Difference between revisions of "User:Jacques Ducloy/Test/Score"
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imported>Jacques Ducloy (→Monasterio de Santa Clara) |
imported>Jacques Ducloy (→Momenti Napoletani) |
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(50 intermediate revisions by the same user not shown) | |||
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+ | This page aims at testing [[Lilypond]] from a hand writen score. | ||
==Momenti Napoletani== | ==Momenti Napoletani== | ||
+ | ;Authors: | ||
+ | * arrangement : Massimo Di Biaggo | ||
+ | Momenti napoletani | ||
+ | |||
+ | # " O sole mio ", (1898), mus. Eduardo Di Capua, tex. Giovanni Capurro ; | ||
+ | # " Te voglio bene assaje ", (1835), mus. attrib. Gaetano Donizetti, tex. Raffaele Sacco ; | ||
+ | # " Tammuriata nera ", (1944), mus. E. A. Mario, tex. Eduardo Nicolardi ; | ||
+ | # " Munastero 'e Santa Chiara ", (1945), mus. Alfr | ||
+ | edo | ||
+ | Barberis, tex. Michele Galdieri ; | ||
+ | # " Voce 'e notte ", (1904), mus. Ernesto De Curti | ||
+ | s, tex. | ||
+ | Eduardo Nicolardi ; | ||
+ | # " 'O surdato 'nnamurato ", (1915), mus. Enrico C | ||
+ | annio, | ||
+ | tex. Aniello Calafino ; | ||
+ | # " Tarantella napolitana " (dans "Piedigrotta", o | ||
+ | pera buffa), | ||
+ | (1852), mus. Luigi Ricci, tex. Marco D'Arienzo ; | ||
+ | # " Funiculí funicula ", (1880), mus. Luigi Denza, | ||
+ | tex. | ||
+ | Peppino Turco | ||
+ | (1991, arr.) | ||
+ | |||
===Part 1=== | ===Part 1=== | ||
Line 10: | Line 35: | ||
\time 4/4 | \time 4/4 | ||
\autoBeamOff | \autoBeamOff | ||
− | c2.\mf bes8 a8 g4 f2. ~ f1 | + | c2.\mf ( bes8 a8 g4 f2. ~ f1 ) |
− | f'2.\f e8 d8 e4 c2. ~ c1 | r2 r4 c des2 des | r4 bes4 f'2 ~ f2. des4 c2 c2 | + | f'2.\f ( e8 d8 e4 ) c2. ~ c1 | r2 r4 c des2 des | r4 bes4 f'2 ~ f2. des4 c2 c2 |
r4 a g f c'1 | r4 a g2 ~g4 f4 f2\fermata | r4 a g f c'1 | r4 a g2 ~g4 f4 f2\fermata | ||
Line 72: | Line 97: | ||
</score> | </score> | ||
− | ===Monasterio de Santa Clara=== | + | ===Monasterio de Santa Clara page 1=== |
<score vorbis="1"> | <score vorbis="1"> | ||
Line 90: | Line 115: | ||
c c d d f f | e e | c c d d f f | e e | ||
c c d d a' a a2 | c c d d a' a a2 | ||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
} | } | ||
\addlyrics { | \addlyrics { | ||
Line 101: | Line 120: | ||
Mou -- na -- \markup { \underline sté} -- rio'é \markup { \underline Sanc} -- ta \markup { \underline Khia} -- ra | Mou -- na -- \markup { \underline sté} -- rio'é \markup { \underline Sanc} -- ta \markup { \underline Khia} -- ra | ||
\markup { \underline Tenn} -- go \markup { \underline co} -- re \markup { \underline chkou} -- ro \markup { \underline chkou} -- ro | \markup { \underline Tenn} -- go \markup { \underline co} -- re \markup { \underline chkou} -- ro \markup { \underline chkou} -- ro | ||
− | Ma | + | Ma \markup { \underline pèk } -- kè, \markup { \underline pèk } -- kè \markup { \underline ognè} sè -- rè |
− | + | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'è} -- ra? | |
− | + | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'e} | |
− | + | ||
− | |||
− | |||
− | |||
− | |||
