Platonische Liebe in Shakespeares Sonett 116
Identifieur interne : 001B76 ( Istex/Corpus ); précédent : 001B75; suivant : 001B77Platonische Liebe in Shakespeares Sonett 116
Auteurs : Horst BreuerSource :
- Anglia - Zeitschrift fr englische Philologie [ 0340-5222 ] ; 2011-12.
Abstract
The article discusses the concept of love in Shakespeare's Sonnet 116. After introductory remarks on the poem, the philosophical context of Renaissance neoplatonism is outlined. Marsilio Ficino, Pietro Bembo and Baldassare Castiglione come into closer focus. Their writings emphasize that true love is not sensual, but spiritual, the body being, in the last resort, corruptible matter, treacherous, transient, the soul's prison. Love is the desire for beauty which is a reflection of God's eternal celestial light. Against this background, the theme of Platonic love in Shakespeare's poem is analysed. The sonnet hails ideal love as the friendship of souls, rising above amatory desire, and it praises love's constancy and time-transcending permanence, regardless of bodily decay or even the waning of the beloved's affection. From its position in the fair friend section of the sequence, the poem seems to apply particularly to the affective bond between men of rank and culture. Shakespeare's works present a great variety of love relationships, his occasionally Platonic frame of mind being one of the lesser known elements of his poetry.
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DOI: 10.1515/angl.2011.041
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Marsilio Ficino, Pietro Bembo and Baldassare Castiglione come into closer focus. Their writings emphasize that true love is not sensual, but spiritual, the body being, in the last resort, corruptible matter, treacherous, transient, the soul's prison. Love is the desire for beauty which is a reflection of God's eternal celestial light. Against this background, the theme of Platonic love in Shakespeare's poem is analysed. The sonnet hails ideal love as the friendship of souls, rising above amatory desire, and it praises love's constancy and time-transcending permanence, regardless of bodily decay or even the waning of the beloved's affection. From its position in the fair friend section of the sequence, the poem seems to apply particularly to the affective bond between men of rank and culture. Shakespeare's works present a great variety of love relationships, his occasionally Platonic frame of mind being one of the lesser known elements of his poetry.</div></front></TEI><istex><corpusName>degruyter-journals</corpusName><author><json:item><name>Horst Breuer</name><affiliations><json:string>Trier und Freiburg i.br.</json:string></affiliations></json:item></author><articleId><json:string>ANGL.129.3-4.378</json:string></articleId><language><json:string>ger</json:string></language><originalGenre><json:string>research-article</json:string></originalGenre><abstract>The article discusses the concept of love in Shakespeare's Sonnet 116. After introductory remarks on the poem, the philosophical context of Renaissance neoplatonism is outlined. Marsilio Ficino, Pietro Bembo and Baldassare Castiglione come into closer focus. 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Bernard E. C. Davis, Edmund Spenser: A Critical Study (Cambridge: Cambridge UP, 1933), Kap. 9; Robert Ellrodt, Neoplatonism in the Poetry of Spenser Platonism in Spenser's Mutabilitie Cantos</title><publicationDate>1912</publicationDate></json:item><json:item><author><json:item><name>Stephen Minta</name></json:item><json:item><name>Petrarchism Petrarch</name></json:item></author><host><author></author><title>Johannes Hösle (Hg.), Texte zum Antipetrarkismus</title><publicationDate>1933</publicationDate></host><title>The English and French Traditions Marziano Guglielminetti, Petrarca e il petrarchismo: Un'ideologia della letteratura (Allessandria: Edizioni dell' Orso, 1994) Zum Antipetrarkismus vgl Siehe auch Lu Emily Pearson</title><publicationDate>1933</publicationDate></json:item><json:item><host><author><json:item><name> Giovenile Errore</name></json:item></author><title>pentersi, e 'l conoscer chiaramente / che quanto piace al mondo è breve sogno " ; Francesco Petrarca, Rime, hg. von Guido Bezzola (Mailand: Rizzoli, 1976) 89. Giovanni Boccaccio hat sein Dekameron ebenfalls nachträglich als leichtfertig und unmoralisch verurteilt</title></host></json:item><json:item><author><json:item><name>:,R T Siehe Etwa</name></json:item><json:item><name> Wallis</name></json:item><json:item><name> Neo-Platonism</name></json:item></author><host><author></author><title>Die Philosophie des Neuplatonismus</title><publicationDate>1972</publicationDate></host><publicationDate>1972</publicationDate></json:item><json:item><host><author><json:item><name>John,J Cleary</name></json:item></author><title>The Perennial Tradition of Neoplatonism (Leuven: UP, 1997); Pauliina Remes</title><publicationDate>2008</publicationDate></host></json:item><json:item><author><json:item><name> Einführend Siehe Gerda Von</name></json:item><json:item><name> Bredow</name></json:item></author><host><author></author><title>Platonismus im Mittelalter: Eine Einführung</title><publicationDate>1972</publicationDate></host><publicationDate>1972</publicationDate></json:item><json:item><author><json:item><name>S Vgl</name></json:item><json:item><name> Ebbersmeyer</name></json:item></author><host><pages><last>113</last><first>161</first></pages><author></author><title>Castiglione und die englische Renaissance</title><publicationDate>1938</publicationDate></host><title>Olga Zorzi Pugliese betont die realistischen Züge Castigliones, verglichen mit Ficino und Giovanni Pico; siehe " Variations on Ficino's De Amore: The Hymns to Love by</title><publicationDate>1938</publicationDate></json:item><json:item><host><author><json:item><name>P,O Siehe</name></json:item></author><title>Kristeller (wie Anm. 25) 261. 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After introductory remarks on the poem, the philosophical context of Renaissance neoplatonism is outlined. Marsilio Ficino, Pietro Bembo and Baldassare Castiglione come into closer focus. Their writings emphasize that true love is not sensual, but spiritual, the body being, in the last resort, corruptible matter, treacherous, transient, the soul's prison. Love is the desire for beauty which is a reflection of God's eternal celestial light. Against this background, the theme of ‘Platonic’ love in Shakespeare's poem is analysed. The sonnet hails ideal love as the friendship of souls, rising above amatory desire, and it praises love's constancy and time-transcending permanence, regardless of bodily decay or even the waning of the beloved's affection. From its position in the ‘fair friend’ section of the sequence, the poem seems to apply particularly to the affective bond between men of rank and culture. 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The sonnet hails ideal love as the friendship of souls, rising above amatory desire, and it praises love's constancy and time-transcending permanence, regardless of bodily decay or even the waning of the beloved's affection. From its position in the fair friend section of the sequence, the poem seems to apply particularly to the affective bond between men of rank and culture. 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