Corticomotor Excitability during Observation and Imagination of a Work of Art
Identifieur interne : 002C95 ( Main/Merge ); précédent : 002C94; suivant : 002C96Corticomotor Excitability during Observation and Imagination of a Work of Art
Auteurs : Fortunato Battaglia [États-Unis] ; Sarah H. Lisanby [États-Unis] ; David Freedberg [États-Unis]Source :
- Frontiers in Human Neuroscience [ 1662-5161 ] ; 2011.
Abstract
We examine the effects of the artistic representation – here exemplified by Michelangelo's
Url:
DOI: 10.3389/fnhum.2011.00079
PubMed: 21897813
PubMed Central: 3159953
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PMC:3159953Le document en format XML
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<author><name sortKey="Lisanby, Sarah H" sort="Lisanby, Sarah H" uniqKey="Lisanby S" first="Sarah H." last="Lisanby">Sarah H. Lisanby</name>
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<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a" type="main">Corticomotor Excitability during Observation and Imagination of a Work of Art</title>
<author><name sortKey="Battaglia, Fortunato" sort="Battaglia, Fortunato" uniqKey="Battaglia F" first="Fortunato" last="Battaglia">Fortunato Battaglia</name>
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<country>New York, NY, USA</country>
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<country xml:lang="fr">États-Unis</country>
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<wicri:regionArea># see nlm:aff region in country</wicri:regionArea>
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<affiliation wicri:level="1"><nlm:aff id="aff2"><institution>Division of Brain Stimulation and Therapeutic Modulation, Department of Psychiatry, Columbia University/New York State Psychiatric Institute</institution>
<country>New York, NY, USA</country>
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<country xml:lang="fr">États-Unis</country>
<wicri:regionArea></wicri:regionArea>
<wicri:regionArea># see nlm:aff region in country</wicri:regionArea>
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<author><name sortKey="Lisanby, Sarah H" sort="Lisanby, Sarah H" uniqKey="Lisanby S" first="Sarah H." last="Lisanby">Sarah H. Lisanby</name>
<affiliation wicri:level="1"><nlm:aff id="aff3"><institution>Department of Psychiatry and Behavioral Sciences, Duke University</institution>
<country>Durham, NC, USA</country>
</nlm:aff>
<country xml:lang="fr">États-Unis</country>
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<author><name sortKey="Freedberg, David" sort="Freedberg, David" uniqKey="Freedberg D" first="David" last="Freedberg">David Freedberg</name>
<affiliation wicri:level="1"><nlm:aff id="aff4"><institution>Department of Art History and Italian Academy for Advanced Studies, Columbia University</institution>
<country>New York, NY, USA</country>
</nlm:aff>
<country xml:lang="fr">États-Unis</country>
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<series><title level="j">Frontiers in Human Neuroscience</title>
<idno type="eISSN">1662-5161</idno>
<imprint><date when="2011">2011</date>
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<front><div type="abstract" xml:lang="en"><p>We examine the effects of the artistic representation – here exemplified by Michelangelo's <italic>Expulsion from Paradise</italic>
– of an action on the motor system. Using single and paired- pulse transcranial magnetic stimulation we analyze corticomotor excitability during observation of an action in the painting, during imagery of the painting, and during observation of a photograph of the same pose. We also analyze the effects of observation of two further paintings, one showing the same muscles at rest, and in the other in a more overtly emotional context. Both observation of the <italic>Expulsion</italic>
and of imagery of the painting increased cortical excitability. Neither the relaxed pose of Michelangelo's <italic>Creation</italic>
nor the flexed posture in the highly emotional context of Bellini's <italic>Dead Christ</italic>
increased cortical excitability. Observation of a photograph of the same extended pose did not increase cortical excitability either. Moreover, intracortical inhibition was reduced during imagery of the painting. Our results offer clear motor correlates of the relationship between the esthetic quality of a work and the perception of implied movement within it.</p>
</div>
</front>
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