Haptic-audio narrative : From physical simulation to imaginative stimulation
Identifieur interne :
000A53 ( PascalFrancis/Curation );
précédent :
000A52;
suivant :
000A54
Haptic-audio narrative : From physical simulation to imaginative stimulation
Auteurs : Stephen Barrass [
Australie]
Source :
-
Lecture notes in computer science [ 0302-9743 ] ; 2006.
RBID : Pascal:08-0032209
Descripteurs français
- Pascal (Inist)
- Aide handicapé,
Assistance utilisateur,
Système conversationnel,
Imagerie mentale,
Interface utilisateur,
Interface graphique,
Sémiotique,
Verre,
Perception,
Sensibilité tactile,
Narration,
Stimulation,
Foire exposition,
Bruit fond,
Conversation,
Modélisation,
Sémiologie,
Grammaire,
Etude expérimentale,
..
- Wicri :
English descriptors
- KwdEn :
- Background noise,
Conversation,
Exhibition,
Experimental study,
Glass,
Grammar,
Graphical interface,
Handicapped aid,
Interactive system,
Mental imagery,
Modeling,
Narrative,
Perception,
Semiology,
Semiotics,
Stimulation,
Tactile sensitivity,
User assistance,
User interface.
Abstract
This paper describes the design and development of an interactive narrative for the 'Experimenta Vanishing Point' media arts exhibition in 2005. The Cocktail Party Effect tells the story of the imminent extinction of Great Apes in the wild using touch and sound in the absence of visual elements. The narrative is driven by haptic-audio exploration of a virtual cocktail glass which functions as a heterodiegetic narrator, and the traversal of cut-up conversations that make up the story within. The interface was developed through a series of prototypes that explored the perception and mental imagery of a haptic-audio simulation of the invisible glass. These experiments also developed narrative functions of the haptic-audio interface beyond conventional iconic metonyms to include grammatical and dramatic special effects. Observations during the exhibition show promising narrative engagement with the piece but identify problems with the clarity of the sounds, and a conflict between the narrator and the story content.
| pA |
| A01 | 01 | 1 | | @0 0302-9743 |
|---|
| A05 | | | | @2 4129 |
|---|
| A08 | 01 | 1 | ENG | @1 Haptic-audio narrative : From physical simulation to imaginative stimulation |
|---|
| A09 | 01 | 1 | ENG | @1 Haptic and audio interaction design : First international workshop, HAID 2006, Glasgow, UK, August 31-September 1, 2006 : proceedings |
|---|
| A11 | 01 | 1 | | @1 BARRASS (Stephen) |
|---|
| A12 | 01 | 1 | | @1 MCGOOKIN (David) @9 ed. |
|---|
| A12 | 02 | 1 | | @1 BREWSTER (Stephen) @9 ed. |
|---|
| A14 | 01 | | | @1 Sonic Communications Research Group, University of Canberra @2 ACT 2601 @3 AUS @Z 1 aut. |
|---|
| A20 | | | | @1 157-165 |
|---|
| A21 | | | | @1 2006 |
|---|
| A23 | 01 | | | @0 ENG |
|---|
| A26 | 01 | | | @0 3-540-37595-3 |
|---|
| A43 | 01 | | | @1 INIST @2 16343 @5 354000153642100150 |
|---|
| A44 | | | | @0 0000 @1 © 2008 INIST-CNRS. All rights reserved. |
|---|
| A45 | | | | @0 3/4 p. |
|---|
| A47 | 01 | 1 | | @0 08-0032209 |
|---|
| A60 | | | | @1 P @2 C |
|---|
| A61 | | | | @0 A |
|---|
| A64 | 01 | 1 | | @0 Lecture notes in computer science |
|---|
