THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA
Identifieur interne : 000C18 ( Istex/Corpus ); précédent : 000C17; suivant : 000C19THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA
Auteurs : R. P. Blackmur ; Hans NathanSource :
- The Musical Quarterly [ 0027-4631 ] ; 1958.
English descriptors
- Entity :
- org : Associated Music Publishers, Inc..
- pers : Alban Berg, An Mathilde, Antonio Macbado, Antonio Machado, Arnold Schoenberg, Arnold Schonberg, Charles de Coster, Dallapiccola, Eugenio Montale, F. Busoni, German Expressionism, Jacob Epstein, James Joyce, Josef Rufer, Luigi Dallapiccola, Manuel Machado, S. Quasimodo, Salvatore Quasimodo, Sebastiano Castello, Thomas Mann, Virginia Woolf, Wilhelm Hansen.
- place : Arezzo, Basel, Brussels, Copenhagen, France, Hanover, Italy, London, Louisville, Pittsburgh, Rome, Tokyo, Trieste, Turin, Vienna, York, Zurich.
- Teeft :
- Antonio machado, Arnold schonberg, Basic element, Basic variant, Canti, Carmina alcaei, Chamber orch, Cinque, Cinque canti, Cinque frammenti, Dallapiccola, Documentary film, Dodecaphonic, Dodecaphonic system, Edizioni suvini zerboni, Harmonic implication, Italian transl, July, Last movement, Late debussy, Liriche, Liriche greche, Long time, Luigi, Luigi dallapiccola, Melodic line, Musical quarterly, Note value, Opera volo, Orch, Other hand, Prigioniero, Quaderno musicale, Quattro liriche, Retrograde inversion, Schoenberg, Secondo intermezzo corale, Something akin, Studi, Tone row, Triadic core, Universal edition, Viennese dodecaphonists, Viennese master, Webern.
Url:
DOI: 10.1093/mq/XLIV.3.289
Links to Exploration step
ISTEX:74D41D7B4569AEBAE11F317EDE99BB48BD12FFB7Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA</title>
<author><name sortKey="Blackmur, R P" sort="Blackmur, R P" uniqKey="Blackmur R" first="R. P." last="Blackmur">R. P. Blackmur</name>
</author>
<author><name sortKey="Nathan, Hans" sort="Nathan, Hans" uniqKey="Nathan H" first="Hans" last="Nathan">Hans Nathan</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:74D41D7B4569AEBAE11F317EDE99BB48BD12FFB7</idno>
<date when="1958" year="1958">1958</date>
<idno type="doi">10.1093/mq/XLIV.3.289</idno>
<idno type="url">https://api.istex.fr/ark:/67375/HXZ-280BMQDG-7/fulltext.pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000C18</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000C18</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main">THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA</title>
<author><name sortKey="Blackmur, R P" sort="Blackmur, R P" uniqKey="Blackmur R" first="R. P." last="Blackmur">R. P. Blackmur</name>
</author>
<author><name sortKey="Nathan, Hans" sort="Nathan, Hans" uniqKey="Nathan H" first="Hans" last="Nathan">Hans Nathan</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j" type="main">The Musical Quarterly</title>
<idno type="eISSN">1741-8399</idno>
<idno type="ISSN">0027-4631</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published">1958</date>
<biblScope unit="vol">XLIV</biblScope>
<biblScope unit="issue">3</biblScope>
<biblScope unit="page" from="289">289</biblScope>
<biblScope unit="page" to="310">310</biblScope>
</imprint>
<idno type="ISSN">0027-4631</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0027-4631</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="Entity" type="org" xml:lang="en"><term>Associated Music Publishers, Inc.</term>
</keywords>
<keywords scheme="Entity" type="pers" xml:lang="en"><term>Alban Berg</term>
<term>An Mathilde</term>
<term>Antonio Macbado</term>
<term>Antonio Machado</term>
<term>Arnold Schoenberg</term>
<term>Arnold Schonberg</term>
<term>Charles de Coster</term>