}} | }} | ||
Line 119: | Line 134: | ||
Penzo a Na -- pu -- le com -- m'e -- ra? | Penzo a Na -- pu -- le com -- m'e -- ra? | ||
Penzo a Na -- pu -- le com -- m'e | Penzo a Na -- pu -- le com -- m'e | ||
− | + | ||
− | |||
− | |||
− | |||
− | |||
}} | }} | ||
} | } | ||
Line 137: | Line 148: | ||
bes bes bes bes g' g f2 | bes bes bes bes g' g f2 | ||
− | |||
− | |||
− | |||
− | |||
− | |||
} | } | ||
\addlyrics { | \addlyrics { | ||
\lyricmode { | \lyricmode { | ||
− | + | Mou -- na -- \markup { \underline sté} -- rio'é \markup { \underline Sanc} -- ta \markup { \underline Khia} -- ra | |
\markup { \underline Tenn} -- go \markup { \underline co} -- re \markup { \underline chkou} -- ro \markup { \underline chkou} -- ro | \markup { \underline Tenn} -- go \markup { \underline co} -- re \markup { \underline chkou} -- ro \markup { \underline chkou} -- ro | ||
− | Ma | + | Ma \markup { \underline pèk } -- kè, \markup { \underline pèk } -- kè \markup { \underline ognè} sè -- rè |
− | + | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'è} -- ra? | |
− | + | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'e} | |
− | + | ||
− | |||
− | |||
− | |||
− | |||
}} | }} | ||
} | } | ||
Line 168: | Line 170: | ||
g g g g a a a a | g g g g a a a a | ||
g g g g c c c2 | g g g g c c c2 | ||
+ | |||
+ | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | Mou -- na -- \markup { \underline sté} -- rio'é \markup { \underline Sanc} -- ta \markup { \underline Khia} -- ra | ||
+ | \markup { \underline Tenn} -- go \markup { \underline co} -- re \markup { \underline chkou} -- ro \markup { \underline chkou} -- ro | ||
+ | Ma \markup { \underline pèk } -- kè, \markup { \underline pèk } -- kè \markup { \underline ognè} sè -- rè | ||
+ | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'è} -- ra? | ||
+ | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'e} | ||
+ | |||
+ | }} | ||
+ | |||
+ | } | ||
+ | \new Staff { | ||
+ | \relative c'' { | ||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \clef bass | ||
+ | \autoBeamOff | ||
+ | r4 c,8 b | bes^\markup { ( \flat ) } a bes c g2 g2 | ||
+ | r4 g8 a g f f f f2 f2 | ||
+ | r4 f8 f f f f f | f f | ||
+ | e e f f g g g g | ||
+ | f f f f e e f2 | ||
+ | |||
+ | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | Mou -- na -- \markup { \underline sté} -- rio'é \markup { \underline Sanc} -- ta \markup { \underline Khia} -- ra | ||
+ | \markup { \underline Tenn} -- go \markup { \underline co} -- re \markup { \underline chkou} -- ro \markup { \underline chkou} -- ro | ||
+ | Ma \markup { \underline pèk } -- kè, \markup { \underline pèk } -- kè \markup { \underline ognè} sè -- rè | ||
+ | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'è} -- ra? | ||
+ | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'e} | ||
+ | |||
+ | }} | ||
+ | } | ||
+ | >> | ||
+ | </score> | ||
+ | |||
+ | ===Monasterio de Santa Clara page 2=== | ||
+ | |||
+ | <score raw="1"> | ||
+ | \header { | ||
+ | title = "Momenti Napoletani" | ||
+ | subtitle = "Monasterio de Santa Clara " | ||
+ | subsubtitle = "Page 2" | ||
+ | composer = " M. Di Biago ; " | ||
+ | |||