| A66 | 01 | | | @0 DEU |
|---|
| A66 | 02 | | | @0 USA |
|---|
| C01 | 01 | | ENG | @0 This paper describes the design and development of an interactive narrative for the 'Experimenta Vanishing Point' media arts exhibition in 2005. The Cocktail Party Effect tells the story of the imminent extinction of Great Apes in the wild using touch and sound in the absence of visual elements. The narrative is driven by haptic-audio exploration of a virtual cocktail glass which functions as a heterodiegetic narrator, and the traversal of cut-up conversations that make up the story within. The interface was developed through a series of prototypes that explored the perception and mental imagery of a haptic-audio simulation of the invisible glass. These experiments also developed narrative functions of the haptic-audio interface beyond conventional iconic metonyms to include grammatical and dramatic special effects. Observations during the exhibition show promising narrative engagement with the piece but identify problems with the clarity of the sounds, and a conflict between the narrator and the story content. |
|---|
| C02 | 01 | X | | @0 001D02B04 |
|---|
| C03 | 01 | X | FRE | @0 Aide handicapé @5 01 |
|---|
| C03 | 01 | X | ENG | @0 Handicapped aid @5 01 |
|---|
| C03 | 01 | X | SPA | @0 Ayuda minusválido @5 01 |
|---|
| C03 | 02 | X | FRE | @0 Assistance utilisateur @5 02 |
|---|
| C03 | 02 | X | ENG | @0 User assistance @5 02 |
|---|
| C03 | 02 | X | SPA | @0 Asistencia usuario @5 02 |
|---|
| C03 | 03 | X | FRE | @0 Système conversationnel @5 06 |
|---|
| C03 | 03 | X | ENG | @0 Interactive system @5 06 |
|---|
| C03 | 03 | X | SPA | @0 Sistema interactivo @5 06 |
|---|
| C03 | 04 | X | FRE | @0 Imagerie mentale @5 07 |
|---|
| C03 | 04 | X | ENG | @0 Mental imagery @5 07 |
|---|
| C03 | 04 | X | SPA | @0 Imaginería mental @5 07 |
|---|
| C03 | 05 | X | FRE | @0 Interface utilisateur @5 08 |
|---|
| C03 | 05 | X | ENG | @0 User interface @5 08 |
|---|
| C03 | 05 | X | SPA | @0 Interfase usuario @5 08 |
|---|
| C03 | 06 | X | FRE | @0 Interface graphique @5 09 |
|---|
| C03 | 06 | X | ENG | @0 Graphical interface @5 09 |
|---|
| C03 | 06 | X | SPA | @0 Interfaz grafica @5 09 |
|---|
| C03 | 07 | X | FRE | @0 Sémiotique @5 10 |
|---|
| C03 | 07 | X | ENG | @0 Semiotics @5 10 |
|---|
| C03 | 07 | X | SPA | @0 Semiótica @5 10 |
|---|
| C03 | 08 | X | FRE | @0 Verre @5 15 |
|---|
| C03 | 08 | X | ENG | @0 Glass @5 15 |
|---|
| C03 | 08 | X | SPA | @0 Vidrio @5 15 |
|---|
| C03 | 09 | X | FRE | @0 Perception @5 16 |
|---|
| C03 | 09 | X | ENG | @0 Perception @5 16 |
|---|
| C03 | 09 | X | SPA | @0 Percepción @5 16 |
|---|
| C03 | 10 | X | FRE | @0 Sensibilité tactile @5 18 |
|---|
| C03 | 10 | X | ENG | @0 Tactile sensitivity @5 18 |
|---|
| C03 | 10 | X | SPA | @0 Sensibilidad tactil @5 18 |
|---|
| C03 | 11 | X | FRE | @0 Narration @5 19 |
|---|
| C03 | 11 | X | ENG | @0 Narrative @5 19 |
|---|
| C03 | 11 | X | SPA | @0 Narración @5 19 |
|---|
| C03 | 12 | X | FRE | @0 Stimulation @5 20 |
|---|
| C03 | 12 | X | ENG | @0 Stimulation @5 20 |
|---|
| C03 | 12 | X | SPA | @0 Estimulación @5 20 |
|---|
| C03 | 13 | X | FRE | @0 Foire exposition @5 21 |
|---|
