List of bibliographic references indexed by 1467-8365
Number of relevant bibliographic references: 33.
Ident. | Authors (with country if any) | Title |
---|
000039 (2011) |
Jonathan Shirland | ‘Embryonic Phantoms’: Materiality, Marginality and Modernity in Whistler’s Black Portraits |
000045 (2011) |
Francesco Ventrella | Under the Hat of the Art Historian: Panofsky, Berenson, Warburg |
000118 (2010) |
Laura Weigert | ‘Theatricality’ in Tapestries and Mystery Plays and its Afterlife in Painting |
000126 (2010) |
Catherine Clinger | Theory of the Ridiculous: Jean Paul, Max Beckmann, and Dostoevsky's Donkey |
000128 (2010) |
Caroline Van Eck ; Stijn Bussels | The Visual Arts and the Theatre in Early Modern Europe |
000173 (2010) |
Antony Eastmond | Consular Diptychs, Rhetoric and the Languages of Art in Sixth‐Century Constantinople |
000213 (2009) |
Jennifer A. Greenhill | WINSLOW HOMER AND THE MECHANICS OF VISUAL DEADPAN |
000351 (2008) |
Jennie Klein | EMBODIED ACTS: BOOKS ON PERFORMANCE edited by Tanya Mars, Johanna Householder, Peta Tait, Petra Kuppers, Midori Yoshimoto, Marquard Smith and Joanne Morra |
000395 (2007) |
Tapati Guha-Thakurta | ‘OUR GODS, THEIR MUSEUMS’:1 THE CONTRARY CAREERS OF INDIA'S ART OBJECTS |
000572 (2005) |
Élisabeth Lavezzi | THE ENCYCLOPÉDIE AND THE IDEA OF THE DECORATIVE ARTS |
000676 (2004) |
Douglas Fordham [États-Unis] | William Hogarth's The March to Finchley and the fate of comic history painting |
000748 (2003) |
Saloni Mathur | The introductory survey from a post‐colonial perspective |
000750 (2003) |
Pauline De Souza | The book of the show and the bookwork |
000757 (2003) |
Alison Joy Sleeman [Royaume-Uni] | Staring into holes in the ground |
000762 (2003) |
Thomas Puttfarken | Reconstructing Titian |
000763 (2003) |
John Sears | Pranksters in revolt: situationism in the Academy |
000780 (2003) |
David Hemsoll [Royaume-Uni] | Dreaming about the Renaissance |
000781 (2003) |
Anthea Callen [Royaume-Uni] | Doubles and Desire: Anatomies of masculinity in the later nineteenth century |
000784 (2003) |
Dorothy Rowe | Cultural Crossings: performing race and transgender in the work of moti roti |
000793 (2003) |
Judith Alfrey | Assembling identities |
000794 (2003) |
Nina Schleif | Art lost to spectacle |
000975 (1999) |
Diana Donald | ‘Beastly Sights’: the treatment of animals as a moral theme in representations of London c. 1820–1850 |
000984 (1999) |
William B. Macgregor | The Authority of Prints: an early modern perspective |
000A50 (1998) |
Jonathan Harris | Painting in Theory |
000B02 (1997) |
Anthea Callen | The Body and Difference: Anatomy training at the Ecole des Beaux‐Arts in Paris in the later nineteenth century |
000C36 (1995) |
Walter Cahn | Focillon's Jongleur |
000D56 (1992) |
John Goodman [États-Unis] | ‘ALTAR AGAINST ALTAR’: THE COLISÉE, VAUXHALL UTOPIANISM AND SYMBOLIC POLITICS IN PARIS (1769–77) |
000E78 (1989) |
Natasha Staller | MELIES' ‘FANTASTIC’ CINEMA AND THE ORIGINS OF CUBISM |
000F47 (1987) |
Neil Mcwilliam | OBJETS RETROUVÉS |
001037 (1984) |
Judi Freeman | LÉGER REEXAMINED |
001138 (1980) |
John House | MEANING IN SEURAT'S FIGURE PAINTINGS |
001139 (1980) |
Marilyn Mccully [États-Unis] | MAGIC AND ILLUSION IN THE SALTIMBANQUES OF PICASSO AND APOLLINAIRE |
001164 (1979) |
Alan Gowans | CHILD ART AS AN INSTRUMENT FOR STUDYING HISTORY: The Case for an ‘Ontogeny Repeats Phylogeny’ Paradigm in Universal History |
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