Rhythm Material
Identifieur interne : 000266 ( Istex/Corpus ); précédent : 000265; suivant : 000267Rhythm Material
Auteurs :Source :
- Music Educators Journal [ 0027-4321 ] ; 1939-03.
English descriptors
- Teeft :
- Ahar, Arof, Attractive sonatas, Aulis, Band accompaniments, Beauty waltz, Berr, Beyer, Bueris, Carl fischer, Cavallini, Cawthorne, Clarinet, Clarinet part, Clarinetist, Collbctions, Collbctions concert etudes, Considerable contrast, Cornet, Cymbal, Digital dexterity, Dilling, Ditson, Diversified rhythms, Domenico, Domenico scarlatti, Dykema, Easy arof, Eenth, Eenth centuries, Eightseventeenth, Ensemble experience, Etude, Extra parts, Favorite solos, Fischer, Foreword, Friskin, Full band, Full orchestration, Gavotte, Gerardo, Gerardo iasilli, Gered, German polk tunes, Gladys, Glockenspiel, Gwendolyn, Gyford, Harpsichord, Harpsichord miniatures, Harpsichord music, Iasilli, Iniants, Iphegenia, Iphegenia others, James friskin, John bull, Labanchi, Little classics, Magic flute, Maining, Male voices, Marion anderson, Ment, Mildred, Mildred dilling, Modern band, Modern band training series, Monti, Movestandpoint, Movestandpoint ment, Nique, Norval, Orchestration, Orks, Orks festival, Other parts, Piano accompaniment, Piano score, Practical problemsinvolved, Problemsinvolved, Rangements, Reare, Reinecke, Rhythm band, Rhythm orchestra, Rhythm rhythm band symbols, Rhythmic dances, Rhythmic kindergarten, Rhythmic movement, Rhythmic sketches, Richard shuebruk, Sansom street philadelphia, Scarlatti, Seventh symphony, Shuebruk, Solo clarinet, Suggestions ornaments, Summy, Teaching hints, Techexemplifying, Technical work, Third grade, Trumexercises, Vesper, Waltz, Waltz time, Young children.
Url:
DOI: 10.1177/002743213902500531
Links to Exploration step
ISTEX:E70D002171D1922899E18D4E831B41A84B85D756Le document en format XML
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Journal</title><language><json:string>unknown</json:string></language><issn><json:string>0027-4321</json:string></issn><eissn><json:string>1945-0087</json:string></eissn><publisherId><json:string>MEJ</json:string></publisherId><volume>25</volume><issue>5</issue><pages><first>78</first><last>78</last></pages><genre><json:string>journal</json:string></genre></host><namedEntities><unitex><date><json:string>1939</json:string></date><geogName></geogName><orgName></orgName><orgName_funder></orgName_funder><orgName_provider></orgName_provider><persName><json:string>Gladys M. Stein</json:string><json:string>Gerardo Iasilli</json:string><json:string>W. Gray</json:string><json:string>J. Fischer</json:string><json:string>H. W. Gray</json:string><json:string>Ethel F. Gyford</json:string><json:string>Mildred Dilling</json:string><json:string>James Friskin</json:string><json:string>John Bull</json:string><json:string>C. Fischer</json:string><json:string>Carl Fischer</json:string><json:string>Domenico Scarlatti</json:string><json:string>R. Ranger</json:string><json:string>Marion Anderson</json:string><json:string>Richard Shuebruk</json:string><json:string>D. Scarlatti</json:string><json:string>A. Scarlatti</json:string></persName><placeName></placeName><ref_url></ref_url><ref_bibl><json:string>1685not the Although difficult, 1757</json:string></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-0S47GVNF-K</json:string></ark><publicationDate>1939</publicationDate><copyrightDate>1939</copyrightDate><doi><json:string>10.1177/002743213902500531</json:string></doi><id>E70D002171D1922899E18D4E831B41A84B85D756</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/ark:/67375/M70-0S47GVNF-K/fulltext.pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/ark:/67375/M70-0S47GVNF-K/bundle.zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/ark:/67375/M70-0S47GVNF-K/fulltext.tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Rhythm Material</title></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://scientific-publisher.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1939</date></publicationStmt><notesStmt><note type="review-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Rhythm Material</title><idno type="istex">E70D002171D1922899E18D4E831B41A84B85D756</idno><idno type="ark">ark:/67375/M70-0S47GVNF-K</idno><idno type="DOI">10.1177/002743213902500531</idno><idno type="article-id">10.1177_002743213902500531</idno></analytic><monogr><title level="j">Music Educators Journal</title><idno type="pISSN">0027-4321</idno><idno type="eISSN">1945-0087</idno><idno type="publisher-id">MEJ</idno><idno type="PublisherID-hwp">spmej</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><date type="published" when="1939-03"></date><biblScope unit="volume">25</biblScope><biblScope unit="issue">5</biblScope><biblScope unit="page" from="78">78</biblScope><biblScope unit="page" to="78">78</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1939</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="1939-03">Published</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/ark:/67375/M70-0S47GVNF-K/fulltext.txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="review-article" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
<publisher-name>SAGE Publications</publisher-name>