| C03 | 13 | X | ENG | @0 Exhibition @5 21 |
|---|
| C03 | 13 | X | SPA | @0 Parque exposición @5 21 |
|---|
| C03 | 14 | X | FRE | @0 Bruit fond @5 22 |
|---|
| C03 | 14 | X | ENG | @0 Background noise @5 22 |
|---|
| C03 | 14 | X | SPA | @0 Ruido fondo @5 22 |
|---|
| C03 | 15 | X | FRE | @0 Conversation @5 23 |
|---|
| C03 | 15 | X | ENG | @0 Conversation @5 23 |
|---|
| C03 | 15 | X | SPA | @0 Conversación @5 23 |
|---|
| C03 | 16 | X | FRE | @0 Modélisation @5 24 |
|---|
| C03 | 16 | X | ENG | @0 Modeling @5 24 |
|---|
| C03 | 16 | X | SPA | @0 Modelización @5 24 |
|---|
| C03 | 17 | X | FRE | @0 Sémiologie @5 25 |
|---|
| C03 | 17 | X | ENG | @0 Semiology @5 25 |
|---|
| C03 | 17 | X | SPA | @0 Semiología @5 25 |
|---|
| C03 | 18 | X | FRE | @0 Grammaire @5 26 |
|---|
| C03 | 18 | X | ENG | @0 Grammar @5 26 |
|---|
| C03 | 18 | X | SPA | @0 Gramática @5 26 |
|---|
| C03 | 19 | X | FRE | @0 Etude expérimentale @5 33 |
|---|
| C03 | 19 | X | ENG | @0 Experimental study @5 33 |
|---|
| C03 | 19 | X | SPA | @0 Estudio experimental @5 33 |
|---|
| C03 | 20 | X | FRE | @0 . @4 INC @5 82 |
|---|
| N21 | | | | @1 052 |
|---|
| N44 | 01 | | | @1 OTO |
|---|
| N82 | | | | @1 OTO |
|---|
|
|---|
| pR |
| A30 | 01 | 1 | ENG | @1 International Workshop on Haptic and Audio Interaction Design @2 1 @3 Glasgow GBR @4 2006 |
|---|
|
|---|
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000A08
Links to Exploration step
Pascal:08-0032209
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Haptic-audio narrative : From physical simulation to imaginative stimulation</title>
<author><name sortKey="Barrass, Stephen" sort="Barrass, Stephen" uniqKey="Barrass S" first="Stephen" last="Barrass">Stephen Barrass</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Sonic Communications Research Group, University of Canberra</s1>
<s2>ACT 2601</s2>
<s3>AUS</s3>
<sZ>1 aut.</sZ>
</inist:fA14><country>Australie</country>
</affiliation><publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">08-0032209</idno>
<date when="2006">2006</date>
<idno type="stanalyst">PASCAL 08-0032209 INIST</idno>
<idno type="RBID">Pascal:08-0032209</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000A08</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000A53</idno>
</publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Haptic-audio narrative : From physical simulation to imaginative stimulation</title>
<author><name sortKey="Barrass, Stephen" sort="Barrass, Stephen" uniqKey="Barrass S" first="Stephen" last="Barrass">Stephen Barrass</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Sonic Communications Research Group, University of Canberra</s1>
<s2>ACT 2601</s2>
<s3>AUS</s3>
<sZ>1 aut.</sZ>
</inist:fA14><country>Australie</country>
</affiliation><series><title level="j" type="main">Lecture notes in computer science</title>
<idno type="ISSN">0302-9743</idno>
<imprint><date when="2006">2006</date>
</imprint><seriesStmt><title level="j" type="main">Lecture notes in computer science</title>
<idno type="ISSN">0302-9743</idno>
</seriesStmt><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Background noise</term>
<term>Conversation</term>
<term>Exhibition</term>
