Rhythmic interaction for song filtering on a mobile device
Identifieur interne :
000A43 ( PascalFrancis/Curation );
précédent :
000A42;
suivant :
000A44
Rhythmic interaction for song filtering on a mobile device
Auteurs : Andrew Crossan [
Royaume-Uni] ;
Roderick Murray-Smith [
Royaume-Uni,
Irlande (pays)]
Source :
-
Lecture notes in computer science [ 0302-9743 ] ; 2006.
RBID : Pascal:08-0032199
Descripteurs français
- Pascal (Inist)
- Interface utilisateur,
Aide handicapé,
Assistance utilisateur,
Perception,
Fréquence battement,
Boucle réaction,
Chant,
Informatique mobile,
Variabilité,
Affichage,
Ambiguité,
Filtrage,
Filtre,
Taraudage,
Accéléromètre,
..
- Wicri :
English descriptors
- KwdEn :
- Accelerometer,
Ambiguity,
Beat frequency,
Display,
Feedback,
Filter,
Filtering,
Handicapped aid,
Mobile computing,
Perception,
Song,
Tapping,
User assistance,
User interface,
Variability.
Abstract
This paper describes a mobile implementation of song filtering using rhythmic interaction. A user taps the screen or shakes the device (sensed through an accelerometer) at the tempo of a particular song in order to listen to it. We use the variability in beat frequency to display ambiguity to allow users to adjust their actions based on the given feedback. The results of a pilot study for a simple object selection task showed that although the tapping interface provided a larger range of comfortable tempos, participants could use both tapping and shaking methods to select a given song. Finally, the effects of variability in a rhythmic interaction style of interface are discussed.
| pA |
| A01 | 01 | 1 | | @0 0302-9743 |
|---|
| A05 | | | | @2 4129 |
|---|
| A08 | 01 | 1 | ENG | @1 Rhythmic interaction for song filtering on a mobile device |
|---|
| A09 | 01 | 1 | ENG | @1 Haptic and audio interaction design : First international workshop, HAID 2006, Glasgow, UK, August 31-September 1, 2006 : proceedings |
|---|
| A11 | 01 | 1 | | @1 CROSSAN (Andrew) |
|---|
| A11 | 02 | 1 | | @1 MURRAY-SMITH (Roderick) |
|---|
| A12 | 01 | 1 | | @1 MCGOOKIN (David) @9 ed. |
|---|
| A12 | 02 | 1 | | @1 BREWSTER (Stephen) @9 ed. |
|---|
| A14 | 01 | | | @1 Department of Computing Science, University of Glasgow @2 Scotland, G12 8QQ @3 GBR @Z 1 aut. @Z 2 aut. |
|---|
| A14 | 02 | | | @1 Hamilton Institute, NUI Maynooth @2 Co. Kildare @3 IRL @Z 2 aut. |
|---|
| A20 | | | | @1 45-55 |
|---|
| A21 | | | | @1 2006 |
|---|
| A23 | 01 | | | @0 ENG |
|---|
| A26 | 01 | | | @0 3-540-37595-3 |
|---|
| A43 | 01 | | | @1 INIST @2 16343 @5 354000153642100050 |
|---|
| A44 | | | | @0 0000 @1 © 2008 INIST-CNRS. All rights reserved. |
|---|
| A45 | | | | @0 9 ref. |
|---|
| A47 | 01 | 1 | | @0 08-0032199 |
|---|
| A60 | | | | @1 P @2 C |
|---|
| A61 | | | | @0 A |
|---|
| A64 | 01 | 1 | | @0 Lecture notes in computer science |
|---|
| A66 | 01 | | | @0 DEU |
|---|
| A66 | 02 | | | @0 USA |
|---|
| C01 | 01 | | ENG | @0 This paper describes a mobile implementation of song filtering using rhythmic interaction. A user taps the screen or shakes the device (sensed through an accelerometer) at the tempo of a particular song in order to listen to it. We use the variability in beat frequency to display ambiguity to allow users to adjust their actions based on the given feedback. The results of a pilot study for a simple object selection task showed that although the tapping interface provided a larger range of comfortable tempos, participants could use both tapping and shaking methods to select a given song. Finally, the effects of variability in a rhythmic interaction style of interface are discussed. |
