HapticV1, PascalFrancis, Corpus, bibRecord, 000310

Somatosensory driven interpersonal synchrony during rhythmic sway

Identifieur interne : 000310 ( PascalFrancis/Corpus ); précédent : 000309; suivant : 000311

Somatosensory driven interpersonal synchrony during rhythmic sway

Auteurs : George Sofianidis ; Vassilia Hatzitaki ; George Grouios ; Leif Johannsen ; Alan Wing

Source :

Human movement science [ 0167-9457 ] ; 2012.

RBID : Pascal:12-0321510

Descripteurs français

Pascal (Inist)
- Coordination, Expertise, Danse, Homme, Mouvement rythmique, Synchronisation, Etude mouvement, Mouvement corporel, Boucle réaction, Analyse sensorielle.

English descriptors

KwdEn :
- Body movement, Coordination, Dance, Expertise, Feedback, Human, Motion study, Rhythmic movement, Sensory analysis, Synchronization.

Abstract

Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40 s) that was either self or metronome paced (frequency: 0.25 Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

A01	`01`	`1`		`@0 0167-9457`
A02	`01`			`@0 HMSCDO`
A03		`1`		`@0 Hum. mov. sci.`
A05				`@2 31`
A06				`@2 3`
A08	`01`	`1`	`ENG`	`@1 Somatosensory driven interpersonal synchrony during rhythmic sway`
A11	`01`	`1`		`@1 SOFIANIDIS (George)`
A11	`02`	`1`		`@1 HATZITAKI (Vassilia)`
A11	`03`	`1`		`@1 GROUIOS (George)`
A11	`04`	`1`		`@1 JOHANNSEN (Leif)`
A11	`05`	`1`		`@1 WING (Alan)`
A14	`01`			`@1 Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki @2 Thessaloniki 541 24 @3 GRC @Z 1 aut. @Z 2 aut. @Z 3 aut.`
A14	`02`			`@1 Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham @2 Birmingham @3 GBR @Z 4 aut. @Z 5 aut.`
A14	`03`			`@1 Movement Science, Department for Sport and Health Sciences, Technische Universität München @2 Munich @3 DEU @Z 4 aut.`
A20				`@1 553-566`
A21				`@1 2012`
A23	`01`			`@0 ENG`
A43	`01`			`@1 INIST @2 19996 @5 354000508319250060`
A44				`@0 0000 @1 © 2012 INIST-CNRS. All rights reserved.`
A45				`@0 1/2 p.`
A47	`01`	`1`		`@0 12-0321510`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 Human movement science`
A66	`01`			`@0 NLD`
C01	`01`		`ENG`	@0 Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40 s) that was either self or metronome paced (frequency: 0.25 Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.
C02	`01`	`X`		`@0 002A24`
C03	`01`	`X`	`FRE`	`@0 Coordination @5 01`
C03	`01`	`X`	`ENG`	`@0 Coordination @5 01`
C03	`01`	`X`	`SPA`	`@0 Coordinación @5 01`
C03	`02`	`X`	`FRE`	`@0 Expertise @5 02`
C03	`02`	`X`	`ENG`	`@0 Expertise @5 02`
C03	`02`	`X`	`SPA`	`@0 Peritaje @5 02`
C03	`03`	`X`	`FRE`	`@0 Danse @5 03`
C03	`03`	`X`	`ENG`	`@0 Dance @5 03`
C03	`03`	`X`	`SPA`	`@0 Danza @5 03`
C03	`04`	`X`	`FRE`	`@0 Homme @5 04`
C03	`04`	`X`	`ENG`	`@0 Human @5 04`
C03	`04`	`X`	`SPA`	`@0 Hombre @5 04`
C03	`05`	`X`	`FRE`	`@0 Mouvement rythmique @5 05`
C03	`05`	`X`	`ENG`	`@0 Rhythmic movement @5 05`
C03	`05`	`X`	`SPA`	`@0 Movimiento rítmico @5 05`
C03	`06`	`X`	`FRE`	`@0 Synchronisation @5 06`
C03	`06`	`X`	`ENG`	`@0 Synchronization @5 06`
C03	`06`	`X`	`SPA`	`@0 Sincronización @5 06`
C03	`07`	`X`	`FRE`	`@0 Etude mouvement @5 07`
C03	`07`	`X`	`ENG`	`@0 Motion study @5 07`
C03	`07`	`X`	`SPA`	`@0 Estudio movimiento @5 07`
C03	`08`	`X`	`FRE`	`@0 Mouvement corporel @5 08`
C03	`08`	`X`	`ENG`	`@0 Body movement @5 08`
C03	`08`	`X`	`SPA`	`@0 Movimiento corporal @5 08`
C03	`09`	`X`	`FRE`	`@0 Boucle réaction @5 10`
C03	`09`	`X`	`ENG`	`@0 Feedback @5 10`
C03	`09`	`X`	`SPA`	`@0 Retroalimentación @5 10`
C03	`10`	`X`	`FRE`	`@0 Analyse sensorielle @5 11`
C03	`10`	`X`	`ENG`	`@0 Sensory analysis @5 11`
C03	`10`	`X`	`SPA`	`@0 Análisis sensorial @5 11`
N21				`@1 247`