+ | } | ||
+ | |||
+ | << | ||
+ | |||
+ | \new Staff { | ||
+ | \relative c'' { | ||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \autoBeamOff | ||
+ | \set Score.currentBarNumber = #16 | ||
+ | r4 c,8 d e f g a bes2 c2 | ||
+ | r4 bes8 c bes a g a g2 g2 | ||
+ | r4 f8 f d d e e c c | | ||
+ | c c d d f f | e e | ||
+ | c c d d g g f2 ~ f2 ~ f2 | ||
+ | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | |||
+ | Foun -- ta -- \markup { \underline nel} -- la'è Ca -- pe -- \markup { \underline monn } -- te | ||
+ | \markup { \underline Kis } -- tou \markup { \underline co } -- re mmè se \markup { \underline skhiann } -- ta | ||
+ | \markup { \underline Quoua } -- no \markup { \underline sen } -- to'è di di'a djenn -- te | ||
+ | Ca s'è \markup { \underline fat} -- to ma -- la -- \markup { \underline menn } -te | ||
+ | Stou \markup { \underline pa } -- é -- se, ma pek -- \markup { \underline khè } ? | ||
+ | }} | ||
+ | |||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | \override LyricText.font-shape = #'italic | ||
+ | |||
+ | Fun -- ta -- nel -- la'e Ca -- pe -- mon -- te | ||
+ | Chris -- tu co -- re mme se schian -- ta | ||
+ | Quan -- no sen -- to'e di di'a gen -- te | ||
+ | Ca s'è fat -- to ma -- la -- men -- te | ||
+ | Stu pa -- e -- se... ma pec -- ché? | ||
+ | }} | ||
+ | } | ||
+ | \new Staff { | ||
+ | \relative c'' { | ||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \autoBeamOff | ||
+ | |||
+ | r4 c8 d c d f fis f2 a | ||
+ | r4 f8 g f e d e d2 d2 | ||
+ | r4 c8 c b b b b bes^\markup { ( \flat ) } bes | ||
+ | bes bes bes bes d d c c | ||
+ | bes bes bes bes des des c2 des c | ||
+ | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | |||
+ | Foun -- ta -- \markup { \underline nel} -- la'è Ca -- pe -- \markup { \underline monn } -- te | ||
+ | \markup { \underline Kis } -- tou \markup { \underline co } -- re mmè se \markup { \underline skhiann } -- ta | ||
+ | \markup { \underline Quoua } -- no \markup { \underline sen } -- to'è di di'a djenn -- te | ||
+ | Ca s'è \markup { \underline fat} -- to ma -- la -- \markup { \underline menn } -te | ||
+ | Stou \markup { \underline pa } -- é -- se, ma pek -- \markup { \underline khè } ? | ||
+ | }} | ||
+ | } | ||
+ | \new Staff { | ||
+ | \relative c'' { | ||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \autoBeamOff | ||
+ | |||
r4 c8 cis c c d dis dis2 e | r4 c8 cis c c d dis dis2 e | ||
r4 d8 e d c c c < c a >2 <c a> | r4 d8 e d c c c < c a >2 <c a> | ||
Line 174: | Line 289: | ||
g g g g a a a2 bes a | g g g g a a a2 bes a | ||
} | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | |||
+ | Foun -- ta -- \markup { \underline nel} -- la'è Ca -- pe -- \markup { \underline monn } -- te | ||
+ | \markup { \underline Kis } -- tou \markup { \underline co } -- re mmè se \markup { \underline skhiann } -- ta | ||
+ | \markup { \underline Quoua } -- no \markup { \underline sen } -- to'è di di'a djenn -- te | ||
+ | Ca s'è \markup { \underline fat} -- to ma -- la -- \markup { \underline menn } -te | ||
+ | Stou \markup { \underline pa } -- é -- se, ma pek -- \markup { \underline khè } ? | ||
+ | }} | ||