|---|
| C02 | 01 | X | | @0 001D02B04 |
|---|
| C03 | 01 | X | FRE | @0 Interface utilisateur @5 01 |
|---|
| C03 | 01 | X | ENG | @0 User interface @5 01 |
|---|
| C03 | 01 | X | SPA | @0 Interfase usuario @5 01 |
|---|
| C03 | 02 | X | FRE | @0 Aide handicapé @5 02 |
|---|
| C03 | 02 | X | ENG | @0 Handicapped aid @5 02 |
|---|
| C03 | 02 | X | SPA | @0 Ayuda minusválido @5 02 |
|---|
| C03 | 03 | X | FRE | @0 Assistance utilisateur @5 03 |
|---|
| C03 | 03 | X | ENG | @0 User assistance @5 03 |
|---|
| C03 | 03 | X | SPA | @0 Asistencia usuario @5 03 |
|---|
| C03 | 04 | X | FRE | @0 Perception @5 04 |
|---|
| C03 | 04 | X | ENG | @0 Perception @5 04 |
|---|
| C03 | 04 | X | SPA | @0 Percepción @5 04 |
|---|
| C03 | 05 | X | FRE | @0 Fréquence battement @5 06 |
|---|
| C03 | 05 | X | ENG | @0 Beat frequency @5 06 |
|---|
| C03 | 05 | X | SPA | @0 Frecuencia golpeo @5 06 |
|---|
| C03 | 06 | X | FRE | @0 Boucle réaction @5 07 |
|---|
| C03 | 06 | X | ENG | @0 Feedback @5 07 |
|---|
| C03 | 06 | X | SPA | @0 Retroalimentación @5 07 |
|---|
| C03 | 07 | X | FRE | @0 Chant @5 18 |
|---|
| C03 | 07 | X | ENG | @0 Song @5 18 |
|---|
| C03 | 07 | X | SPA | @0 Canto @5 18 |
|---|
| C03 | 08 | 3 | FRE | @0 Informatique mobile @5 19 |
|---|
| C03 | 08 | 3 | ENG | @0 Mobile computing @5 19 |
|---|
| C03 | 09 | X | FRE | @0 Variabilité @5 20 |
|---|
| C03 | 09 | X | ENG | @0 Variability @5 20 |
|---|
| C03 | 09 | X | SPA | @0 Variabilidad @5 20 |
|---|
| C03 | 10 | X | FRE | @0 Affichage @5 21 |
|---|
| C03 | 10 | X | ENG | @0 Display @5 21 |
|---|
| C03 | 10 | X | SPA | @0 Visualización @5 21 |
|---|
| C03 | 11 | X | FRE | @0 Ambiguité @5 22 |
|---|
| C03 | 11 | X | ENG | @0 Ambiguity @5 22 |
|---|
| C03 | 11 | X | SPA | @0 Ambiguedad @5 22 |
|---|
| C03 | 12 | X | FRE | @0 Filtrage @5 23 |
|---|
| C03 | 12 | X | ENG | @0 Filtering @5 23 |
|---|
| C03 | 12 | X | SPA | @0 Filtrado @5 23 |
|---|
| C03 | 13 | X | FRE | @0 Filtre @5 24 |
|---|
| C03 | 13 | X | ENG | @0 Filter @5 24 |
|---|
| C03 | 13 | X | SPA | @0 Filtro @5 24 |
|---|
| C03 | 14 | X | FRE | @0 Taraudage @5 25 |
|---|
| C03 | 14 | X | ENG | @0 Tapping @5 25 |
|---|
| C03 | 14 | X | SPA | @0 Aterrajado @5 25 |
|---|
| C03 | 15 | X | FRE | @0 Accéléromètre @5 33 |
|---|
| C03 | 15 | X | ENG | @0 Accelerometer @5 33 |
|---|
| C03 | 15 | X | SPA | @0 Acelerómetro @5 33 |
|---|
| C03 | 16 | X | FRE | @0 . @4 INC @5 82 |
|---|
| N21 | | | | @1 052 |
|---|
| N44 | 01 | | | @1 OTO |
|---|
| N82 | | | | @1 OTO |
|---|
|
|---|
| pR |
| A30 | 01 | 1 | ENG | @1 International Workshop on Haptic and Audio Interaction Design @2 1 @3 Glasgow GBR @4 2006 |
|---|
|
|---|
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000A18
Links to Exploration step
Pascal:08-0032199
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Rhythmic interaction for song filtering on a mobile device</title>
<author><name sortKey="Crossan, Andrew" sort="Crossan, Andrew" uniqKey="Crossan A" first="Andrew" last="Crossan">Andrew Crossan</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Department of Computing Science, University of Glasgow</s1>
<s2>Scotland, G12 8QQ</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14><country>Royaume-Uni</country>
