 cents; parts, 15 cents.] Waltz. By Weber, arranged by Dubensky. Medium. [Associated: score, 50 cents; parts, 15 cents.] Sarabande et Tambourln. By Leclair, Medium. [Asarranged by Dubensky. sociated: 50 cents; 15 score, parts, cents.] Miniature Suite. By Fred Falconer, edited by James Brown. Contains Prelude, Bourree, Gavotte, Sarabande, Minuet, and Gigue. Medium. [Galaxy: score and parts, $2.00; score, $1.25; extra 25 cents.] The score is comstrings, plete with piano accompaniment. By Cesare Sodero. Village Pestival. [Galaxy: score, $2.00; parts, $2.50; extra parts, 25 cents each.] A very brilliant work. Medium difficult. Entrance and March of Peers, from “ Iolanthe.” By Arthur Sullivan, transcribed J. Roberts. [C. by Charles Fischer: FO, $1.50; SO, $1.05; extra piano conductor, 30 cents.] Easy. Prelude and Pugue in B-fiat Minor, from “ The Well-Tempered Clavichord,” by Bach, transcribed by Wesley G. Son Medium difficult to difficult. [Galtag. axy: score and parts, $1.25; score, 75 cents; extra parts, 15 cents.] Minuet. By Haydn, arranged by Ar Medium. [Associated: cady Dubensky. scores, 50 cents; parts, 15 cents.] February, Nineteen Thirty-eight Page 59 Mixed G. Schirmer, Inc., New York. voices, more than four parts. (1) Pawnee Based on Horses, by Arthur Farwell. an Omaha song given by Francis La The voices are arranged in Flesche. eight parts, some parts then being diof The text consists vided. mainly Difficult. A cappella. Indian vocables. No. 8148, 15 cents. (2) What Can Life Be But a Shadow?, by Bach, edited by for Motet Williamson. John Finley mixed voices in nine parts, or since the choirs do not combine the antiphonal work may be sung by a six-part mixed German text; also English verchorus. A cappella.sion by Willis J. Wager. A 19-page number. No. 8135, Difficult. 25 cents. (3) Christ Was Born on German Christmas Day, 16th century carol, arranged by Katherine K. Davis. Alto solo against humming five-part A cappella. Easy. No. accompaniment. 8152, 10 cents. Gloria in Excelsis Deo, S.A.T.B.-(1) A 15-page numby L. F. Heckenlively. Occain character. ber, contrapuntal of parts in soprano. division sional No. 8147, 20 cents. Medium difficult. by (2) Silent Stars Were Watching, A Christmas Edward Shippen Barnes. Easy. carol with organ accompaniment. No. 8141, 12 cents. (3) Everywhere, Christmas by Tonight! Everywhere, Elinor Remick Warren; text by Phillips A cappella. Medium difficult. Brooks. No. 8138, 15 cents. (4) Christmas MornA hymning, by William D. Olmsted. sections. like number with humming A Medium. Edwin Waugh. Text by No. 8165, 15 cents. (5) Holy cappella. edited Radiant Light, by Gretchaninoff, and arranged by Noble Cain. An early Consider Greek Hymn of Sophronius. able division of parts in all voices, and A many changes of measure signature. Difficult. No. 8081, 15 cents. cappella. Women' s Voices-(1) A Christmas A three Folk Song, by Amy Worth. chorus with incidental soprano solo part Modal in and piano accompaniment. Medium. No. 8134, 12 cents. character. (2) Sigh River, by Hector Mac Carthy. chorus with piano accom Three-part paniment based, in part, on a basso the relentless ostinato, which suggests flow of the river. Medium difficult. No. 8094, 12 cents. (3) Waltz of the Flowers, from the “ Nutcracker Suite,” by Tschaikowsky, arranged by Bryceson Treharne. The very pleasing poem, by Lorraine Noel Finley, is skillfully adapted to the music; this is not always the case when numbers. words are set to instrumental No. Piano Medium. accompaniment. (4) Come Where My 8080, 20 cents. Love Lies Dreaming, by Stephen Foster, arranged by Sumner Salter. Three-part chorus with piano or harp accompaniment. Medium. No. 8082, 15 cents. (5) Ye Banks and Braes O‘ Bonnie Doon, arranged by Percy Grainger for women' s or children' s (or both) unison men' s chorus, accompanied by four or voices and whistlers. Harmonium Medium. No. 8068, 12 organ at will. cents. O Sacrum Convivium, O T.T.B.B.