Ut pictura poesis : le cas de La Chanson de Roland
Identifieur interne : 000004 ( Istex/Corpus ); précédent : 000003; suivant : 000005Ut pictura poesis : le cas de La Chanson de Roland
Auteurs : Christophe ChaguinianSource :
- Neophilologus [ 0028-2677 ] ; 2011.
English descriptors
- Teeft :
- Ainsi, Assez, Aussi, Autres, Avec, Avon, Blanc, Celui, Cette, Chaguinian, Chanson, Coll, Comme, Concret, Connaissance, Constructive editing, Conteur, Critique, Dire, Donc, Dont, Effet, Effets, Effets particuliers, Elle, Elles, Encore, Entre, Exemple, Explique, Faisant, Fait, Faits, Faral, Forme, Ganelon, Geste, Gros, Gros plan, Idem, Laisse, Lanson, Lecteur, Leur, Marsile, Moderne, Moins, Montage, Montre, Moyen, Narrateur, Narrateur omniscient, Narration, Neutre, Notre appareil visuel, Notre connaissance, Objet, Parataxe, Passe, Peeters, Permet, Personnage, Personnages, Peut, Plan moyen, Present tense, Produit, Puisque, Quant, Roland, Roman flaubertien, Roman moderne, Selon, Semble, Sont, Sou, Souligne, Technique favorables, Telle, Temp, Termes, Texte, Textes, Trouve, Uvre, Vers, Visage, Visualisation, Visuel, Visuelle, Xixe, Yeux.
Abstract
Abstract: For a long time, students of the Chanson de Roland—G. Paris, G. Lanson, E. Faral, P. Le Gentil, G. Moignet, to name a few—have indicated that the work is highly visual, and that the reader has the impression of seeing the actions being described. In other words, the Chanson is an excellent example of the figure of speech classical rhetoricians call hypotyposis, a lively description used for creating the illusion of reality. Unfortunately the aforementioned scholars have not explained which stylistic devices produce such an effect in the Chanson (and neither have the rhetoricians who defined the trope). The goal of this article is to take stock of these various means: concrete vocabulary, neutral narration, paratactic construction, use of the present tense, montage etc., all of which contribute to rendering this composition highly visual. The analysis makes use of data produced by cognitive psychologists who study contexts in which verbal information lends itself to visualization. An unexpected consequence of the analysis of the Chanson de Roland from this perspective is the revelation of its stylistic ‘modernity’, since scholars associate the birth of the ‘modern novel’, in the 19th century, with the generalization of such techniques.
Url:
DOI: 10.1007/s11061-010-9198-0
Links to Exploration step
ISTEX:E6CC3890996AA9313111E26F8FCA470FC6F7B56ALe document en format XML
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Language="En" NumberingStyle="Unnumbered" TocLevels="0"><ArticleID>9198</ArticleID><ArticleDOI>10.1007/s11061-010-9198-0</ArticleDOI><ArticleSequenceNumber>2</ArticleSequenceNumber><ArticleTitle Language="En" OutputMedium="All"><Emphasis Type="Italic">Ut pictura poesis</Emphasis>: le cas de <Emphasis Type="Italic">La Chanson de Roland</Emphasis></ArticleTitle><ArticleFirstPage>27</ArticleFirstPage><ArticleLastPage>49</ArticleLastPage><ArticleHistory><RegistrationDate><Year>2010</Year><Month>2</Month><Day>3</Day></RegistrationDate><OnlineDate><Year>2010</Year><Month>2</Month><Day>18</Day></OnlineDate></ArticleHistory><ArticleCopyright><CopyrightHolderName>Springer Science+Business Media B.V.</CopyrightHolderName><CopyrightYear>2010</CopyrightYear></ArticleCopyright><ArticleGrants Type="Regular"><MetadataGrant Grant="OpenAccess"></MetadataGrant><AbstractGrant Grant="OpenAccess"></AbstractGrant><BodyPDFGrant Grant="Restricted"></BodyPDFGrant><BodyHTMLGrant Grant="Restricted"></BodyHTMLGrant><BibliographyGrant Grant="Restricted"></BibliographyGrant><ESMGrant Grant="Restricted"></ESMGrant></ArticleGrants></ArticleInfo><ArticleHeader><AuthorGroup><Author AffiliationIDS="Aff1 Aff2" CorrespondingAffiliationID="Aff1" PresentAffiliationID="Aff2"><AuthorName DisplayOrder="Western"><GivenName>Christophe</GivenName><FamilyName>Chaguinian</FamilyName></AuthorName><Contact><Email>cchaguin@unt.edu</Email></Contact></Author><Affiliation ID="Aff1"><OrgName>University of North Texas, Foreign Languages and Literatures</OrgName><OrgAddress><Street>
1155 Union Circle 311127</Street><City>Denton</City><State>TX</State><Postcode>76203-5017</Postcode><Country Code="US">USA</Country></OrgAddress></Affiliation><Affiliation ID="Aff2"><OrgAddress><Street>3024 Broken Bow Str.</Street><City>Denton</City><State>TX</State><Postcode>76209</Postcode><Country Code="US">USA</Country></OrgAddress></Affiliation></AuthorGroup><Abstract ID="Abs1" Language="En" OutputMedium="All"><Heading>Abstract</Heading><Para>For a long time, students of the <Emphasis Type="Italic">Chanson de Roland</Emphasis>—G. Paris, G. Lanson, E. Faral, P. Le Gentil, G. Moignet, to name a few—have indicated that the work is highly visual, and that the reader has the impression of <Emphasis Type="Italic">seeing</Emphasis> the actions being described. In other words, the <Emphasis Type="Italic">Chanson</Emphasis> is an excellent example of the figure of speech classical rhetoricians call hypotyposis, a lively description used for creating the illusion of reality. Unfortunately the aforementioned scholars have not explained which stylistic devices produce such an effect in the <Emphasis Type="Italic">Chanson</Emphasis> (and neither have the rhetoricians who defined the trope). The goal of this article is to take stock of these various means: concrete vocabulary, neutral narration, paratactic construction, use of the present tense, montage etc., all of which contribute to rendering this composition highly visual. The analysis makes use of data produced by cognitive psychologists who study contexts in which verbal information lends itself to visualization. An unexpected consequence of the analysis of the <Emphasis Type="Italic">Chanson de Roland</Emphasis> from this perspective is the revelation of its stylistic ‘modernity’, since scholars associate the birth of the ‘modern novel’, in the 19th century, with the generalization of such techniques.