ChansonRolandV7, Istex, Corpus, bibRecord, 001688

The Myth of the Medieval Minstrel: An Interdisciplinary Approach to the Performers and the Chansonnier Repertory

Identifieur interne : 001688 ( Istex/Corpus ); précédent : 001687; suivant : 001689

The Myth of the Medieval Minstrel: An Interdisciplinary Approach to the Performers and the Chansonnier Repertory

Auteurs : Paul Bracken

Source :

[ 0083-5897 ]

RBID : ISTEX:830367D07F936E2514BFD54FBA608FD633DBCA04

English descriptors

Teeft :
- Aristocratic household, Bemart, Black prince, Bracken, Chanson, Chansonnier, Chansonnier repertory, Chivalric, Chivalric amateur, Chivalric class, Count richard, Courtly, Courtly culture, Courtly song, Cultural exchange, Early troubadour, Epic song, Extant contrafacta, Fiddle, Fiddle player, First breton, Fourth crusade, French chanson, French crusade song, French epic, Gesta, Geste, Guillaume, Hastingae proelio, High status, Internal evidence, Joglars, Jongleur, Knightly status, Latin text, Little doubt, Medieval lyric, Medieval minstrel, Medieval stage, Medium aevum, Middle age, Military campaign, Military service, Minstrel, Minstrel school, Musical detail, Musical instrument, Musical performance, Nottingham medieval study, Occitan, Orderic vitalis, Passim, Paul bracken, Peire, Peire vidal, Performer, Profectione ludovici, Professional jongleur, Repertory, Roll series, Secular music, Secular song, Shameful song, Specific reference, Striking example, Such term, Thirteenth century, Trans, Tristan, Troubadour, Troubadour bemart, Troubadour poetry, Troubadour raimbaut, Troubadour vidas, Various type, Vernacular text, Vidas, Vielle, Vielle accompani, Vols.

Abstract

"The Myth of the Medieval Minstrel: An Interdisciplinary Approach to the Performers and the Chansonnier Repertory." The Old French trouvère song repertory, comprising about 2,400 lyrics with 1,500 extant melodies, originated ca. 1180-ca. 1250 and is mainly preserved in anthologies known as chansonniers copied between about 1250 and 1320: The editing and evaluation of these manuscripts, chiefly conducted by philologists and literary scholars, has generated copious discussions concerning lyric genres, intertextua1ities, and attribution. Although some recent editions include melodies, relatively little work has been done on reconstructing the performing traditions appropriate to this material, although these songs are among the oldest vernacular songs to have survived in written form in western Europe and are surely important in the context of cultural history. This article looks at the performers of the repertory, adducing evidence from a wide range of contemporary vernacular-literary descriptions of performances, nuances some current arguments on this basis, and suggests that the currently blurred picture derived from these eclectic testimonies could be improved when supplemented by more conventional historical evidence, including administrative records and relevant iconography.

Url:

https://api.istex.fr/ark:/67375/NDQ-5SZNS4XQ-J/fulltext.pdf

DOI: 10.1484/J.VIATOR.2.300541

Links to Exploration step

ISTEX:830367D07F936E2514BFD54FBA608FD633DBCA04

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The Myth of the Medieval Minstrel: An Interdisciplinary Approach to the Performers and the Chansonnier Repertory

The Myth of the Medieval Minstrel: An Interdisciplinary Approach to the Performers and the Chansonnier Repertory

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