</affiliation><author><name sortKey="Murray Smith, Roderick" sort="Murray Smith, Roderick" uniqKey="Murray Smith R" first="Roderick" last="Murray-Smith">Roderick Murray-Smith</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Department of Computing Science, University of Glasgow</s1>
<s2>Scotland, G12 8QQ</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14><country>Royaume-Uni</country>
</affiliation><affiliation wicri:level="1"><inist:fA14 i1="02"><s1>Hamilton Institute, NUI Maynooth</s1>
<s2>Co. Kildare</s2>
<s3>IRL</s3>
<sZ>2 aut.</sZ>
</inist:fA14><country>Irlande (pays)</country>
</affiliation><publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">08-0032199</idno>
<date when="2006">2006</date>
<idno type="stanalyst">PASCAL 08-0032199 INIST</idno>
<idno type="RBID">Pascal:08-0032199</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000A18</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000A43</idno>
</publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Rhythmic interaction for song filtering on a mobile device</title>
<author><name sortKey="Crossan, Andrew" sort="Crossan, Andrew" uniqKey="Crossan A" first="Andrew" last="Crossan">Andrew Crossan</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Department of Computing Science, University of Glasgow</s1>
<s2>Scotland, G12 8QQ</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14><country>Royaume-Uni</country>
</affiliation><author><name sortKey="Murray Smith, Roderick" sort="Murray Smith, Roderick" uniqKey="Murray Smith R" first="Roderick" last="Murray-Smith">Roderick Murray-Smith</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Department of Computing Science, University of Glasgow</s1>
<s2>Scotland, G12 8QQ</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14><country>Royaume-Uni</country>
</affiliation><affiliation wicri:level="1"><inist:fA14 i1="02"><s1>Hamilton Institute, NUI Maynooth</s1>
<s2>Co. Kildare</s2>
<s3>IRL</s3>
<sZ>2 aut.</sZ>
</inist:fA14><country>Irlande (pays)</country>
</affiliation><series><title level="j" type="main">Lecture notes in computer science</title>
<idno type="ISSN">0302-9743</idno>
<imprint><date when="2006">2006</date>
</imprint><seriesStmt><title level="j" type="main">Lecture notes in computer science</title>
<idno type="ISSN">0302-9743</idno>
</seriesStmt><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Accelerometer</term>
<term>Ambiguity</term>
<term>Beat frequency</term>
<term>Display</term>
<term>Feedback</term>
<term>Filter</term>
<term>Filtering</term>
<term>Handicapped aid</term>
<term>Mobile computing</term>
<term>Perception</term>
<term>Song</term>
<term>Tapping</term>
<term>User assistance</term>
<term>User interface</term>
<term>Variability</term>
</keywords><keywords scheme="Pascal" xml:lang="fr"><term>Interface utilisateur</term>
<term>Aide handicapé</term>
<term>Assistance utilisateur</term>
<term>Perception</term>
<term>Fréquence battement</term>
<term>Boucle réaction</term>
<term>Chant</term>
<term>Informatique mobile</term>
<term>Variabilité</term>
<term>Affichage</term>
<term>Ambiguité</term>
<term>Filtrage</term>
<term>Filtre</term>
<term>Taraudage</term>
<term>Accéléromètre</term>
<term>.</term>
</keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Affichage</term>