-(1) Sacred Communion, by L. F. Hecken Latin and English texts. The lively. Medium music is modal in character. difficult. A cappella. No. 8130, 12 cents. (2) Tantum Ergo, Thus We Therefore A Pay Our Homage, by Heckenlively. Latin and Enghymn for benediction. lish texts. A cappella. No. Medium. (3) O Salutaris Hostia, 8136, 12 cents. O Saving Sacrificial Lamb, by HeckenA Latin and English texts. lively. Medium. No. 8131, 10 cents. cappella. ORu i-r Jf, A MUSIC F V ed By Beethoven, Egmont Overture. ited and fingered by Henry Sopkin. [C. Fischer: Set A, score and parts, $5.75; Set B, score and parts, $7.85; Set C, score and parts, $9.50; conductor' s score, Medium. $3.00; extra parts, 25 cents.] from “ The Southern At Evening, Mountains.” By Lamar Stringfield. [C. Fischer: SO, $1.35; FO, $1.85; GO, $2.50; 35 cents.] A tranquil piano conductor, Medium. intermezzo. STRING ORuas& tlxA MUSIC Berceuse. tran By Gretchaninoff, scribed by Ruggero Vene. Medium. [Galaxy: score and parts, $1.25; score, 75 cents; extra parts, 15 cents.] Gavotte. By Lully, arranged by Ar Medium. [Associated: cady Dubensky. score, 50 cents; parts, 15 cents.] Waltz. By Weber, arranged by Dubensky. Medium. [Associated: score, 50 cents; parts, 15 cents.] Sarabande et Tambourln. By Leclair, Medium. [Asarranged by Dubensky. sociated: 50 cents; 15 score, parts, cents.] Miniature Suite. By Fred Falconer, edited by James Brown. Contains Prelude, Bourree, Gavotte, Sarabande, Minuet, and Gigue. Medium. [Galaxy: score and parts, $2.00; score, $1.25; extra 25 cents.] The score is comstrings, plete with piano accompaniment. By Cesare Sodero. Village Pestival. [Galaxy: score, $2.00; parts, $2.50; extra parts, 25 cents each.] A very brilliant work. Medium difficult. Entrance and March of Peers, from “ Iolanthe.” By Arthur Sullivan, transcribed J. Roberts. [C. by Charles Fischer: FO, $1.50; SO, $1.05; extra piano conductor, 30 cents.] Easy. Prelude and Pugue in B-fiat Minor, from “ The Well-Tempered Clavichord,” by Bach, transcribed by Wesley G. Son Medium difficult to difficult. [Galtag. axy: score and parts, $1.25; score, 75 cents; extra parts, 15 cents.] Minuet. By Haydn, arranged by Ar Medium. [Associated: cady Dubensky. scores, 50 cents; parts, 15 cents.] February, Nineteen Thirty-eight Page 59 </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Orchestra Music</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Orchestra Music</title></titleInfo><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1938-02</dateIssued><copyrightDate encoding="w3cdtf">1938</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music Educators Journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1938</date><detail type="volume"><caption>vol.</caption><number>24</number></detail><detail type="issue"><caption>no.</caption><number>4</number></detail><extent unit="pages"><start>59</start><end>59</end></extent></part></relatedItem><identifier type="istex">3D12F35BA92F4BB4BA27EB820BF502D67D674DA9</identifier><identifier type="ark">ark:/67375/M70-J7J4MNLG-S</identifier><identifier type="DOI">10.1177/002743213802400438</identifier><identifier type="ArticleID">10.1177_002743213802400438</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/ark:/67375/M70-J7J4MNLG-S/record.json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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