INTERACTIVE PHYSICAL DESIGN AND HAPTIC PLAYING OF VIRTUAL MUSICAL INSTRUMENTS
Identifieur interne : 001627 ( Main/Exploration ); précédent : 001626; suivant : 001628INTERACTIVE PHYSICAL DESIGN AND HAPTIC PLAYING OF VIRTUAL MUSICAL INSTRUMENTS
Auteurs : James Leonard [France] ; Nicolas Castagné [France] ; Claude Cadoz [France] ; Jean-Loup Florens [France]Source :
Abstract
In Computer Music, a practical approach of many Digital Musical Instruments is to separate the gestural input stage from the sound synthesis stage. While these instruments offer many creative possibilities, they present a strong rupture with traditional acoustic instruments, as the physical coupling between human and sound is broken. This coupling plays a crucial role for the expressive musical playing of acoustic instruments; we believe restoring it in a digital context is of equal importance for revealing the full expressive potential of digital instruments. This paper first presents haptic and physical modelling technologies for representing the mechano-acoustical instrumental situation in the context of DMIs. From these technologies, a prototype environment has been implemented for both designing virtual musical instruments and interacting with them via a force feedback device, able to preserve the energetic coherency of the musician-sound chain.
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While these instruments offer many creative possibilities, they present a strong rupture with traditional acoustic instruments, as the physical coupling between human and sound is broken. This coupling plays a crucial role for the expressive musical playing of acoustic instruments; we believe restoring it in a digital context is of equal importance for revealing the full expressive potential of digital instruments. This paper first presents haptic and physical modelling technologies for representing the mechano-acoustical instrumental situation in the context of DMIs. From these technologies, a prototype environment has been implemented for both designing virtual musical instruments and interacting with them via a force feedback device, able to preserve the energetic coherency of the musician-sound chain.</div></front></TEI><affiliations><list><country><li>France</li></country></list><tree><country name="France"><noRegion><name sortKey="Leonard, James" sort="Leonard, James" uniqKey="Leonard J" first="James" last="Leonard">James Leonard</name></noRegion><name sortKey="Cadoz, Claude" sort="Cadoz, Claude" uniqKey="Cadoz C" first="Claude" last="Cadoz">Claude Cadoz</name><name sortKey="Castagne, Nicolas" sort="Castagne, Nicolas" uniqKey="Castagne N" first="Nicolas" last="Castagné">Nicolas Castagné</name><name sortKey="Florens, Jean Loup" sort="Florens, Jean Loup" uniqKey="Florens J" first="Jean-Loup" last="Florens">Jean-Loup Florens</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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