Special Issue: ‘Scholarly Editing in the Twenty‐First Century’– A Conclusion
Identifieur interne : 000063 ( Main/Merge ); précédent : 000062; suivant : 000064Special Issue: ‘Scholarly Editing in the Twenty‐First Century’– A Conclusion
Auteurs : Laura MandellSource :
- Literature Compass [ 1741-4113 ] ; 2010-02.
Abstract
This piece is a conclusion to the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x. ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Marotti, Literature Compass 7.2 (2010): 35–36, doi: 10.1111/j.1741‐4113.2009.00673.x. ‘Electronic Archives and Critical Editing’, Jerome McGann, Literature Compass 7.2 (2010): 37–42, doi: 10.1111/j.1741‐4113.2009.00674.x. ‘Theorizing the Digital Scholarly Edition’, Hans Walter Gabler, Literature Compass 7.2 (2010): 43–56, doi: 10.1111/j.1741‐4113.2009.00675.x. ‘Editing Without Walls’, Peter Robinson, Literature Compass 7.2 (2010): 57–61, doi: 10.1111/j.1741‐4113.2009.00676.x. ‘Our Affection for Books’, Susan J. Wolfson, Literature Compass 7.2 (2010): 62–71, doi: 10.1111/j.1741‐4113.2009.00677.x. ‘His Days Among the Dead Are No Longer Passed: Editing Robert Southey’, Lynda Pratt, Literature Compass 7.2 (2010): 72–81, doi: 10.1111/j.1741‐4113.2009.00678.x. ‘Different Demands, Different Priorities: Electronic and Print Editions’, Stuart Curran, Literature Compass 7.2 (2010): 82–88, doi: 10.1111/j.1741‐4113.2009.00679.x. ‘Editing Manuscripts in Print and Digital Forms’, Arthur F. Marotti, Literature Compass 7.2 (2010): 89–94, doi: 10.1111/j.1741‐4113.2009.00680.x. ‘All of the Above: The Importance of Multiple Editions of Renaissance Manuscripts’, Steven W. May, Literature Compass 7.2 (2010): 95–101, doi: 10.1111/j.1741‐4113.2009.00681.x. ‘Editing Early Modern Women’s Manuscripts: Theory, Electronic Editions, and the Accidental Copy‐Text’, Margaret J.M. Ezell, Literature Compass 7.2 (2010): 102–109, doi: 10.1111/j.1741‐4113.2009.00682.x. ‘Different Strokes, Same Folk: Designing the Multi‐form Digital Edition’, Daniel Paul O’Donnell, Literature Compass 7.2 (2010): 110–119, doi: 10.1111/j.1741‐4113.2009.00683.x. ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– A Conclusion’, Laura Mandell, Literature Compass 7.2 (2010): 120–133, doi: 10.1111/j.1741‐4113.2009.00684.x. ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Combined Bibliography’, Marotti et al., Literature Compass 7.2 (2010): 134–144, doi: 10.1111/j.1741‐4113.2009.00685.x.
Url:
DOI: 10.1111/j.1741-4113.2009.00684.x
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<front><div type="abstract" xml:lang="en">This piece is a conclusion to the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x. ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Marotti, Literature Compass 7.2 (2010): 35–36, doi: 10.1111/j.1741‐4113.2009.00673.x. ‘Electronic Archives and Critical Editing’, Jerome McGann, Literature Compass 7.2 (2010): 37–42, doi: 10.1111/j.1741‐4113.2009.00674.x. ‘Theorizing the Digital Scholarly Edition’, Hans Walter Gabler, Literature Compass 7.2 (2010): 43–56, doi: 10.1111/j.1741‐4113.2009.00675.x. ‘Editing Without Walls’, Peter Robinson, Literature Compass 7.2 (2010): 57–61, doi: 10.1111/j.1741‐4113.2009.00676.x. ‘Our Affection for Books’, Susan J. Wolfson, Literature Compass 7.2 (2010): 62–71, doi: 10.1111/j.1741‐4113.2009.00677.x. ‘His Days Among the Dead Are No Longer Passed: Editing Robert Southey’, Lynda Pratt, Literature Compass 7.2 (2010): 72–81, doi: 10.1111/j.1741‐4113.2009.00678.x. ‘Different Demands, Different Priorities: Electronic and Print Editions’, Stuart Curran, Literature Compass 7.2 (2010): 82–88, doi: 10.1111/j.1741‐4113.2009.00679.x. ‘Editing Manuscripts in Print and Digital Forms’, Arthur F. Marotti, Literature Compass 7.2 (2010): 89–94, doi: 10.1111/j.1741‐4113.2009.00680.x. ‘All of the Above: The Importance of Multiple Editions of Renaissance Manuscripts’, Steven W. May, Literature Compass 7.2 (2010): 95–101, doi: 10.1111/j.1741‐4113.2009.00681.x. ‘Editing Early Modern Women’s Manuscripts: Theory, Electronic Editions, and the Accidental Copy‐Text’, Margaret J.M. Ezell, Literature Compass 7.2 (2010): 102–109, doi: 10.1111/j.1741‐4113.2009.00682.x. ‘Different Strokes, Same Folk: Designing the Multi‐form Digital Edition’, Daniel Paul O’Donnell, Literature Compass 7.2 (2010): 110–119, doi: 10.1111/j.1741‐4113.2009.00683.x. ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– A Conclusion’, Laura Mandell, Literature Compass 7.2 (2010): 120–133, doi: 10.1111/j.1741‐4113.2009.00684.x. ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Combined Bibliography’, Marotti et al., Literature Compass 7.2 (2010): 134–144, doi: 10.1111/j.1741‐4113.2009.00685.x.</div>
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