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List of bibliographic references indexed by 1467-8365

Number of relevant bibliographic references: 33.
Ident.Authors (with country if any)Title
000039 (2011) Jonathan Shirland‘Embryonic Phantoms’: Materiality, Marginality and Modernity in Whistler’s Black Portraits
000045 (2011) Francesco VentrellaUnder the Hat of the Art Historian: Panofsky, Berenson, Warburg
000118 (2010) Laura Weigert‘Theatricality’ in Tapestries and Mystery Plays and its Afterlife in Painting
000126 (2010) Catherine ClingerTheory of the Ridiculous: Jean Paul, Max Beckmann, and Dostoevsky's Donkey
000128 (2010) Caroline Van Eck ; Stijn BusselsThe Visual Arts and the Theatre in Early Modern Europe
000173 (2010) Antony EastmondConsular Diptychs, Rhetoric and the Languages of Art in Sixth‐Century Constantinople
000213 (2009) Jennifer A. GreenhillWINSLOW HOMER AND THE MECHANICS OF VISUAL DEADPAN
000351 (2008) Jennie KleinEMBODIED ACTS: BOOKS ON PERFORMANCE edited by Tanya Mars, Johanna Householder, Peta Tait, Petra Kuppers, Midori Yoshimoto, Marquard Smith and Joanne Morra
000395 (2007) Tapati Guha-Thakurta‘OUR GODS, THEIR MUSEUMS’:1 THE CONTRARY CAREERS OF INDIA'S ART OBJECTS
000572 (2005) Élisabeth LavezziTHE ENCYCLOPÉDIE AND THE IDEA OF THE DECORATIVE ARTS
000676 (2004) Douglas Fordham [États-Unis]William Hogarth's The March to Finchley and the fate of comic history painting
000748 (2003) Saloni MathurThe introductory survey from a post‐colonial perspective
000750 (2003) Pauline De SouzaThe book of the show and the bookwork
000757 (2003) Alison Joy Sleeman [Royaume-Uni]Staring into holes in the ground
000762 (2003) Thomas PuttfarkenReconstructing Titian
000763 (2003) John SearsPranksters in revolt: situationism in the Academy
000780 (2003) David Hemsoll [Royaume-Uni]Dreaming about the Renaissance
000781 (2003) Anthea Callen [Royaume-Uni]Doubles and Desire: Anatomies of masculinity in the later nineteenth century
000784 (2003) Dorothy RoweCultural Crossings: performing race and transgender in the work of moti roti
000793 (2003) Judith AlfreyAssembling identities
000794 (2003) Nina SchleifArt lost to spectacle
000975 (1999) Diana Donald‘Beastly Sights’: the treatment of animals as a moral theme in representations of London c. 1820–1850
000984 (1999) William B. MacgregorThe Authority of Prints: an early modern perspective
000A50 (1998) Jonathan HarrisPainting in Theory
000B02 (1997) Anthea CallenThe Body and Difference: Anatomy training at the Ecole des Beaux‐Arts in Paris in the later nineteenth century
000C36 (1995) Walter CahnFocillon's Jongleur
000D56 (1992) John Goodman [États-Unis]‘ALTAR AGAINST ALTAR’: THE COLISÉE, VAUXHALL UTOPIANISM AND SYMBOLIC POLITICS IN PARIS (1769–77)
000E78 (1989) Natasha StallerMELIES' ‘FANTASTIC’ CINEMA AND THE ORIGINS OF CUBISM
000F47 (1987) Neil McwilliamOBJETS RETROUVÉS
001037 (1984) Judi FreemanLÉGER REEXAMINED
001138 (1980) John HouseMEANING IN SEURAT'S FIGURE PAINTINGS
001139 (1980) Marilyn Mccully [États-Unis]MAGIC AND ILLUSION IN THE SALTIMBANQUES OF PICASSO AND APOLLINAIRE
001164 (1979) Alan GowansCHILD ART AS AN INSTRUMENT FOR STUDYING HISTORY: The Case for an ‘Ontogeny Repeats Phylogeny’ Paradigm in Universal History

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