ChansonRolandV7, Istex, Corpus, bibRecord, 000005

Politicizing national literature: the scholarly debate around La chanson de Roland in the nineteenth century

Identifieur interne : 000005 ( Istex/Corpus ); précédent : 000004; suivant : 000006

Politicizing national literature: the scholarly debate around La chanson de Roland in the nineteenth century

Auteurs : Isabel N. Divanna

Source :

Historical Research [ 0950-3471 ] ; 2011-02.

RBID : ISTEX:CCD3F5EEF7A068363EB66338D40DFF7E596AAD41

English descriptors

Entity :
- org : Foundation of the French Historical Profession, France, Génin, Germany and France, Germany, Spain, Italy, England, Iceland and Holland, Germany, the Italian, Iceland and England, Institute of Historical Research, National Myth, Writing National Histories.
- pers : A. Arteta, A. Burger, A. Comte, A. Haarder, A. Lang, A. P. Paris, A. Taylor, A. Wawn, A.Torre, Aimé Martin, Al Arabi, Al Husayn, Astrid Swenson, C. Amalvi, C. Nodier, C. Theveneau, Century English, Charles Victor, Claude Joseph, D. Doolittle, D. Hollier, D. Hult, David Hult, Dawn Dodds, Des, E. Chabal, E. Emery, E. Keller, E. Renan, Emma Cavell, Ernest Lavisse, Ernest Renan, Eugene Vance, F. Furet, F. Génin, F. Michel, Francisque Michel, François Guizot, François Génin, French, Friedrich A. Wolf, Friedrich Diez, Friedrich Wolf, Fustel de Coulanges, G. Paris, Gabriel Monod, Gaston Paris, Gautier, Génin, H. Boll-Johansen, H. Monin, H. Redman, H. S. Jones, H. U. Gumbrecht, H.T. Ho-Tai, H.Taine, H.White, Henri Monin, Hippolyte Taine, Huon de Bordeaux, I. DiVanna, J. Bauquier, J. R. Dakyns, Jacob Grimm, Jean-Louis Bourdillon, K. M. Baker, Karl Lachmann, King Arthur, L. Allegra, L. Morowitz, Louis Napoleon, Ludovic Vitet, Léon Gautier, M. Bréal, M. Espagne, M. F. Génin, M. Glencross, M. Monmerqué, M. Oergel, M. Olender, M. Ozouf, M. Roques, M. Thorp, M. Zink, M. de Monmerqué, M.Werner, Michel, N. F. Cantor, P. E. Charvet, P. Meyer, P. Nora, Paris, Paul Meyer, Paulin Paris, Pierre Nora, Pio Rajna, R. D. Anderson, R. McKitterick, R. N. Bellah, Raoul Mortier, Ridoux, Roman de Roncevaux, Romance Philology, Rosamond McKitterick, S. A. Crane, S. Andreski, S. Berger, S. J. Ridyard, S. Nichols, T. Blanning, T. D. Hemmings, T. Müller, Theodor Müller, Tite Live, Trinity College, U. Bähler, Vita Karoli, W. R. Keylor, W. Roach, Wilhelm Grimm, de Roland.
- place : Baltimore, Barcelona, Bismarck, Cambridge, Cordoba, Europe, France, Germany, Lyon, Mass., Oxford, Paris, Poitiers, Romania, Saint Alexis, Saint Simon, Spain, Tours, Troyes, UK, Venice, Versailles, Waterloo.
Teeft :
- Brother grimm, Chanson, Charlemagne, Critical edition, Epic genre, Epic poem, February, First time, Francisque, Francisque michel, French epic, French history, French literature, French past, French people, French revolution, French scholar, Gaston, Gaston paris, Gautier, German scholarship, German theory, Historical research, Individual author, Introductory remark, Literary critic, Literary criticism, Manuscript, Medieval epic, Medieval history, Medieval literature, Medieval study, Medieval text, Medievalism, Michel, Middle age, Modern scholar, Moor, National feeling, National philology, National poem, Nationale, Nibelungenlied, Nineteenth century, Nodier, Olivier, Origini francese, Paul meyer, Paulin, Paulin paris, Philosophie positive, Roland, Roncevaux, Scholarly debate, Scholarly work, Scientific method, Sweet france, Textual criticism, Third republic, Vitet.

Abstract

To modern scholars the reasons why Roland is a symbol of French nationalism may seem evident. Having died in combat against the Unfaithful while defending Charlemagne and his men, Roland's death‐story seems particularly symbolic of French patriotism. This article investigates how different scholars approached La chanson de Roland in the nineteenth century, having to come to terms with religious, political and moral issues in their analysis and depiction of Roland's actions and death. At a time when political tendencies and scholarly work allegedly came together, an examination of scholarly editions of, and academic writings on, La chanson de Roland helps to re‐evaluate the role of politics in nineteenth‐century scholarship.

Url:

https://api.istex.fr/ark:/67375/WNG-JTNT9Z7G-D/fulltext.pdf

DOI: 10.1111/j.1468-2281.2009.00540.x

Links to Exploration step

ISTEX:CCD3F5EEF7A068363EB66338D40DFF7E596AAD41

Le document en format XML

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<abstract>To modern scholars the reasons why Roland is a symbol of French nationalism may seem evident. Having died in combat against the Unfaithful while defending Charlemagne and his men, Roland's death‐story seems particularly symbolic of French patriotism. This article investigates how different scholars approached La chanson de Roland in the nineteenth century, having to come to terms with religious, political and moral issues in their analysis and depiction of Roland's actions and death. At a time when political tendencies and scholarly work allegedly came together, an examination of scholarly editions of, and academic writings on, La chanson de Roland helps to re‐evaluate the role of politics in nineteenth‐century scholarship.</abstract>
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<p>To modern scholars the reasons why Roland is a symbol of French nationalism may seem evident. Having died in combat against the Unfaithful while defending Charlemagne and his men, Roland's death‐story seems particularly symbolic of French patriotism. This article investigates how different scholars approached <hi rend="italic">La chanson de Roland</hi>
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{{Explor lien
   |wiki=    ChansonRoland
   |area=    ChansonRolandV7
   |flux=    Istex
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   |type=    RBID
   |clé=     ISTEX:CCD3F5EEF7A068363EB66338D40DFF7E596AAD41
   |texte=   Politicizing national literature: the scholarly debate around La chanson de Roland in the nineteenth century
}}

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	Serveur d'exploration sur la Chanson de Roland
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Serveur d'exploration sur la Chanson de Roland

Politicizing national literature: the scholarly debate around La chanson de Roland in the nineteenth century

Politicizing national literature: the scholarly debate around La chanson de Roland in the nineteenth century

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