+ | |||
} | } | ||
\new Staff { | \new Staff { | ||
Line 181: | Line 306: | ||
\clef bass | \clef bass | ||
\autoBeamOff | \autoBeamOff | ||
+ | |||
r4 c,8 b | bes^\markup { ( \flat ) } a bes c g2 g2 | r4 c,8 b | bes^\markup { ( \flat ) } a bes c g2 g2 | ||
− | |||
− | |||
− | |||
− | |||
− | |||
r4 g8 a g f f f f2 f2 | r4 g8 a g f f f f2 f2 | ||
r4 f8 f f f f f | f f | r4 f8 f f f f f | f f | ||
Line 192: | Line 313: | ||
f f f f e e f2 bes,2 f2 | f f f f e e f2 bes,2 f2 | ||
} | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | |||
+ | Foun -- ta -- \markup { \underline nel} -- la'è Ca -- pe -- \markup { \underline monn } -- te | ||
+ | \markup { \underline Kis } -- tou \markup { \underline co } -- re mmè se \markup { \underline skhiann } -- ta | ||
+ | \markup { \underline Quoua } -- no \markup { \underline sen } -- to'è di di'a djenn -- te | ||
+ | Ca s'è \markup { \underline fat} -- to ma -- la -- \markup { \underline menn } -te | ||
+ | Stou \markup { \underline pa } -- é -- se, ma pek -- \markup { \underline khè } ? | ||
+ | |||
+ | }} | ||
} | } | ||
+ | |||
>> | >> | ||
+ | |||
+ | |||
+ | |||
+ | |||
</score> | </score> | ||
===Documentation=== | ===Documentation=== | ||
Texte : http://www.sorrentoradio.com/prova/testinapoli/doc280.htm | Texte : http://www.sorrentoradio.com/prova/testinapoli/doc280.htm | ||
+ | ===Test mise en page complète=== | ||
+ | <score raw="1"> | ||
+ | \header { | ||
+ | title = "Momenti Napoletani" | ||
+ | subtitle = "Monasterio de Santa Clara " | ||
+ | composer = " M. Di Biago ; " | ||
+ | } | ||
+ | |||
+ | |||
+ | |||
+ | bcdSoprano = \relative c''{ | ||
+ | r4 bes8 c bes a g a g2 g2 | ||
+ | r4 f8 f d d e e c c | | ||
+ | c c d d f f | e e | ||
+ | } | ||
+ | debutAlto = \relative c'' { | ||
+ | r4 c,8 d c d f fis f2 a | ||
+ | r4 f8 g f e d e d2 d2 | ||
+ | r4 c8 c b b b b bes^\markup { ( \flat ) } bes | ||
+ | bes bes bes bes d d c c | ||
+ | } | ||
+ | debutTenor = \relative c''{ | ||
+ | r4 c8 cis c c d dis ees2 e | ||
+ | r4 d8 e d c c c < c a >2 <c a> | ||
+ | r4 a8 a aes aes aes aes g g | ||
+ | g g g g a a a a | ||
+ | } | ||
+ | debutBass = \relative c' { | ||
+ | r4 c8 b | bes^\markup { ( \flat ) } a bes c g2 g2 | ||
+ | r4 g8 a g f f f f2 f2 | ||
+ | r4 f8 f f f f f | f f | ||
+ | e8 e f f g g g g | ||
+ | } | ||
+ | |||
+ | |||
+ | Mounasterio = \lyricmode { | ||
+ | Mou -- na -- \markup { \underline sté} -- rio'é \markup { \underline Sanc} -- ta \markup { \underline Khia} -- ra } | ||
+ | Tenngo = \lyricmode { | ||
+ | \markup { \underline Tenn} -- go \markup { \underline co} -- re \markup { \underline chkou} -- ro \markup { \underline chkou} -- ro } | ||
+ | MaPekke = \lyricmode { | ||
+ | Ma \markup { \underline pèk } -- kè, \markup { \underline pèk } -- kè \markup { \underline ognè} sè -- rè } | ||
+ | PenzoA = \lyricmode { | ||
+ | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'è} -- ra?} | ||
+ | PenzoB = \lyricmode { | ||
+ | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'e}} | ||
+ | stropheB = \lyricmode { | ||
+ | Foun -- ta -- \markup { \underline nel} -- la'è Ca -- pe -- \markup { \underline monn } -- te | ||
