The contribution of stimulus attributes of three-dimensional solid forms and level of discrimination to the visual and haptic percept of balance.
Identifieur interne : 002117 ( PubMed/Corpus ); précédent : 002116; suivant : 002118The contribution of stimulus attributes of three-dimensional solid forms and level of discrimination to the visual and haptic percept of balance.
Auteurs : P. Locher ; G. Smets ; K. OverbeekeSource :
- Perception [ 0301-0066 ] ; 1995.
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- MESH :
Abstract
Design-trained subjects sorted fourteen solid forms under either visual or haptic conditions into groups on the basis of perceived similarity of balance or along a balance continuum. After these tasks of coarse and fine discrimination, each form was rated on ten bipolar stimulus attributes. Multidimensional scaling and property-fitting analyses were performed on the results of four experiments to determine the combined contribution of stimulus attributes and level of discrimination on the visual and haptic percept of balance. A balance dimension emerged for both modalities, but only when subjects were inclined to attend globally to the structure of a form by the coarse-discrimination task. Results indicate that visual balance is a holistic property of forms which derives from the synthesis of physical stimulus information. For touch, subjects appear to have equated balance with a symmetric distribution of weight/shape about the central axis of a form. Findings are related to theoretical notions of balance.
PubMed: 7478905
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Overbeeke</name></author></titleStmt><publicationStmt><idno type="wicri:source">PubMed</idno><date when="1995">1995</date><idno type="RBID">pubmed:7478905</idno><idno type="pmid">7478905</idno><idno type="wicri:Area/PubMed/Corpus">002117</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en">The contribution of stimulus attributes of three-dimensional solid forms and level of discrimination to the visual and haptic percept of balance.</title><author><name sortKey="Locher, P" sort="Locher, P" uniqKey="Locher P" first="P" last="Locher">P. Locher</name><affiliation><nlm:affiliation>Department of Psychology, Montclair State University, NJ 07043, USA.</nlm:affiliation></affiliation></author><author><name sortKey="Smets, G" sort="Smets, G" uniqKey="Smets G" first="G" last="Smets">G. Smets</name></author><author><name sortKey="Overbeeke, K" sort="Overbeeke, K" uniqKey="Overbeeke K" first="K" last="Overbeeke">K. Overbeeke</name></author></analytic><series><title level="j">Perception</title><idno type="ISSN">0301-0066</idno><imprint><date when="1995" type="published">1995</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Adult</term><term>Anisotropy</term><term>Attention</term><term>Depth Perception</term><term>Discrimination Learning</term><term>Female</term><term>Humans</term><term>Male</term><term>Orientation</term><term>Pattern Recognition, Visual</term><term>Problem Solving</term><term>Psychophysics</term><term>Stereognosis</term></keywords><keywords scheme="MESH" xml:lang="en"><term>Adult</term><term>Anisotropy</term><term>Attention</term><term>Depth Perception</term><term>Discrimination Learning</term><term>Female</term><term>Humans</term><term>Male</term><term>Orientation</term><term>Pattern Recognition, Visual</term><term>Problem Solving</term><term>Psychophysics</term><term>Stereognosis</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Design-trained subjects sorted fourteen solid forms under either visual or haptic conditions into groups on the basis of perceived similarity of balance or along a balance continuum. After these tasks of coarse and fine discrimination, each form was rated on ten bipolar stimulus attributes. Multidimensional scaling and property-fitting analyses were performed on the results of four experiments to determine the combined contribution of stimulus attributes and level of discrimination on the visual and haptic percept of balance. A balance dimension emerged for both modalities, but only when subjects were inclined to attend globally to the structure of a form by the coarse-discrimination task. Results indicate that visual balance is a holistic property of forms which derives from the synthesis of physical stimulus information. For touch, subjects appear to have equated balance with a symmetric distribution of weight/shape about the central axis of a form. Findings are related to theoretical notions of balance.</div></front></TEI><pubmed><MedlineCitation Owner="NLM" Status="MEDLINE"><PMID Version="1">7478905</PMID><DateCreated><Year>1995</Year><Month>12</Month><Day>01</Day></DateCreated><DateCompleted><Year>1995</Year><Month>12</Month><Day>01</Day></DateCompleted><DateRevised><Year>2004</Year><Month>11</Month><Day>17</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Print">0301-0066</ISSN><JournalIssue CitedMedium="Print"><Volume>24</Volume><Issue>6</Issue><PubDate><Year>1995</Year></PubDate></JournalIssue><Title>Perception</Title><ISOAbbreviation>Perception</ISOAbbreviation></Journal><ArticleTitle>The contribution of stimulus attributes of three-dimensional solid forms and level of discrimination to the visual and haptic percept of balance.</ArticleTitle><Pagination><MedlinePgn>647-63</MedlinePgn></Pagination><Abstract><AbstractText>Design-trained subjects sorted fourteen solid forms under either visual or haptic conditions into groups on the basis of perceived similarity of balance or along a balance continuum. After these tasks of coarse and fine discrimination, each form was rated on ten bipolar stimulus attributes. Multidimensional scaling and property-fitting analyses were performed on the results of four experiments to determine the combined contribution of stimulus attributes and level of discrimination on the visual and haptic percept of balance. A balance dimension emerged for both modalities, but only when subjects were inclined to attend globally to the structure of a form by the coarse-discrimination task. Results indicate that visual balance is a holistic property of forms which derives from the synthesis of physical stimulus information. For touch, subjects appear to have equated balance with a symmetric distribution of weight/shape about the central axis of a form. 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