Format Inist (serveur)

NO :	PASCAL 12-0321510 INIST
ET :	Somatosensory driven interpersonal synchrony during rhythmic sway
AU :	SOFIANIDIS (George); HATZITAKI (Vassilia); GROUIOS (George); JOHANNSEN (Leif); WING (Alan)
AF :	Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki/Thessaloniki 541 24/Grèce (1 aut., 2 aut., 3 aut.); Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham/Birmingham/Royaume-Uni (4 aut., 5 aut.); Movement Science, Department for Sport and Health Sciences, Technische Universität München/Munich/Allemagne (4 aut.)
DT :	Publication en série; Niveau analytique
SO :	Human movement science; ISSN 0167-9457; Coden HMSCDO; Pays-Bas; Da. 2012; Vol. 31; No. 3; Pp. 553-566; Bibl. 1/2 p.
LA :	Anglais
EA :	Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40 s) that was either self or metronome paced (frequency: 0.25 Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.
CC :	002A24
FD :	Coordination; Expertise; Danse; Homme; Mouvement rythmique; Synchronisation; Etude mouvement; Mouvement corporel; Boucle réaction; Analyse sensorielle
ED :	Coordination; Expertise; Dance; Human; Rhythmic movement; Synchronization; Motion study; Body movement; Feedback; Sensory analysis
SD :	Coordinación; Peritaje; Danza; Hombre; Movimiento rítmico; Sincronización; Estudio movimiento; Movimiento corporal; Retroalimentación; Análisis sensorial
LO :	INIST-19996.354000508319250060
ID :	12-0321510