</keywords><front><div type="abstract" xml:lang="en">This paper describes a mobile implementation of song filtering using rhythmic interaction. A user taps the screen or shakes the device (sensed through an accelerometer) at the tempo of a particular song in order to listen to it. We use the variability in beat frequency to display ambiguity to allow users to adjust their actions based on the given feedback. The results of a pilot study for a simple object selection task showed that although the tapping interface provided a larger range of comfortable tempos, participants could use both tapping and shaking methods to select a given song. Finally, the effects of variability in a rhythmic interaction style of interface are discussed.</div>
</front><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0302-9743</s0>
</fA01><fA05><s2>4129</s2>
</fA05><fA08 i1="01" i2="1" l="ENG"><s1>Rhythmic interaction for song filtering on a mobile device</s1>
</fA08><fA09 i1="01" i2="1" l="ENG"><s1>Haptic and audio interaction design : First international workshop, HAID 2006, Glasgow, UK, August 31-September 1, 2006 : proceedings</s1>
</fA09><fA11 i1="01" i2="1"><s1>CROSSAN (Andrew)</s1>
</fA11><fA11 i1="02" i2="1"><s1>MURRAY-SMITH (Roderick)</s1>
</fA11><fA12 i1="01" i2="1"><s1>MCGOOKIN (David)</s1>
<s9>ed.</s9>
</fA12><fA12 i1="02" i2="1"><s1>BREWSTER (Stephen)</s1>
<s9>ed.</s9>
</fA12><fA14 i1="01"><s1>Department of Computing Science, University of Glasgow</s1>
<s2>Scotland, G12 8QQ</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</fA14><fA14 i1="02"><s1>Hamilton Institute, NUI Maynooth</s1>
<s2>Co. Kildare</s2>
<s3>IRL</s3>
<sZ>2 aut.</sZ>
</fA14><fA20><s1>45-55</s1>
</fA20><fA21><s1>2006</s1>
</fA21><fA23 i1="01"><s0>ENG</s0>
</fA23><fA26 i1="01"><s0>3-540-37595-3</s0>
</fA26><fA43 i1="01"><s1>INIST</s1>
<s2>16343</s2>
<s5>354000153642100050</s5>
</fA43><fA44><s0>0000</s0>
<s1>© 2008 INIST-CNRS. All rights reserved.</s1>
</fA44><fA45><s0>9 ref.</s0>
</fA45><fA47 i1="01" i2="1"><s0>08-0032199</s0>
</fA47><fA60><s1>P</s1>
<s2>C</s2>
</fA60><fA64 i1="01" i2="1"><s0>Lecture notes in computer science</s0>
</fA64><fA66 i1="01"><s0>DEU</s0>
</fA66><fA66 i1="02"><s0>USA</s0>
</fA66><fC01 i1="01" l="ENG"><s0>This paper describes a mobile implementation of song filtering using rhythmic interaction. A user taps the screen or shakes the device (sensed through an accelerometer) at the tempo of a particular song in order to listen to it. We use the variability in beat frequency to display ambiguity to allow users to adjust their actions based on the given feedback. The results of a pilot study for a simple object selection task showed that although the tapping interface provided a larger range of comfortable tempos, participants could use both tapping and shaking methods to select a given song. Finally, the effects of variability in a rhythmic interaction style of interface are discussed.</s0>
</fC01><fC02 i1="01" i2="X"><s0>001D02B04</s0>
</fC02><fC03 i1="01" i2="X" l="FRE"><s0>Interface utilisateur</s0>
<s5>01</s5>
</fC03><fC03 i1="01" i2="X" l="ENG"><s0>User interface</s0>
<s5>01</s5>
</fC03><fC03 i1="01" i2="X" l="SPA"><s0>Interfase usuario</s0>
<s5>01</s5>
</fC03><fC03 i1="02" i2="X" l="FRE"><s0>Aide handicapé</s0>
<s5>02</s5>
</fC03><fC03 i1="02" i2="X" l="ENG"><s0>Handicapped aid</s0>
<s5>02</s5>
</fC03><fC03 i1="02" i2="X" l="SPA"><s0>Ayuda minusválido</s0>
<s5>02</s5>
</fC03><fC03 i1="03" i2="X" l="FRE"><s0>Assistance utilisateur</s0>
<s5>03</s5>
</fC03><fC03 i1="03" i2="X" l="ENG"><s0>User assistance</s0>