<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1177/002743213902500531</article-id><article-id pub-id-type="publisher-id">10.1177_002743213902500531</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Rhythm Material</article-title></title-group><pub-date pub-type="ppub"><month>03</month><year>1939</year></pub-date><volume>25</volume><issue>5</issue><fpage>78</fpage><lpage>78</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> May we suggest the following: W ORKS FESTIVAL for Chorus and Orchestra or Band MIXED VOICES (S.A.T.B.) JlNS-r-UJllsU AL ihs.ODS Bb The Cornet Player' s First Book. By Richard Shuebruk. [Carl Fischer: pp. This book should enable the 59, $ 1.50.] beginning student to gain considerable facility in playing the cornet or trumexercises pet. Arranged in progressive various principles of techexemplifying several nique, the book also contains duets in diversified rhythms to provide ensemble experience. INSTRU]M.LNTAL COLLBCTIONS Concert Etudes. Book Thirty-Three III. transcribed By G. Labanchi, by Gerardo Iasilli. [C. Fischer: pp. 33, Ten of the thirty-three etudes $ 1.00.] are contained in this volume, the reare in volumes I maining twenty-three and II. Diversified, brilliant. Difficult. Repertoire for Clarinetists. Compiled by A. R. Ranger. [C. Fischer: complete with piano accompaniment, $ 2.50; clarinet part, $ 1.00.] Seventeen favorite solos for solo B-flat clarinet by Bassi, Berr, Beyer, Cavallini, De Bueris, Monti, Rimsky-Korsakow, Weber, and others. Medium difficult to difficult. R Y-x' JA ML AT'^RTAT. Debussy-Duane-Reverie Ravel-Elkan-Bolero ………… …………….25 .20 Full orchestration in same key @ $ 1.00 Full orchestration in same key @ $ 2.00 Full band in same key @ $ 3.20 NEW! Tschaikowsky-Elkan Sleeping Beauty Waltz………… .18 (Orchestra and band accompaniments published in same key) WOMEN' S VOICES (S.S.A.) Debussy-Elkan-Clair Debussy-Duane-Reverie de Lune…….20 ………… 20 Full orchestration in same key @ $ 1.00 MALE VOICES (T.T.B.B.) NEW! Ravel-Elkan-Bolero………. Full orchestration in same key @ $ 2.00 Full band in same key @ $ 3.20 25 Waltz of the Toys. For rhythm orchestra. By Gladys M. Stein. [Willis: score including piano and all other parts, 40 cents; extra parts, 5 cents.] A 48-measure number, waltz time. Instruments: bell, tambourine, triangle, glockenspiel, cymbal, snare nightingale, drum, piano. V' ery easy. Sketches. Volume One. Rhythmic Kindergarten. By R u t h Cawthorne 50 cents.] For classes [Willis: Vesper. in rhythmic movement. Sixteen numbers. Easy. Rhythmic Sketches. Volume Two. Arranged for rhythm band. By Vesper. 60 cents.] Also for use in [Willis: Thirteen classes. numbers. rhythm Rhythm band symbols indicated in piano score. Easy. Dance as We Go. By Ethel F. Gyford. [H. W. Gray: pp. 31, $ 1.25.] Rhythmic dances for iniants and juniors. Twelve tunes with teaching hints and instructions for dancing. Twelve German Polk Tunes. Selected and arranged by Marion Anderson. [H. Twelve tunes W. Gray: pp. 29, $ 1.25.] and dances for young children. PIANO, AHAR, AND HARPSICHORD ELKAN-VOGEL INC. CO., 1716 Sansom Street Philadelphia, Pa. MODERN BAND TRAINING BY SERIES NORVAL L. CHURCH and PETER W. DYKEMA “q POV, elements are clearly and concisely discussed. band and the practical problemsinvolved in “scoring” and “arranging.” All A most valuable text-book for teachers and students interested in the modern MUSIC Selected Sonatas for Piano. Twelve By Domenico Scarlatti, edited and fin[J. Fischer: pp. gered by James Friskin. A book in which twelve of 39, $ 1.25.] of the composer' s the most attractive sonatas are presented; there is considerable contrast in the works from the of key, measure, and movestandpoint ment. In the Foreword, the editor gives on the treatment of the suggestions ornaments employed by Scarlatti (1685not the Although 1757). difficult, sonatas require some digital dexterity and could, of course, for performance be used as technical work for developing it. About grade 5. Thirty Little Classics for the Harp. Compiled and arranged by Mildred Dilling. [Ditson: pp. 39, $ 1.25.] Easy arof classic themes, such as rangements from in Aulis “Gavotte” Iphegenia others from “The Magic Flute” “Seventh Symphony” “Lohen” Orpheus “Many separate grin.” Thirty numbers. compositions by Rousseau, Reinecke, Schubert, Haydn, Bach, Couperin, and others. Brahms, Mendelssohn, Harpsichord Miniatures. Arranged by Scott. Gwendolyn [Summy: pp. 16, 50 Nine themes from composers of cents.] the sixteenth, and eightseventeenth, eenth centuries: John Bull, A. Scarlatti, D. Scarlatti, Lully, Pergolesi, and Byrd, others. Easy, about third grade. Page 78 Music Educators Journal Music Educators Journal is collaborating with JSTOR to digitize, preserve, and extend access to Sage Publications Ltd. www.jstor.org </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Rhythm Material</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Rhythm Material</title></titleInfo><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1939-03</dateIssued><copyrightDate encoding="w3cdtf">1939</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music Educators Journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1939</date><detail type="volume"><caption>vol.</caption><number>25</number></detail><detail type="issue"><caption>no.</caption><number>5</number></detail><extent unit="pages"><start>78</start><end>78</end></extent></part></relatedItem><identifier type="istex">E70D002171D1922899E18D4E831B41A84B85D756</identifier><identifier type="ark">ark:/67375/M70-0S47GVNF-K</identifier><identifier type="DOI">10.1177/002743213902500531</identifier><identifier type="ArticleID">10.1177_002743213902500531</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/ark:/67375/M70-0S47GVNF-K/record.json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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