BourgeoisGentilV1, Istex, Corpus, bibRecord, 000147

Music Theory in Seventeenth‐Century England. Rebecca Herissone

Identifieur interne : 000147 ( Istex/Corpus ); précédent : 000146; suivant : 000148

Music Theory in Seventeenth‐Century England. Rebecca Herissone

Auteurs : Ian Spink

Source :

Music and Letters [ 0027-4224 ] ; 2002-02.

RBID : ISTEX:338497A899FFF608AA4E729325A3570E40942FDC

English descriptors

Teeft :
- Academie royale, Additional markings, Alphabetical list, Analytical authority, Analytical mode, Analytical studies, Antoine reicha, Backless benches, Bass treatises, Best sense, Biographical studies, Blank slate, Bold analogy, Bottom parts, Briefe introduction, Cadential procedures, Cambridge university press, Certain points, Certain progressions, Charles butler, Chord progression, Christopher simpson, Chronological order, Clef changes, Clef controversy, Comparable scope, Compositional rules, Compound time, Conceptual apparatus, Constituent elements, Contemporary european music, Contemporary theorists, Contents page, Cramped entrance, Dance movements, Dance music, Doubt something, Dramatic works, Early twentiethcentury flowering, Easie introduction, Englische musiktheorie, English fournote solmization, English music theory, Equalling half, Female body, Feminine gender, Formal organization, Full story, Further examples, Further study, Further work, Future research, Gender studies, General interest, Honorary englishman, Hoyt claims, Hoyt proceeds, Idiosyncratic approach, Immediate ancestors, Important figures, Instrumental textures, Interesting theory, Intermediate form, Jacket illustration, Johann georg sulzer, Johann nikolaus forkel, John hajdu heyer, Larger house, Late eighteenthcentury, Late theory, Little attention, Little support, Longest chapter, Lully, Lully family, Lully research, Lully scholars, Lully studies, Major scale, Male onlooker, Manuel couvreur, Masculine gender, Matthew locke, Matthew riley music theory, Medieval mensuration, Metrical accent, Middle ages, Minor keys, Minor scales, Minority interest, Miscellaneous writings, Modern accounts, Modern editions, Modulation schemes, More performances, Movement types, Music theory, Musical quotations, Musical writings, Narrow lane, Narrow stairs, Natural order, Natural sign, Need context, Next chapter deals, Nota cambiata, Opening movement, Opera theatre, Other hand, Other paris theatres, Oxford monographs, Oxford university press, Palais royale, Parallel developments, Particular points, Partner thomas salmon, Patricia account, Penultimate chapter, Perennial john playford, Performance practice, Phrase structures, Phrygian cadence, Physical conditions, Pitch structure, Practicall musicke, Pragmatic english music theory, Prolific output, Proper credit, Proportional tempo relationships, Rebecca herissone, Recent understanding, Research papers, Respective accounts, Rhythmic aspects, Rhythmic inelegantly, Sacred music, Same circulation, Scholarly circle, Seventeenth century, Seventh degree, Sheer interest, Single bibliography, Sity music societies, Social fortunes, Something devotees, Sonata form, Special role, Speculative matters, Spink lully studies, Structural principles, Such matters, Summary form, Tempo words, Temps perdu, Theory books, Thirteenth edition, Thomas campion, Token indications, Treatise, Triple time, Twopart intervals, Typical impulse, Typical solmization, Unedited passages, Unimaginative title, Useful guide, Various kinds, Various treatises, Venerable authority, Welcome contribution, West projects.

Url:

https://api.istex.fr/ark:/67375/HXZ-24T9GZPW-6/fulltext.pdf

DOI: 10.1093/ml/83.1.111

Links to Exploration step

ISTEX:338497A899FFF608AA4E729325A3570E40942FDC

Le document en format XML

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Music Theory in Seventeenth‐Century England. Rebecca Herissone

Music Theory in Seventeenth‐Century England. Rebecca Herissone

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