<term>Experimental study</term>
<term>Glass</term>
<term>Grammar</term>
<term>Graphical interface</term>
<term>Handicapped aid</term>
<term>Interactive system</term>
<term>Mental imagery</term>
<term>Modeling</term>
<term>Narrative</term>
<term>Perception</term>
<term>Semiology</term>
<term>Semiotics</term>
<term>Stimulation</term>
<term>Tactile sensitivity</term>
<term>User assistance</term>
<term>User interface</term>
</keywords><keywords scheme="Pascal" xml:lang="fr"><term>Aide handicapé</term>
<term>Assistance utilisateur</term>
<term>Système conversationnel</term>
<term>Imagerie mentale</term>
<term>Interface utilisateur</term>
<term>Interface graphique</term>
<term>Sémiotique</term>
<term>Verre</term>
<term>Perception</term>
<term>Sensibilité tactile</term>
<term>Narration</term>
<term>Stimulation</term>
<term>Foire exposition</term>
<term>Bruit fond</term>
<term>Conversation</term>
<term>Modélisation</term>
<term>Sémiologie</term>
<term>Grammaire</term>
<term>Etude expérimentale</term>
<term>.</term>
</keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Verre</term>
</keywords><front><div type="abstract" xml:lang="en">This paper describes the design and development of an interactive narrative for the 'Experimenta Vanishing Point' media arts exhibition in 2005. The Cocktail Party Effect tells the story of the imminent extinction of Great Apes in the wild using touch and sound in the absence of visual elements. The narrative is driven by haptic-audio exploration of a virtual cocktail glass which functions as a heterodiegetic narrator, and the traversal of cut-up conversations that make up the story within. The interface was developed through a series of prototypes that explored the perception and mental imagery of a haptic-audio simulation of the invisible glass. These experiments also developed narrative functions of the haptic-audio interface beyond conventional iconic metonyms to include grammatical and dramatic special effects. Observations during the exhibition show promising narrative engagement with the piece but identify problems with the clarity of the sounds, and a conflict between the narrator and the story content.</div>
</front><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0302-9743</s0>
</fA01><fA05><s2>4129</s2>
</fA05><fA08 i1="01" i2="1" l="ENG"><s1>Haptic-audio narrative : From physical simulation to imaginative stimulation</s1>
</fA08><fA09 i1="01" i2="1" l="ENG"><s1>Haptic and audio interaction design : First international workshop, HAID 2006, Glasgow, UK, August 31-September 1, 2006 : proceedings</s1>
</fA09><fA11 i1="01" i2="1"><s1>BARRASS (Stephen)</s1>
</fA11><fA12 i1="01" i2="1"><s1>MCGOOKIN (David)</s1>
<s9>ed.</s9>
</fA12><fA12 i1="02" i2="1"><s1>BREWSTER (Stephen)</s1>
<s9>ed.</s9>
</fA12><fA14 i1="01"><s1>Sonic Communications Research Group, University of Canberra</s1>
<s2>ACT 2601</s2>
<s3>AUS</s3>
<sZ>1 aut.</sZ>
</fA14><fA20><s1>157-165</s1>
</fA20><fA21><s1>2006</s1>
</fA21><fA23 i1="01"><s0>ENG</s0>
</fA23><fA26 i1="01"><s0>3-540-37595-3</s0>
</fA26><fA43 i1="01"><s1>INIST</s1>
<s2>16343</s2>
<s5>354000153642100150</s5>
</fA43><fA44><s0>0000</s0>
<s1>© 2008 INIST-CNRS. All rights reserved.</s1>