</Para></Abstract><KeywordGroup Language="En" OutputMedium="All"><Heading>Keywords</Heading><Keyword><Emphasis Type="Italic">Chanson de Roland</Emphasis></Keyword><Keyword>Chanson de geste</Keyword><Keyword>Hypotyposis</Keyword><Keyword>Modernity</Keyword><Keyword>Visualization</Keyword><Keyword>Style</Keyword></KeywordGroup></ArticleHeader><NoBody></NoBody></Article></Issue></Volume></Journal></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Ut pictura poesis : le cas de La Chanson de Roland</title></titleInfo><titleInfo type="alternative" contentType="CDATA"><title> Ut pictura poesis : le cas de La Chanson de Roland </title></titleInfo><name type="personal" displayLabel="corresp"><namePart type="given">Christophe</namePart><namePart type="family">Chaguinian</namePart><affiliation>University of North Texas, Foreign Languages and Literatures, 1155 Union Circle 311127, 76203-5017, Denton, TX, USA</affiliation><affiliation>3024 Broken Bow Str., 76209, Denton, TX, USA</affiliation><affiliation>E-mail: cchaguin@unt.edu</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="OriginalPaper" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Springer Netherlands</publisher><place><placeTerm type="text">Dordrecht</placeTerm></place><dateIssued encoding="w3cdtf">2011-01-01</dateIssued><copyrightDate encoding="w3cdtf">2010</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><abstract lang="en">Abstract: For a long time, students of the Chanson de Roland—G. Paris, G. Lanson, E. Faral, P. Le Gentil, G. Moignet, to name a few—have indicated that the work is highly visual, and that the reader has the impression of seeing the actions being described. In other words, the Chanson is an excellent example of the figure of speech classical rhetoricians call hypotyposis, a lively description used for creating the illusion of reality. Unfortunately the aforementioned scholars have not explained which stylistic devices produce such an effect in the Chanson (and neither have the rhetoricians who defined the trope). The goal of this article is to take stock of these various means: concrete vocabulary, neutral narration, paratactic construction, use of the present tense, montage etc., all of which contribute to rendering this composition highly visual. The analysis makes use of data produced by cognitive psychologists who study contexts in which verbal information lends itself to visualization. An unexpected consequence of the analysis of the Chanson de Roland from this perspective is the revelation of its stylistic ‘modernity’, since scholars associate the birth of the ‘modern novel’, in the 19th century, with the generalization of such techniques.</abstract><subject lang="en"><genre>Keywords</genre><topic>Chanson de Roland</topic><topic>Chanson de geste</topic><topic>Hypotyposis</topic><topic>Modernity</topic><topic>Visualization</topic><topic>Style</topic></subject><relatedItem type="host"><titleInfo><title>Neophilologus</title><subTitle>An International Journal of Modern and Mediaeval Language and Literature</subTitle></titleInfo><titleInfo type="abbreviated"><title>Neophilologus</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><originInfo><publisher>Springer</publisher><dateIssued encoding="w3cdtf">2011</dateIssued><copyrightDate encoding="w3cdtf">2011</copyrightDate></originInfo><subject><genre>Linguistics</genre><topic>Syntax</topic><topic>Comparative Literature</topic><topic>Philology</topic><topic>Comparative Linguistics</topic><topic>Historical Linguistics</topic></subject><identifier type="ISSN">0028-2677</identifier><identifier type="eISSN">1572-8668</identifier><identifier type="JournalID">11061</identifier><identifier type="IssueArticleCount">9</identifier><identifier type="VolumeIssueCount">4</identifier><part><date>2011</date><detail type="volume"><number>95</number><caption>vol.</caption></detail><detail type="issue"><number>1</number><caption>no.</caption></detail><extent unit="pages"><start>27</start><end>49</end></extent></part><recordInfo><recordOrigin>Springer Science+Business Media B.V., 2011</recordOrigin></recordInfo></relatedItem><identifier type="istex">E6CC3890996AA9313111E26F8FCA470FC6F7B56A</identifier><identifier type="ark">ark:/67375/VQC-XP6ZHVZT-N</identifier><identifier type="DOI">10.1007/s11061-010-9198-0</identifier><identifier type="ArticleID">9198</identifier><identifier type="ArticleID">s11061-010-9198-0</identifier><accessCondition type="use and reproduction" contentType="copyright">Springer Science+Business Media B.V., 2010</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</recordContentSource><recordOrigin>Converted from (version 1.2.14) to MODS version 3.6.</recordOrigin><recordCreationDate encoding="w3cdtf">2020-05-29</recordCreationDate></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/ark:/67375/VQC-XP6ZHVZT-N/record.json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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