<term>Dallapiccola</term>
<term>Eugenio Montale</term>
<term>F. Busoni</term>
<term>German Expressionism</term>
<term>Jacob Epstein</term>
<term>James Joyce</term>
<term>Josef Rufer</term>
<term>Luigi Dallapiccola</term>
<term>Manuel Machado</term>
<term>S. Quasimodo</term>
<term>Salvatore Quasimodo</term>
<term>Sebastiano Castello</term>
<term>Thomas Mann</term>
<term>Virginia Woolf</term>
<term>Wilhelm Hansen</term>
</keywords>
<keywords scheme="Entity" type="place" xml:lang="en"><term>Arezzo</term>
<term>Basel</term>
<term>Brussels</term>
<term>Copenhagen</term>
<term>France</term>
<term>Hanover</term>
<term>Italy</term>
<term>London</term>
<term>Louisville</term>
<term>Pittsburgh</term>
<term>Rome</term>
<term>Tokyo</term>
<term>Trieste</term>
<term>Turin</term>
<term>Vienna</term>
<term>York</term>
<term>Zurich</term>
</keywords>
<keywords scheme="Teeft" xml:lang="en"><term>Antonio machado</term>
<term>Arnold schonberg</term>
<term>Basic element</term>
<term>Basic variant</term>
<term>Canti</term>
<term>Carmina alcaei</term>
<term>Chamber orch</term>
<term>Cinque</term>
<term>Cinque canti</term>
<term>Cinque frammenti</term>
<term>Dallapiccola</term>
<term>Documentary film</term>
<term>Dodecaphonic</term>
<term>Dodecaphonic system</term>
<term>Edizioni suvini zerboni</term>
<term>Harmonic implication</term>
<term>Italian transl</term>
<term>July</term>
<term>Last movement</term>
<term>Late debussy</term>
<term>Liriche</term>
<term>Liriche greche</term>
<term>Long time</term>
<term>Luigi</term>
<term>Luigi dallapiccola</term>
<term>Melodic line</term>
<term>Musical quarterly</term>
<term>Note value</term>
<term>Opera volo</term>
<term>Orch</term>
<term>Other hand</term>
<term>Prigioniero</term>
<term>Quaderno musicale</term>
<term>Quattro liriche</term>
<term>Retrograde inversion</term>
<term>Schoenberg</term>
<term>Secondo intermezzo corale</term>
<term>Something akin</term>
<term>Studi</term>
<term>Tone row</term>
<term>Triadic core</term>
<term>Universal edition</term>
<term>Viennese dodecaphonists</term>
<term>Viennese master</term>
<term>Webern</term>
</keywords>
</textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
<istex><corpusName>oup</corpusName>
<keywords><teeft><json:string>dallapiccola</json:string>
<json:string>canti</json:string>
<json:string>luigi</json:string>
<json:string>luigi dallapiccola</json:string>
<json:string>cinque</json:string>
<json:string>july</json:string>
<json:string>dodecaphonic</json:string>
<json:string>musical quarterly</json:string>
<json:string>prigioniero</json:string>
<json:string>liriche</json:string>
<json:string>orch</json:string>
<json:string>schoenberg</json:string>
<json:string>webern</json:string>
<json:string>cinque canti</json:string>
<json:string>studi</json:string>
<json:string>italian transl</json:string>
<json:string>carmina alcaei</json:string>
<json:string>note value</json:string>
<json:string>other hand</json:string>
<json:string>last movement</json:string>
<json:string>viennese dodecaphonists</json:string>
<json:string>melodic line</json:string>
<json:string>antonio machado</json:string>
<json:string>quattro liriche</json:string>
<json:string>liriche greche</json:string>
<json:string>chamber orch</json:string>
<json:string>retrograde inversion</json:string>
<json:string>basic element</json:string>
<json:string>long time</json:string>
<json:string>basic variant</json:string>
<json:string>viennese master</json:string>
<json:string>something akin</json:string>
<json:string>tone row</json:string>
<json:string>cinque frammenti</json:string>
<json:string>edizioni suvini zerboni</json:string>
<json:string>universal edition</json:string>
<json:string>harmonic implication</json:string>