</fA44><fA45><s0>3/4 p.</s0>
</fA45><fA47 i1="01" i2="1"><s0>08-0032209</s0>
</fA47><fA60><s1>P</s1>
<s2>C</s2>
</fA60><fA64 i1="01" i2="1"><s0>Lecture notes in computer science</s0>
</fA64><fA66 i1="01"><s0>DEU</s0>
</fA66><fA66 i1="02"><s0>USA</s0>
</fA66><fC01 i1="01" l="ENG"><s0>This paper describes the design and development of an interactive narrative for the 'Experimenta Vanishing Point' media arts exhibition in 2005. The Cocktail Party Effect tells the story of the imminent extinction of Great Apes in the wild using touch and sound in the absence of visual elements. The narrative is driven by haptic-audio exploration of a virtual cocktail glass which functions as a heterodiegetic narrator, and the traversal of cut-up conversations that make up the story within. The interface was developed through a series of prototypes that explored the perception and mental imagery of a haptic-audio simulation of the invisible glass. These experiments also developed narrative functions of the haptic-audio interface beyond conventional iconic metonyms to include grammatical and dramatic special effects. Observations during the exhibition show promising narrative engagement with the piece but identify problems with the clarity of the sounds, and a conflict between the narrator and the story content.</s0>
</fC01><fC02 i1="01" i2="X"><s0>001D02B04</s0>
</fC02><fC03 i1="01" i2="X" l="FRE"><s0>Aide handicapé</s0>
<s5>01</s5>
</fC03><fC03 i1="01" i2="X" l="ENG"><s0>Handicapped aid</s0>
<s5>01</s5>
</fC03><fC03 i1="01" i2="X" l="SPA"><s0>Ayuda minusválido</s0>
<s5>01</s5>
</fC03><fC03 i1="02" i2="X" l="FRE"><s0>Assistance utilisateur</s0>
<s5>02</s5>
</fC03><fC03 i1="02" i2="X" l="ENG"><s0>User assistance</s0>
<s5>02</s5>
</fC03><fC03 i1="02" i2="X" l="SPA"><s0>Asistencia usuario</s0>
<s5>02</s5>
</fC03><fC03 i1="03" i2="X" l="FRE"><s0>Système conversationnel</s0>
<s5>06</s5>
</fC03><fC03 i1="03" i2="X" l="ENG"><s0>Interactive system</s0>
<s5>06</s5>
</fC03><fC03 i1="03" i2="X" l="SPA"><s0>Sistema interactivo</s0>
<s5>06</s5>
</fC03><fC03 i1="04" i2="X" l="FRE"><s0>Imagerie mentale</s0>
<s5>07</s5>
</fC03><fC03 i1="04" i2="X" l="ENG"><s0>Mental imagery</s0>
<s5>07</s5>
</fC03><fC03 i1="04" i2="X" l="SPA"><s0>Imaginería mental</s0>
<s5>07</s5>
</fC03><fC03 i1="05" i2="X" l="FRE"><s0>Interface utilisateur</s0>
<s5>08</s5>
</fC03><fC03 i1="05" i2="X" l="ENG"><s0>User interface</s0>
<s5>08</s5>
</fC03><fC03 i1="05" i2="X" l="SPA"><s0>Interfase usuario</s0>
<s5>08</s5>
</fC03><fC03 i1="06" i2="X" l="FRE"><s0>Interface graphique</s0>
<s5>09</s5>
</fC03><fC03 i1="06" i2="X" l="ENG"><s0>Graphical interface</s0>
<s5>09</s5>
</fC03><fC03 i1="06" i2="X" l="SPA"><s0>Interfaz grafica</s0>
<s5>09</s5>
</fC03><fC03 i1="07" i2="X" l="FRE"><s0>Sémiotique</s0>
<s5>10</s5>
</fC03><fC03 i1="07" i2="X" l="ENG"><s0>Semiotics</s0>
<s5>10</s5>
</fC03><fC03 i1="07" i2="X" l="SPA"><s0>Semiótica</s0>
<s5>10</s5>
</fC03><fC03 i1="08" i2="X" l="FRE"><s0>Verre</s0>
<s5>15</s5>
</fC03><fC03 i1="08" i2="X" l="ENG"><s0>Glass</s0>
<s5>15</s5>
</fC03><fC03 i1="08" i2="X" l="SPA"><s0>Vidrio</s0>
<s5>15</s5>
</fC03><fC03 i1="09" i2="X" l="FRE"><s0>Perception</s0>
<s5>16</s5>
