The odyssey of Orpheus: The evolution of solo singing
Identifieur interne : 000B64 ( Main/Exploration ); précédent : 000B63; suivant : 000B65The odyssey of Orpheus: The evolution of solo singing
Auteurs : Richard Miller [États-Unis]Source :
- Journal of Voice [ 0892-1997 ] ; 1996.
Descripteurs français
- Wicri :
- topic : Eurydice.
English descriptors
- KwdEn :
Abstract
Notated sacred solo song dates from 1,000 B.C. Early secular song exhibits modest vocal demands of chant-like character. Popular song and liturgical solo song share common origins. Western European secular song notation began in the early Medieval Age. Compositional writing for solo voice took a dramatic turn toward virtuosity about 1600. By the mid-17th century, the modern solo voice emerged. “Classical” solo vocal literature is not static but is constantly evolving, requiring skills far in excess of those of speech or of early solo song literature; this is equally the case with ethnomusicological and popular singing styles. Efficient use of the singing instrument is essential to the healthy accomplishment of all of these literatures.
Url:
DOI: 10.1016/S0892-1997(96)80038-5
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">The odyssey of Orpheus: The evolution of solo singing</title><author><name sortKey="Miller, Richard" sort="Miller, Richard" uniqKey="Miller R" first="Richard" last="Miller">Richard Miller</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:59D31148847501AE9B145D9DB8814C310906A79F</idno><date when="1996" year="1996">1996</date><idno type="doi">10.1016/S0892-1997(96)80038-5</idno><idno type="url">https://api.istex.fr/document/59D31148847501AE9B145D9DB8814C310906A79F/fulltext/pdf</idno><idno type="wicri:Area/Main/Corpus">000E72</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="ISTEX">000E72</idno><idno type="wicri:Area/Main/Curation">000E72</idno><idno type="wicri:Area/Main/Exploration">000B64</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Exploration">000B64</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">The odyssey of Orpheus: The evolution of solo singing</title><author><name sortKey="Miller, Richard" sort="Miller, Richard" uniqKey="Miller R" first="Richard" last="Miller">Richard Miller</name><affiliation wicri:level="2"><country xml:lang="fr">États-Unis</country><wicri:regionArea>Oberlin Conservatory of Music, Oberlin, Ohio</wicri:regionArea><placeName><region type="state">Ohio</region></placeName></affiliation></author></analytic><monogr></monogr><series><title level="j">Journal of Voice</title><title level="j" type="abbrev">YMVJ</title><idno type="ISSN">0892-1997</idno><imprint><publisher>ELSEVIER</publisher><date type="published" when="1996">1996</date><biblScope unit="vol">10</biblScope><biblScope unit="issue">2</biblScope><biblScope unit="page" from="109">109</biblScope><biblScope unit="page" to="128">128</biblScope></imprint><idno type="ISSN">0892-1997</idno></series><idno type="istex">59D31148847501AE9B145D9DB8814C310906A79F</idno><idno type="DOI">10.1016/S0892-1997(96)80038-5</idno><idno type="PII">S0892-1997(96)80038-5</idno><idno type="ArticleID">96800385</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0892-1997</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Chant</term><term>Chorale</term><term>Eurydice</term><term>Folksong</term><term>Gaukler</term><term>Goliard</term><term>Jongleur</term><term>Meistersinger</term><term>Minnesinger</term><term>Opera</term><term>Orpheus</term><term>Troubadour</term><term>Trouvère</term></keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Eurydice</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Notated sacred solo song dates from 1,000 B.C. Early secular song exhibits modest vocal demands of chant-like character. Popular song and liturgical solo song share common origins. Western European secular song notation began in the early Medieval Age. Compositional writing for solo voice took a dramatic turn toward virtuosity about 1600. By the mid-17th century, the modern solo voice emerged. “Classical” solo vocal literature is not static but is constantly evolving, requiring skills far in excess of those of speech or of early solo song literature; this is equally the case with ethnomusicological and popular singing styles. Efficient use of the singing instrument is essential to the healthy accomplishment of all of these literatures. </div></front></TEI><affiliations><list><country><li>États-Unis</li></country><region><li>Ohio</li></region></list><tree><country name="États-Unis"><region name="Ohio"><name sortKey="Miller, Richard" sort="Miller, Richard" uniqKey="Miller R" first="Richard" last="Miller">Richard Miller</name></region></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Wicri/explor/CircusV2/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000B64 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000B64 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Wicri
|area= CircusV2
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:59D31148847501AE9B145D9DB8814C310906A79F
|texte= The odyssey of Orpheus: The evolution of solo singing
}}
| This area was generated with Dilib version V0.6.31. |  |