Links to Exploration step

Pascal:12-0321510

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Somatosensory driven interpersonal synchrony during rhythmic sway</title>
<author><name sortKey="Sofianidis, George" sort="Sofianidis, George" uniqKey="Sofianidis G" first="George" last="Sofianidis">George Sofianidis</name>
<affiliation><inist:fA14 i1="01"><s1>Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki</s1>
<s2>Thessaloniki 541 24</s2>
<s3>GRC</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Hatzitaki, Vassilia" sort="Hatzitaki, Vassilia" uniqKey="Hatzitaki V" first="Vassilia" last="Hatzitaki">Vassilia Hatzitaki</name>
<affiliation><inist:fA14 i1="01"><s1>Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki</s1>
<s2>Thessaloniki 541 24</s2>
<s3>GRC</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Grouios, George" sort="Grouios, George" uniqKey="Grouios G" first="George" last="Grouios">George Grouios</name>
<affiliation><inist:fA14 i1="01"><s1>Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki</s1>
<s2>Thessaloniki 541 24</s2>
<s3>GRC</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Johannsen, Leif" sort="Johannsen, Leif" uniqKey="Johannsen L" first="Leif" last="Johannsen">Leif Johannsen</name>
<affiliation><inist:fA14 i1="02"><s1>Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham</s1>
<s2>Birmingham</s2>
<s3>GBR</s3>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
</inist:fA14>
</affiliation>
<affiliation><inist:fA14 i1="03"><s1>Movement Science, Department for Sport and Health Sciences, Technische Universität München</s1>
<s2>Munich</s2>
<s3>DEU</s3>
<sZ>4 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Wing, Alan" sort="Wing, Alan" uniqKey="Wing A" first="Alan" last="Wing">Alan Wing</name>
<affiliation><inist:fA14 i1="02"><s1>Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham</s1>
<s2>Birmingham</s2>
<s3>GBR</s3>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">12-0321510</idno>
<date when="2012">2012</date>
<idno type="stanalyst">PASCAL 12-0321510 INIST</idno>
<idno type="RBID">Pascal:12-0321510</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000310</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Somatosensory driven interpersonal synchrony during rhythmic sway</title>
<author><name sortKey="Sofianidis, George" sort="Sofianidis, George" uniqKey="Sofianidis G" first="George" last="Sofianidis">George Sofianidis</name>
<affiliation><inist:fA14 i1="01"><s1>Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki</s1>
<s2>Thessaloniki 541 24</s2>
<s3>GRC</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Hatzitaki, Vassilia" sort="Hatzitaki, Vassilia" uniqKey="Hatzitaki V" first="Vassilia" last="Hatzitaki">Vassilia Hatzitaki</name>
<affiliation><inist:fA14 i1="01"><s1>Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki</s1>
<s2>Thessaloniki 541 24</s2>
<s3>GRC</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Grouios, George" sort="Grouios, George" uniqKey="Grouios G" first="George" last="Grouios">George Grouios</name>
<affiliation><inist:fA14 i1="01"><s1>Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki</s1>
<s2>Thessaloniki 541 24</s2>
<s3>GRC</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Johannsen, Leif" sort="Johannsen, Leif" uniqKey="Johannsen L" first="Leif" last="Johannsen">Leif Johannsen</name>
<affiliation><inist:fA14 i1="02"><s1>Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham</s1>
<s2>Birmingham</s2>
<s3>GBR</s3>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
</inist:fA14>
</affiliation>
<affiliation><inist:fA14 i1="03"><s1>Movement Science, Department for Sport and Health Sciences, Technische Universität München</s1>
<s2>Munich</s2>
<s3>DEU</s3>
<sZ>4 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Wing, Alan" sort="Wing, Alan" uniqKey="Wing A" first="Alan" last="Wing">Alan Wing</name>
<affiliation><inist:fA14 i1="02"><s1>Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham</s1>
<s2>Birmingham</s2>
<s3>GBR</s3>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Human movement science</title>
<title level="j" type="abbreviated">Hum. mov. sci.</title>
<idno type="ISSN">0167-9457</idno>
<imprint><date when="2012">2012</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Human movement science</title>
<title level="j" type="abbreviated">Hum. mov. sci.</title>
