List of bibliographic references indexed by 0022-3840
Number of relevant bibliographic references: 93.
[0-50] [
0 - 20][
0 - 50][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000042 (2011) |
Gregory A. Borchard ; Anthony J. Ferri | When in Las Vegas, Do As the Ancient Romans Did: Bread and Circuses Then and Now |
| 000082 (2011) |
Philip Booth | Fellini's La Strada as Transitional Film: The Road From Classical Neorealism to Poetic Realism |
| 000208 (2009) |
Jay Mcroy ; Guy Crucianelli | “I Panic the World”: Benevolent Exploitation in Tod Browning's Freaks and Harmony Korine's Gummo |
| 000228 (2009) |
Nicholas Yanes | The Genesis of Mass Culture: Show Business Live in America, 1840 to 1940 |
| 000245 (2009) |
Lane Van Ham | Reading Early Punk as Secularized Sacred Clowning |
| 000246 (2009) |
Don Cusic ; Gregory K. Faulk | Popular Culture and the Economy |
| 000343 (2008) |
James A. Freeman [États-Unis] | Joan of Arc: Soldier, Saint, Symbol—of What? |
| 000398 (2007) |
Jeffrey Cass | With Amusement for All: A History of American Popular Culture since 1830 |
| 000404 (2007) |
Brian Diemert | Unless the Threat of Death Is Behind Them: Hard‐Boiled Fiction and Film Noir |
| 000406 (2007) |
Francis Martin Jr. | To Ignore Is to Deny: E. W. Kemble's Racial Caricature as Popular Art |
| 000435 (2007) |
María De Jesus González ; Jesse Sloan | María Izquierdo: Images of the Circus |
| 000549 (2005) |
James K. Beggan ; Scott T. Allison | Tough Women in the Unlikeliest of Places: The Unexpected Toughness of the Playboy Playmate |
| 000737 (2003) |
Allen W. Ellis | Yes, Sir: The Legacy of Zeppo Marx |
| 000756 (2003) |
Nancy D. Hargrove | T. S. Eliot and Popular Entertainment in Paris, 1910–1911 |
| 000862 (2001) |
Margaret Malamud | The Greatest Show on Earth: Roman Entertainments in Turn‐of‐the‐Century New York City |
| 000863 (2001) |
John Mccannon | Technological and Scientific Utopias in Soviet Children's Literature, 1921–1932 |
| 000889 (2001) |
Yoram Carmeli | Circus Play, Circus Talk, and the Nostalgia for a Total Order |
| 000935 (2000) |
Margaret Malamud [États-Unis] | Pyramids in Las Vegas and in Outer Space: Ancient Egypt in Twentieth‐Century American Architecture and Film |
| 000940 (2000) |
Jeffrey H. Jackson | Music‐Halls and the Assimilation of Jazz in 1920s Paris |
| 000976 (1999) |
Mark St. Leon | Yankee Circus to the Fabled Land: The Australian‐American Circus Connection |
| 000994 (1999) |
Wendy Holland | Reimagining Aboriginality in the Circus Space |
| 000A44 (1998) |
Thomas M. Barrett | Southern Living (in Captivity): The Caucasus in Russian Popular Culture |
| 000A56 (1998) |
Hubertus F. Jahn [Allemagne] | Kaiser, Cossacks, and Kolbasniks: Caricatures of the German in Russian Popular Culture |
| 000A61 (1998) |
Walker Rumble | From the Shop Floor to the Show: Joseph W. McCann, Typesetting Races, and Expressive Work in 19th‐century America |
| 000B00 (1997) |
Anne Elizabeth Moore | The Hilarious Rump: Our Fascination with the Arse in Early Comedic Film |
| 000B11 (1997) |
Tim Blackmore | Krazy as a Fool: Erasmus of Rotterdam's Praise of Folly and Herriman of Coconino's Krazy Kat1 |
| 000B87 (1996) |
| Book Reviews |
| 000C16 (1995) |
Raymond Evans [Australie] | “Buddy, Can You Spare a Paradigm?” Popular Cultural Studies in Australian History |
| 000C20 (1995) |
Yoram S. Carmeli [Israël] | The Invention of Circus and Bourgeois Hegemony: A Glance at British Circus Books |
| 000C23 (1995) |
Kenneth Little [Canada] | Surveilling Cirque Archaos: Transgression and the Spaces of Power in Popular Entertainment |
| 000C31 (1995) |
Angela J. Latham | Packaging Woman: The Concurrent Rise of Beauty Pageants, Public Bathing, and Other Performances of Female “Nudity” |
| 000C44 (1995) |
| Book Reviews |
| 000C79 (1994) |
Robert Rinehart | Sport as Kitsch: A Case Study of The American Gladiators |
| 000C89 (1994) |
| Books Reviews |
| 000D22 (1993) |
Paul R. Kohl | Looking Through a Glass Onion: Rock and Roll as a Modern Manifestation of Carnival |
| 000D66 (1992) |
Estelle M. Raben [États-Unis] | Peking Opera: The Persistence of Tradition in the People's Republic of China |
| 000D69 (1992) |
Yoram S. Carmeli [Israël] | From Curiosity to Prop—A Note on the Changing Cultural Significances of Dwarves' Presentations in Britain |
| 000D70 (1992) |
Raymond M. Weinstein | Disneyland and Coney Island: Reflections on the Evolution of the Modern Amusement Park |
| 000D98 (1991) |
Ray B. Browne ; Arthur G. Neal | The Many Tongues of Literacy |
| 000E05 (1991) |
Max J. Skidmore | Oriental Contributions to Western Popular Culture: The Martial Arts |
| 000E06 (1991) |
Arthur Chandler | On the Symbolism of Juggling: The Moral and Aesthetic Implications of the Mastery of Falling Objects |
| 000E35 (1990) |
Richard Waterhouse | The Minstrel Show and Australian Culture |
| 000E37 (1990) |
Lisa St. Clair Harvey | Temporary Insanity: Fun, Games, and Transformational Ritual in American Music Video |
| 000E41 (1990) |
Karen Clemente [États-Unis] | Playing with Performance: The Element of the Game in Experimental Dance and Theater |
| 000E76 (1989) |
Betsy J. Blosser ; Gretchen Lagana | Popular Culture in the Rare Book and Special Collections Department |
| 000E85 (1989) |
| Book Reviews |
| 000E87 (1989) |
| Book Reviews |
| 000F06 (1988) |
George Moss | Silver Frolic: Popular Entertainment in Virginia City, Nevada, 1859–1863 |
| 000F15 (1988) |
Tom W. Boyd | Clowns, Innocent Outsiders in the Sanctuary: A Phenomenology of Sacred Folly |
| 000F19 (1988) |
Rebecca Hilliker | Alaska's Lost Heritage: The Unprecedented Flowering of Drama, Dance and Song in the 19th Century Potlatch of the Northwest Coast Indians |
| 000F34 (1987) |
Milton Goldin | ‘Why the Square?’: John D. Rockefeller 3rd and the Creation of Lincoln Center for the Performing Arts |
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