<json:string>opera volo</json:string>
<json:string>arnold schonberg</json:string>
<json:string>late debussy</json:string>
<json:string>triadic core</json:string>
<json:string>dodecaphonic system</json:string>
<json:string>documentary film</json:string>
<json:string>secondo intermezzo corale</json:string>
<json:string>quaderno musicale</json:string>
</teeft>
</keywords>
<author><json:item><name>R. P. Blackmur</name>
</json:item>
<json:item><name>HANS NATHAN</name>
</json:item>
</author>
<articleId><json:string>XLIV.3.289</json:string>
</articleId>
<arkIstex>ark:/67375/HXZ-280BMQDG-7</arkIstex>
<language><json:string>eng</json:string>
</language>
<originalGenre><json:string>research-article</json:string>
</originalGenre>
<qualityIndicators><score>5.05</score>
<pdfWordCount>6674</pdfWordCount>
<pdfCharCount>37812</pdfCharCount>
<pdfVersion>1.3</pdfVersion>
<pdfPageCount>22</pdfPageCount>
<pdfPageSize>441 x 672 pts</pdfPageSize>
<pdfWordsPerPage>303</pdfWordsPerPage>
<pdfText>true</pdfText>
<refBibsNative>false</refBibsNative>
<abstractWordCount>0</abstractWordCount>
<abstractCharCount>0</abstractCharCount>
<keywordCount>0</keywordCount>
</qualityIndicators>
<title>THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA</title>
<genre><json:string>research-article</json:string>
</genre>
<host><title>The Musical Quarterly</title>
<language><json:string>unknown</json:string>
</language>
<issn><json:string>0027-4631</json:string>
</issn>
<eissn><json:string>1741-8399</json:string>
</eissn>
<publisherId><json:string>musqtl</json:string>
</publisherId>
<volume>XLIV</volume>
<issue>3</issue>
<pages><first>289</first>
<last>310</last>
</pages>
<genre><json:string>journal</json:string>
</genre>
<subject><json:item><value>Articles</value>
</json:item>
</subject>
</host>
<namedEntities><unitex><date><json:string>1934</json:string>
<json:string>1941</json:string>
<json:string>1946</json:string>
<json:string>1935</json:string>
<json:string>the 18th century</json:string>
<json:string>1953</json:string>
<json:string>1942</json:string>
<json:string>1910 to 1930</json:string>
<json:string>1958</json:string>
<json:string>1936</json:string>
<json:string>16th and 19th centuries</json:string>
<json:string>1939, 1940, and 1941</json:string>
<json:string>1948</json:string>
<json:string>1950</json:string>
<json:string>1926</json:string>
<json:string>19th century</json:string>
<json:string>1951</json:string>
<json:string>1938</json:string>
</date>
<orgName><json:string>Associated Music Publishers, Inc.</json:string>
</orgName>
<persName><json:string>German Expressionism</json:string>
<json:string>Antonio Macbado</json:string>
<json:string>Arnold Schonberg</json:string>
<json:string>Alban Berg</json:string>
<json:string>S. Quasimodo</json:string>
<json:string>James Joyce</json:string>
<json:string>Luigi Dallapiccola</json:string>
<json:string>Josef Rufer</json:string>
<json:string>Arnold Schoenberg</json:string>
<json:string>Eugenio Montale</json:string>
<json:string>Dallapiccola</json:string>
<json:string>Charles de Coster</json:string>
<json:string>Wilhelm Hansen</json:string>
<json:string>Sebastiano Castello</json:string>
<json:string>Antonio Machado</json:string>
<json:string>Thomas Mann</json:string>
<json:string>An Mathilde</json:string>
<json:string>F. Busoni</json:string>
<json:string>Virginia Woolf</json:string>
<json:string>Salvatore Quasimodo</json:string>
<json:string>Manuel Machado</json:string>
<json:string>Jacob Epstein</json:string>
</persName>
<placeName><json:string>Hanover</json:string>
<json:string>Pittsburgh</json:string>
<json:string>Turin</json:string>
<json:string>Arezzo</json:string>