</fC03><fC03 i1="09" i2="X" l="ENG"><s0>Perception</s0>
<s5>16</s5>
</fC03><fC03 i1="09" i2="X" l="SPA"><s0>Percepción</s0>
<s5>16</s5>
</fC03><fC03 i1="10" i2="X" l="FRE"><s0>Sensibilité tactile</s0>
<s5>18</s5>
</fC03><fC03 i1="10" i2="X" l="ENG"><s0>Tactile sensitivity</s0>
<s5>18</s5>
</fC03><fC03 i1="10" i2="X" l="SPA"><s0>Sensibilidad tactil</s0>
<s5>18</s5>
</fC03><fC03 i1="11" i2="X" l="FRE"><s0>Narration</s0>
<s5>19</s5>
</fC03><fC03 i1="11" i2="X" l="ENG"><s0>Narrative</s0>
<s5>19</s5>
</fC03><fC03 i1="11" i2="X" l="SPA"><s0>Narración</s0>
<s5>19</s5>
</fC03><fC03 i1="12" i2="X" l="FRE"><s0>Stimulation</s0>
<s5>20</s5>
</fC03><fC03 i1="12" i2="X" l="ENG"><s0>Stimulation</s0>
<s5>20</s5>
</fC03><fC03 i1="12" i2="X" l="SPA"><s0>Estimulación</s0>
<s5>20</s5>
</fC03><fC03 i1="13" i2="X" l="FRE"><s0>Foire exposition</s0>
<s5>21</s5>
</fC03><fC03 i1="13" i2="X" l="ENG"><s0>Exhibition</s0>
<s5>21</s5>
</fC03><fC03 i1="13" i2="X" l="SPA"><s0>Parque exposición</s0>
<s5>21</s5>
</fC03><fC03 i1="14" i2="X" l="FRE"><s0>Bruit fond</s0>
<s5>22</s5>
</fC03><fC03 i1="14" i2="X" l="ENG"><s0>Background noise</s0>
<s5>22</s5>
</fC03><fC03 i1="14" i2="X" l="SPA"><s0>Ruido fondo</s0>
<s5>22</s5>
</fC03><fC03 i1="15" i2="X" l="FRE"><s0>Conversation</s0>
<s5>23</s5>
</fC03><fC03 i1="15" i2="X" l="ENG"><s0>Conversation</s0>
<s5>23</s5>
</fC03><fC03 i1="15" i2="X" l="SPA"><s0>Conversación</s0>
<s5>23</s5>
</fC03><fC03 i1="16" i2="X" l="FRE"><s0>Modélisation</s0>
<s5>24</s5>
</fC03><fC03 i1="16" i2="X" l="ENG"><s0>Modeling</s0>
<s5>24</s5>
</fC03><fC03 i1="16" i2="X" l="SPA"><s0>Modelización</s0>
<s5>24</s5>
</fC03><fC03 i1="17" i2="X" l="FRE"><s0>Sémiologie</s0>
<s5>25</s5>
</fC03><fC03 i1="17" i2="X" l="ENG"><s0>Semiology</s0>
<s5>25</s5>
</fC03><fC03 i1="17" i2="X" l="SPA"><s0>Semiología</s0>
<s5>25</s5>
</fC03><fC03 i1="18" i2="X" l="FRE"><s0>Grammaire</s0>
<s5>26</s5>
</fC03><fC03 i1="18" i2="X" l="ENG"><s0>Grammar</s0>
<s5>26</s5>
</fC03><fC03 i1="18" i2="X" l="SPA"><s0>Gramática</s0>
<s5>26</s5>
</fC03><fC03 i1="19" i2="X" l="FRE"><s0>Etude expérimentale</s0>
<s5>33</s5>
</fC03><fC03 i1="19" i2="X" l="ENG"><s0>Experimental study</s0>
<s5>33</s5>
</fC03><fC03 i1="19" i2="X" l="SPA"><s0>Estudio experimental</s0>
<s5>33</s5>
</fC03><fC03 i1="20" i2="X" l="FRE"><s0>.</s0>
<s4>INC</s4>
<s5>82</s5>
</fC03><fN21><s1>052</s1>
</fN21><fN44 i1="01"><s1>OTO</s1>
</fN44><fN82><s1>OTO</s1>
</fN82><pR><fA30 i1="01" i2="1" l="ENG"><s1>International Workshop on Haptic and Audio Interaction Design</s1>
<s2>1</s2>
<s3>Glasgow GBR</s3>
<s4>2006</s4>
</fA30>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Ticri/CIDE/explor/HapticV1/Data/PascalFrancis/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000A53 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Curation/biblio.hfd -nk 000A53 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Ticri/CIDE
|area= HapticV1
|flux= PascalFrancis
|étape= Curation
|type= RBID
|clé= Pascal:08-0032209
|texte= Haptic-audio narrative : From physical simulation to imaginative stimulation
}}
| This area was generated with Dilib version V0.6.23.
Data generation: Mon Jun 13 01:09:46 2016. Site generation: Wed Mar 6 09:54:07 2024 |  |