<s5>03</s5>
</fC03><fC03 i1="03" i2="X" l="SPA"><s0>Asistencia usuario</s0>
<s5>03</s5>
</fC03><fC03 i1="04" i2="X" l="FRE"><s0>Perception</s0>
<s5>04</s5>
</fC03><fC03 i1="04" i2="X" l="ENG"><s0>Perception</s0>
<s5>04</s5>
</fC03><fC03 i1="04" i2="X" l="SPA"><s0>Percepción</s0>
<s5>04</s5>
</fC03><fC03 i1="05" i2="X" l="FRE"><s0>Fréquence battement</s0>
<s5>06</s5>
</fC03><fC03 i1="05" i2="X" l="ENG"><s0>Beat frequency</s0>
<s5>06</s5>
</fC03><fC03 i1="05" i2="X" l="SPA"><s0>Frecuencia golpeo</s0>
<s5>06</s5>
</fC03><fC03 i1="06" i2="X" l="FRE"><s0>Boucle réaction</s0>
<s5>07</s5>
</fC03><fC03 i1="06" i2="X" l="ENG"><s0>Feedback</s0>
<s5>07</s5>
</fC03><fC03 i1="06" i2="X" l="SPA"><s0>Retroalimentación</s0>
<s5>07</s5>
</fC03><fC03 i1="07" i2="X" l="FRE"><s0>Chant</s0>
<s5>18</s5>
</fC03><fC03 i1="07" i2="X" l="ENG"><s0>Song</s0>
<s5>18</s5>
</fC03><fC03 i1="07" i2="X" l="SPA"><s0>Canto</s0>
<s5>18</s5>
</fC03><fC03 i1="08" i2="3" l="FRE"><s0>Informatique mobile</s0>
<s5>19</s5>
</fC03><fC03 i1="08" i2="3" l="ENG"><s0>Mobile computing</s0>
<s5>19</s5>
</fC03><fC03 i1="09" i2="X" l="FRE"><s0>Variabilité</s0>
<s5>20</s5>
</fC03><fC03 i1="09" i2="X" l="ENG"><s0>Variability</s0>
<s5>20</s5>
</fC03><fC03 i1="09" i2="X" l="SPA"><s0>Variabilidad</s0>
<s5>20</s5>
</fC03><fC03 i1="10" i2="X" l="FRE"><s0>Affichage</s0>
<s5>21</s5>
</fC03><fC03 i1="10" i2="X" l="ENG"><s0>Display</s0>
<s5>21</s5>
</fC03><fC03 i1="10" i2="X" l="SPA"><s0>Visualización</s0>
<s5>21</s5>
</fC03><fC03 i1="11" i2="X" l="FRE"><s0>Ambiguité</s0>
<s5>22</s5>
</fC03><fC03 i1="11" i2="X" l="ENG"><s0>Ambiguity</s0>
<s5>22</s5>
</fC03><fC03 i1="11" i2="X" l="SPA"><s0>Ambiguedad</s0>
<s5>22</s5>
</fC03><fC03 i1="12" i2="X" l="FRE"><s0>Filtrage</s0>
<s5>23</s5>
</fC03><fC03 i1="12" i2="X" l="ENG"><s0>Filtering</s0>
<s5>23</s5>
</fC03><fC03 i1="12" i2="X" l="SPA"><s0>Filtrado</s0>
<s5>23</s5>
</fC03><fC03 i1="13" i2="X" l="FRE"><s0>Filtre</s0>
<s5>24</s5>
</fC03><fC03 i1="13" i2="X" l="ENG"><s0>Filter</s0>
<s5>24</s5>
</fC03><fC03 i1="13" i2="X" l="SPA"><s0>Filtro</s0>
<s5>24</s5>
</fC03><fC03 i1="14" i2="X" l="FRE"><s0>Taraudage</s0>
<s5>25</s5>
</fC03><fC03 i1="14" i2="X" l="ENG"><s0>Tapping</s0>
<s5>25</s5>
</fC03><fC03 i1="14" i2="X" l="SPA"><s0>Aterrajado</s0>
<s5>25</s5>
</fC03><fC03 i1="15" i2="X" l="FRE"><s0>Accéléromètre</s0>
<s5>33</s5>
</fC03><fC03 i1="15" i2="X" l="ENG"><s0>Accelerometer</s0>
<s5>33</s5>
</fC03><fC03 i1="15" i2="X" l="SPA"><s0>Acelerómetro</s0>
<s5>33</s5>
</fC03><fC03 i1="16" i2="X" l="FRE"><s0>.</s0>
<s4>INC</s4>
<s5>82</s5>
</fC03><fN21><s1>052</s1>
</fN21><fN44 i1="01"><s1>OTO</s1>
</fN44><fN82><s1>OTO</s1>
</fN82><pR><fA30 i1="01" i2="1" l="ENG"><s1>International Workshop on Haptic and Audio Interaction Design</s1>
<s2>1</s2>
<s3>Glasgow GBR</s3>
<s4>2006</s4>
</fA30>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Ticri/CIDE/explor/HapticV1/Data/PascalFrancis/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000A43 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Curation/biblio.hfd -nk 000A43 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Ticri/CIDE
|area= HapticV1
|flux= PascalFrancis
|étape= Curation
|type= RBID
|clé= Pascal:08-0032199
|texte= Rhythmic interaction for song filtering on a mobile device
}}
| This area was generated with Dilib version V0.6.23.
Data generation: Mon Jun 13 01:09:46 2016. Site generation: Wed Mar 6 09:54:07 2024 |  |