<json:string>London</json:string>
<json:string>Trieste</json:string>
<json:string>Brussels</json:string>
<json:string>Vienna</json:string>
<json:string>Basel</json:string>
<json:string>Rome</json:string>
<json:string>Tokyo</json:string>
<json:string>York</json:string>
<json:string>France</json:string>
<json:string>Copenhagen</json:string>
<json:string>Italy</json:string>
<json:string>Louisville</json:string>
<json:string>Zurich</json:string>
</placeName>
</unitex>
</namedEntities>
<ark><json:string>ark:/67375/HXZ-280BMQDG-7</json:string>
</ark>
<categories><wos></wos>
<scienceMetrix><json:string>1 - arts & humanities</json:string>
<json:string>2 - visual & performing arts</json:string>
<json:string>3 - music</json:string>
</scienceMetrix>
<scopus><json:string>1 - Social Sciences</json:string>
<json:string>2 - Arts and Humanities</json:string>
<json:string>3 - Music</json:string>
</scopus>
</categories>
<publicationDate>1958</publicationDate>
<copyrightDate>1958</copyrightDate>
<doi><json:string>10.1093/mq/XLIV.3.289</json:string>
</doi>
<id>74D41D7B4569AEBAE11F317EDE99BB48BD12FFB7</id>
<score>1</score>
<fulltext><json:item><extension>pdf</extension>
<original>true</original>
<mimetype>application/pdf</mimetype>
<uri>https://api.istex.fr/ark:/67375/HXZ-280BMQDG-7/fulltext.pdf</uri>
</json:item>
<json:item><extension>zip</extension>
<original>false</original>
<mimetype>application/zip</mimetype>
<uri>https://api.istex.fr/ark:/67375/HXZ-280BMQDG-7/bundle.zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/ark:/67375/HXZ-280BMQDG-7/fulltext.tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main">THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA</title>
</titleStmt>
<publicationStmt><authority>ISTEX</authority>
<publisher>Oxford University Press</publisher>
<availability><licence>© 1958, by G. Schirmer, Inc.</licence>
</availability>
<date type="Copyright" when="1958">1958</date>
<date type="published">1958</date>
</publicationStmt>
<notesStmt><note type="content-type" source="research-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</note>
<note type="publication-type" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note>
</notesStmt>
<sourceDesc><biblStruct type="article"><analytic><title level="a" type="main">THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA</title>
<author xml:id="author-0000"><persName><surname>Blackmur</surname>
<forename type="first">R. P.</forename>
</persName>
</author>
<author xml:id="author-0001"><persName><surname>NATHAN</surname>
<forename type="first">HANS</forename>
</persName>
</author>
<idno type="istex">74D41D7B4569AEBAE11F317EDE99BB48BD12FFB7</idno>
<idno type="ark">ark:/67375/HXZ-280BMQDG-7</idno>
<idno type="publisher-id">XLIV.3.289</idno>
<idno type="DOI">10.1093/mq/XLIV.3.289</idno>
</analytic>
<monogr><title level="j" type="main">The Musical Quarterly</title>
<idno type="hwp">musqtl</idno>
<idno type="publisher-id">musqtl</idno>
<idno type="pmc">musqtl</idno>
<idno type="eISSN">1741-8399</idno>
<idno type="pISSN">0027-4631</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published">1958</date>
<biblScope unit="vol">XLIV</biblScope>
<biblScope unit="issue">3</biblScope>
<biblScope unit="page" from="289">289</biblScope>
<biblScope unit="page" to="310">310</biblScope>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
</fileDesc>
<encodingDesc><schemaRef type="ODD" url="https://xml-schema.delivery.istex.fr/tei-istex.odd"></schemaRef>
<appInfo><application ident="pub2tei" version="1.0.46" when="2020-05-18"><label>pub2TEI-ISTEX</label>
<desc>A set of style sheets for converting XML documents encoded in various scientific publisher formats into a common TEI format.