<idno type="ISSN">0167-9457</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Body movement</term>
<term>Coordination</term>
<term>Dance</term>
<term>Expertise</term>
<term>Feedback</term>
<term>Human</term>
<term>Motion study</term>
<term>Rhythmic movement</term>
<term>Sensory analysis</term>
<term>Synchronization</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Coordination</term>
<term>Expertise</term>
<term>Danse</term>
<term>Homme</term>
<term>Mouvement rythmique</term>
<term>Synchronisation</term>
<term>Etude mouvement</term>
<term>Mouvement corporel</term>
<term>Boucle réaction</term>
<term>Analyse sensorielle</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40 s) that was either self or metronome paced (frequency: 0.25 Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0167-9457</s0>
</fA01>
<fA02 i1="01"><s0>HMSCDO</s0>
</fA02>
<fA03 i2="1"><s0>Hum. mov. sci.</s0>
</fA03>
<fA05><s2>31</s2>
</fA05>
<fA06><s2>3</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG"><s1>Somatosensory driven interpersonal synchrony during rhythmic sway</s1>
</fA08>
<fA11 i1="01" i2="1"><s1>SOFIANIDIS (George)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>HATZITAKI (Vassilia)</s1>
</fA11>
<fA11 i1="03" i2="1"><s1>GROUIOS (George)</s1>
</fA11>
<fA11 i1="04" i2="1"><s1>JOHANNSEN (Leif)</s1>
</fA11>
<fA11 i1="05" i2="1"><s1>WING (Alan)</s1>
</fA11>
<fA14 i1="01"><s1>Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki</s1>
<s2>Thessaloniki 541 24</s2>
<s3>GRC</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
<sZ>3 aut.</sZ>
</fA14>
<fA14 i1="02"><s1>Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham</s1>
<s2>Birmingham</s2>
<s3>GBR</s3>
<sZ>4 aut.</sZ>
<sZ>5 aut.</sZ>
</fA14>
<fA14 i1="03"><s1>Movement Science, Department for Sport and Health Sciences, Technische Universität München</s1>
<s2>Munich</s2>
<s3>DEU</s3>
<sZ>4 aut.</sZ>
</fA14>
<fA20><s1>553-566</s1>
</fA20>
<fA21><s1>2012</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>19996</s2>
<s5>354000508319250060</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2012 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>1/2 p.</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>12-0321510</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>Human movement science</s0>
</fA64>
<fA66 i1="01"><s0>NLD</s0>
</fA66>
<fC01 i1="01" l="ENG"><s0>Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40 s) that was either self or metronome paced (frequency: 0.25 Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.</s0>
</fC01>
<fC02 i1="01" i2="X"><s0>002A24</s0>
</fC02>
<fC03 i1="01" i2="X" l="FRE"><s0>Coordination</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG"><s0>Coordination</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA"><s0>Coordinación</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE"><s0>Expertise</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG"><s0>Expertise</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA"><s0>Peritaje</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="X" l="FRE"><s0>Danse</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="ENG"><s0>Dance</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="SPA"><s0>Danza</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="X" l="FRE"><s0>Homme</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="ENG"><s0>Human</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="SPA"><s0>Hombre</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="X" l="FRE"><s0>Mouvement rythmique</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="ENG"><s0>Rhythmic movement</s0>
<s5>05</s5>
</fC03>
<fC03 i1="05" i2="X" l="SPA"><s0>Movimiento rítmico</s0>
<s5>05</s5>
</fC03>
<fC03 i1="06" i2="X" l="FRE"><s0>Synchronisation</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="ENG"><s0>Synchronization</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="SPA"><s0>Sincronización</s0>
<s5>06</s5>
</fC03>
<fC03 i1="07" i2="X" l="FRE"><s0>Etude mouvement</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="ENG"><s0>Motion study</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="SPA"><s0>Estudio movimiento</s0>
<s5>07</s5>
</fC03>
<fC03 i1="08" i2="X" l="FRE"><s0>Mouvement corporel</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="ENG"><s0>Body movement</s0>
<s5>08</s5>
</fC03>
<fC03 i1="08" i2="X" l="SPA"><s0>Movimiento corporal</s0>