+ | \markup { \underline Kis } -- tou \markup { \underline co } -- re mmè se \markup { \underline skhiann } -- ta | ||
+ | \markup { \underline Quoua } -- no \markup { \underline sen } -- to'è di di'a djenn -- te | ||
+ | Ca s'è \markup { \underline fat} -- to ma -- la -- \markup { \underline menn } -te | ||
+ | Stou \markup { \underline pa } -- é -- sé, ma pek -- \markup { \underline khè?} | ||
+ | } | ||
+ | |||
+ | |||
+ | \paper { | ||
+ | top-margin = 20 | ||
+ | |||
+ | bottom-margin = 10 | ||
+ | |||
+ | } | ||
+ | |||
+ | << | ||
+ | |||
+ | |||
+ | \new Staff { | ||
+ | |||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \autoBeamOff | ||
+ | \relative c' { r4^\markup { \small \bold \italic Largo } c8 d e f g a bes2 c2 } | ||
+ | \bcdSoprano | ||
+ | \relative c' { c8 c d d bes' bes a2 } | ||
+ | \pageBreak | ||
+ | \relative c' { r4 c8 d e f g a bes2 c2 } | ||
+ | \bcdSoprano | ||
+ | \relative c' { c8 c d d g g f2\> ~ f2 ~ f2\!\fermata } | ||
+ | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | \Mounasterio \Tenngo \MaPekke \PenzoA \PenzoB \stropheB | ||
+ | }} | ||
+ | |||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | \override LyricText.font-shape = #'italic | ||
+ | Mu -- nas -- te -- rio'e San -- ta Chia -- ra | ||
+ | Ten -- go'o co -- re scu -- ro scu -- ro | ||
+ | Ma pec -- ché, pec -- ché ogne se -- ra | ||
+ | Penzo a Na -- pu -- le com -- m'e -- ra? | ||
+ | Penzo a Na -- pu -- le com -- m'e | ||
+ | |||
+ | Fun -- ta -- nel -- la'e Ca -- pe -- mon -- te | ||
+ | Chris -- tu co -- re mme se schian -- ta | ||
+ | Quan -- no sen -- to'e di di'a gen -- te | ||
+ | Ca s'è fat -- to ma -- la -- men -- te | ||
+ | Stu pa -- e -- se... ma pec -- ché? | ||
+ | }} | ||
+ | |||
+ | \new Staff { | ||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \autoBeamOff | ||
+ | \debutAlto | ||
+ | \relative c' { bes8 bes bes bes g' g f2 } | ||
+ | \debutAlto | ||
+ | \relative c' { bes8 bes bes bes des des c2\> des c\!\fermata } | ||
+ | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | \Mounasterio \Tenngo \MaPekke \PenzoA \PenzoB \stropheB - - | ||
+ | }} | ||
+ | |||
+ | \new Staff { | ||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \autoBeamOff | ||
+ | \debutTenor | ||
+ | \relative c'' { g8 g g g c c c2 } | ||
+ | \debutTenor | ||
+ | \relative c'' { g8 g g g a a a2\> bes a\!\fermata } | ||
+ | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | \Mounasterio \Tenngo \MaPekke \PenzoA \PenzoB \stropheB - - | ||
+ | }} | ||
+ | |||
+ | \new Staff { | ||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \autoBeamOff | ||
+ | \clef bass | ||
+ | \debutBass | ||
+ | \relative c { f8 f f f e e f2 } | ||
+ | \debutBass | ||
+ | \relative c { f8 f f f e e f2\> bes,2 f2\!\fermata } | ||
+ | } | ||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | \Mounasterio \Tenngo \MaPekke \PenzoA \PenzoB \stropheB - - | ||
+ | }} | ||
+ | >> | ||
+ | |||
+ | </score> | ||
+ | |||
+ | ===Partitions par pupitre=== | ||
+ | |||
+ | <score vorbis="1"> | ||
+ | |||
+ | |||
+ | |||
+ | << | ||
+ | \new Staff { | ||
+ | \key d \minor | ||
+ | \time 2/4 | ||
+ | \autoBeamOff | ||
+ | \clef bass | ||
+ | \relative c' { | ||
+ | r4 c8 b | bes^\markup { ( \flat ) } a bes c g2 g2 | ||
+ | r4 g8 a g f f f f2 f2 | ||
+ | r4 f8 f f f f f | f f | ||
+ | e8 e f f g g g g | ||
+ | } | ||
+ | \relative c { f8 f f f e e f2 } | ||
+ | \relative c' { | ||
+ | r4 c8 b | bes^\markup { ( \flat ) } a bes c g2 g2 | ||
+ | r4 g8 a g f f f f2 f2 | ||
+ | r4 f8 f f f f f | f f | ||
+ | e8 e f f g g g g | ||
+ | } | ||
+ | \relative c { f8 f f f e e f2\> bes,2 f2\!\fermata }} | ||
+ | |||
+ | \addlyrics { | ||
+ | \lyricmode { | ||
+ | Mou -- na -- \markup { \underline sté} -- rio'é \markup { \underline Sanc} -- ta \markup { \underline Khia} -- ra | ||
+ | \markup { \underline Tenn} -- go \markup { \underline co} -- re \markup { \underline chkou} -- ro \markup { \underline chkou} -- ro | ||
+ | Ma \markup { \underline pèk } -- kè, \markup { \underline pèk } -- kè \markup { \underline ognè} sè -- rè | ||
+ | |||
+ | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'è} -- ra? | ||
+ | |||
+ | \markup { \underline Pennts} -- o~a \markup { \underline Na} -- pou -- le co -- \markup { \underline mm'e} | ||
+ | |||
+ | Foun -- ta -- \markup { \underline nel} -- la'è Ca -- pe -- \markup { \underline monn } -- te | ||
+ | \markup { \underline Kis } -- tou \markup { \underline co } -- re mmè se \markup { \underline skhiann } -- ta | ||
+ | \markup { \underline Quoua } -- no \markup { \underline sen } -- to'è di di'a djenn -- te | ||
+ | Ca s'è \markup { \underline fat} -- to ma -- la -- \markup { \underline menn } -te | ||
+ | Stou \markup { \underline pa } -- é -- se, ma pek -- \markup { \underline khè?} | ||
+ | }} | ||
+ | >> | ||
+ | </score> | ||
+ | |||
==First tests== | ==First tests== | ||
===First test=== | ===First test=== | ||
− | <score | + | <score> |
+ | \relative c'' { \time 4/4 \key c \major | ||
c4 g8 g a4 g r b^> c^> r \bar "|." } | c4 g8 g a4 g r b^> c^> r \bar "|." } | ||
− | \addlyrics { Shave and a hair -- cut: two bits. }</score> | + | \addlyrics { Shave and a hair -- cut: two bits. } |
+ | </score> | ||
===Mozart=== | ===Mozart=== |
Latest revision as of 01:08, 14 February 2018
This page aims at testing Lilypond from a hand writen score.
Contents
Momenti Napoletani
- Authors
- arrangement : Massimo Di Biaggo
Momenti napoletani
- " O sole mio ", (1898), mus. Eduardo Di Capua, tex. Giovanni Capurro ;
- " Te voglio bene assaje ", (1835), mus. attrib. Gaetano Donizetti, tex. Raffaele Sacco ;
- " Tammuriata nera ", (1944), mus. E. A. Mario, tex. Eduardo Nicolardi ;
- " Munastero 'e Santa Chiara ", (1945), mus. Alfr
edo Barberis, tex. Michele Galdieri ;
- " Voce 'e notte ", (1904), mus. Ernesto De Curti
s, tex. Eduardo Nicolardi ;
- " 'O surdato 'nnamurato ", (1915), mus. Enrico C
annio, tex. Aniello Calafino ;
- " Tarantella napolitana " (dans "Piedigrotta", o
pera buffa), (1852), mus. Luigi Ricci, tex. Marco D'Arienzo ;
- " Funiculí funicula ", (1880), mus. Luigi Denza,
tex.
Peppino Turco (1991, arr.)
Part 1
Monasterio de Santa Clara page 1
Monasterio de Santa Clara page 2
Documentation
Texte : http://www.sorrentoradio.com/prova/testinapoli/doc280.htm