<ref target="http://www.tei-c.org/">We use TEI</ref>
</desc>
</application>
</appInfo>
</encodingDesc>
<profileDesc><textClass ana="subject"><keywords scheme="subject"><term>Articles</term>
</keywords>
</textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
<revisionDesc><change when="2020-05-18" who="#istex" xml:id="pub2tei">formatting</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item><extension>txt</extension>
<original>false</original>
<mimetype>text/plain</mimetype>
<uri>https://api.istex.fr/ark:/67375/HXZ-280BMQDG-7/fulltext.txt</uri>
</json:item>
</fulltext>
<metadata><istex:metadataXml wicri:clean="corpus oup, element #text not found" wicri:toSee="no header"><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType>
<istex:document><article article-type="research-article">
<front>
<journal-meta>
<journal-id journal-id-type="hwp">musqtl</journal-id>
<journal-id journal-id-type="publisher-id">musqtl</journal-id>
<journal-id journal-id-type="pmc">musqtl</journal-id>
<journal-title>The Musical Quarterly</journal-title>
<issn pub-type="epub">1741-8399</issn>
<issn pub-type="ppub">0027-4631</issn>
<publisher>
<publisher-name>Oxford University Press</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="publisher-id">XLIV.3.289</article-id>
<article-id pub-id-type="doi">10.1093/mq/XLIV.3.289</article-id>
<article-categories>
<subj-group>
<subject>Articles</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name><surname>Blackmur</surname>
<given-names>R. P.</given-names>
</name>
</contrib>
<contrib contrib-type="author">
<name><surname>NATHAN</surname>
<given-names>HANS</given-names>
</name>
</contrib>
</contrib-group>
<pub-date pub-type="ppub">
<month>7</month>
<year>1958</year>
</pub-date>
<volume>XLIV</volume>
<issue>3</issue>
<fpage>289</fpage>
<lpage>310</lpage>
<copyright-statement>© 1958, by G. Schirmer, Inc.</copyright-statement>
<copyright-year>1958</copyright-year>
</article-meta>
</front>
</article>
</istex:document>
</istex:metadataXml>
<mods version="3.6"><titleInfo><title>THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA"><title>THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA</title>
</titleInfo>
<name type="personal"><namePart type="given">R. P.</namePart>
<namePart type="family">Blackmur</namePart>
<role><roleTerm type="text">author</roleTerm>
</role>
</name>
<name type="personal"><namePart type="given">HANS</namePart>
<namePart type="family">NATHAN</namePart>
<role><roleTerm type="text">author</roleTerm>
</role>
</name>
<typeOfResource>text</typeOfResource>
<genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre>
<originInfo><publisher>Oxford University Press</publisher>
<dateIssued encoding="w3cdtf">1958-07</dateIssued>
<copyrightDate encoding="w3cdtf">1958</copyrightDate>
</originInfo>
<language><languageTerm type="code" authority="iso639-2b">eng</languageTerm>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
</language>
<relatedItem type="host"><titleInfo><title>The Musical Quarterly</title>
</titleInfo>
<genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre>
<subject><topic>Articles</topic>
</subject>
<identifier type="ISSN">0027-4631</identifier>
<identifier type="eISSN">1741-8399</identifier>
<identifier type="PublisherID">musqtl</identifier>
<identifier type="PublisherID-hwp">musqtl</identifier>
<part><date>1958</date>
<detail type="volume"><caption>vol.</caption>
<number>XLIV</number>
</detail>
<detail type="issue"><caption>no.</caption>
<number>3</number>
</detail>
<extent unit="pages"><start>289</start>
<end>310</end>
</extent>
</part>
</relatedItem>
<identifier type="istex">74D41D7B4569AEBAE11F317EDE99BB48BD12FFB7</identifier>
<identifier type="ark">ark:/67375/HXZ-280BMQDG-7</identifier>
<identifier type="DOI">10.1093/mq/XLIV.3.289</identifier>
<identifier type="ArticleID">XLIV.3.289</identifier>
<accessCondition type="use and reproduction" contentType="copyright">© 1958, by G. Schirmer, Inc.</accessCondition>
<recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-GTWS0RDP-M">oup</recordContentSource>
<recordOrigin>Converted from (version 1.2.14) to MODS version 3.6.</recordOrigin>
<recordCreationDate encoding="w3cdtf">2020-05-25</recordCreationDate>
</recordInfo>
</mods>
<json:item><extension>json</extension>
<original>false</original>
<mimetype>application/json</mimetype>
<uri>https://api.istex.fr/ark:/67375/HXZ-280BMQDG-7/record.json</uri>
</json:item>
</metadata>
<serie></serie>
</istex>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/ChansonRoland/explor/ChansonRolandV7/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000C18 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000C18 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= ChansonRoland |area= ChansonRolandV7 |flux= Istex |étape= Corpus |type= RBID |clé= ISTEX:74D41D7B4569AEBAE11F317EDE99BB48BD12FFB7 |texte= THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA }}
This area was generated with Dilib version V0.6.39. |