<s5>08</s5>
</fC03>
<fC03 i1="09" i2="X" l="FRE"><s0>Boucle réaction</s0>
<s5>10</s5>
</fC03>
<fC03 i1="09" i2="X" l="ENG"><s0>Feedback</s0>
<s5>10</s5>
</fC03>
<fC03 i1="09" i2="X" l="SPA"><s0>Retroalimentación</s0>
<s5>10</s5>
</fC03>
<fC03 i1="10" i2="X" l="FRE"><s0>Analyse sensorielle</s0>
<s5>11</s5>
</fC03>
<fC03 i1="10" i2="X" l="ENG"><s0>Sensory analysis</s0>
<s5>11</s5>
</fC03>
<fC03 i1="10" i2="X" l="SPA"><s0>Análisis sensorial</s0>
<s5>11</s5>
</fC03>
<fN21><s1>247</s1>
</fN21>
</pA>
</standard>
<server><NO>PASCAL 12-0321510 INIST</NO>
<ET>Somatosensory driven interpersonal synchrony during rhythmic sway</ET>
<AU>SOFIANIDIS (George); HATZITAKI (Vassilia); GROUIOS (George); JOHANNSEN (Leif); WING (Alan)</AU>
<AF>Laboratory of Motor Control and Learning, Department of Physical Education and Sport Sciences, Aristotle University of Thessaloniki/Thessaloniki 541 24/Grèce (1 aut., 2 aut., 3 aut.); Behavioural Brain Sciences Centre, School of Psychology, University of Birmingham/Birmingham/Royaume-Uni (4 aut., 5 aut.); Movement Science, Department for Sport and Health Sciences, Technische Universität München/Munich/Allemagne (4 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
<SO>Human movement science; ISSN 0167-9457; Coden HMSCDO; Pays-Bas; Da. 2012; Vol. 31; No. 3; Pp. 553-566; Bibl. 1/2 p.</SO>
<LA>Anglais</LA>
<EA>Spontaneous synchrony emerges between individuals performing together rhythmic activities while communicating by means of sensory feedback. In this study, we examined the nature of interpersonal synchrony mediated by light fingertip contact when individuals sway rhythmically in the sagittal plane. The effect of traditional dance expertise on interpersonal synchrony was investigated. Sixty participants (30 dancers, 30 novices) formed three types of couples (10 expert couples, 10 novice couples, 10 mixed couples) and performed a rhythmical sway task (40 s) that was either self or metronome paced (frequency: 0.25 Hz). Cross spectral analysis of the center of pressure (CoP) displacement signals revealed that during self-paced sway fingertip contact evoked a decrease of the dominant sway frequency difference between partners, an increase in the coherence between the sway signals and a concentration of relative phase angles towards the in-phase (0°-20°) region. In metronome paced sway however, only expert dancers were able to benefit from haptic contact to further improve interpersonal synchrony. These findings suggest that haptic contact can stabilize the spontaneous coordination dynamics of two persons performing rhythmic sway together. The strength of the emerged synchrony depends on the individuals' expertise to integrate tactile and auditory information about sway.</EA>
<CC>002A24</CC>
<FD>Coordination; Expertise; Danse; Homme; Mouvement rythmique; Synchronisation; Etude mouvement; Mouvement corporel; Boucle réaction; Analyse sensorielle</FD>
<ED>Coordination; Expertise; Dance; Human; Rhythmic movement; Synchronization; Motion study; Body movement; Feedback; Sensory analysis</ED>
<SD>Coordinación; Peritaje; Danza; Hombre; Movimiento rítmico; Sincronización; Estudio movimiento; Movimiento corporal; Retroalimentación; Análisis sensorial</SD>
<LO>INIST-19996.354000508319250060</LO>
<ID>12-0321510</ID>
</server>
</inist>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Ticri/CIDE/explor/HapticV1/Data/PascalFrancis/Corpus

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000310 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000310 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Ticri/CIDE
   |area=    HapticV1
   |flux=    PascalFrancis
   |étape=   Corpus
   |type=    RBID
   |clé=     Pascal:12-0321510
   |texte=   Somatosensory driven interpersonal synchrony during rhythmic sway
}}

This area was generated with Dilib version V0.6.23.
Data generation: Mon Jun 13 01:09:46 2016. Site generation: Wed Mar 6 09:54:07 2024

	Serveur d'exploration sur les dispositifs haptiques
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration sur les dispositifs haptiques

Somatosensory driven interpersonal synchrony during rhythmic sway

Somatosensory driven interpersonal synchrony during rhythmic sway

Source :

Descripteurs français

English descriptors

Abstract

Notice en format standard (ISO 2709)

Format Inist (serveur)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri