HapticV1, Main, Exploration, bibRecord, 002E32

What is Radical Post‐Modernism? / Post‐Modernism: An Incomplete Project

Identifieur interne : 002E32 ( Main/Exploration ); précédent : 002E31; suivant : 002E33

What is Radical Post‐Modernism? / Post‐Modernism: An Incomplete Project

Auteurs : Charles Jencks Fat

Source :

Architectural Design [ 0003-8504 ] ; 2011-09.

RBID : ISTEX:8628293FB7C3779F9B8F26A06735D5BB533C0F24

English descriptors

KwdEn :
- 1980 Venice Biennale, Anthony Blunt, Atelier Bow‐Wow, Banksy, Bucky Fuller, California, 1974, Caruso St John, Nottingham Contemporary Arts Centre, Nottingham, 2009, Cecil Balmond, Charles Jencks, Charles Moore and William Turnbull (MLTW) Kresge College, University of California, Santa Cruz, Clement Greenberg, Communication, Dan Graham, David Chipperfield, Neues Museum, Berlin, 2009, David Harvey, Deconstructivism, Denise Scott Brown, Disney Corporation, Don Quixote, Edouard François, Edward Soja, Eva Branscome, Evan Douglis, FAO, Ravensbourne, London 2010, FAT, Islington Square, New Islington, Manchester, 2006, Frank Gehry, Fredric Jameson, Gabriel Josipovici, Gage Clemenceau, Hans Hollein, Herzog & de Meuron, Forum La Caixa, Madrid, 2008, Hild und K, James Stirling, Jean‐François Lyotard, Jeff Koons, John Summerson, Kester Rattenbury, Léa‐Catherine Szacka, Minimalism, Minoru Takeyama, National Gallery Sainsbury Wing, Neo‐Modernism, Nicholas Grimshaw, Norman Foster, Pablo Picasso, Guitar, 1913, Peter Eisenman, Peter Zumthor, Philip Johnson, Radical Post‐Modernism (RPM), Reichstag in Berlin, Reinhold Martin, Rem Koolhaas, Richard Hamilton, Interior II, 1964, Richard Rogers, Robert Venturi, Sage music centre, Sam Jacob, Sean Griffiths, Sheikh al Zayed National Museum in Abu Dhabi, Social content, Swiss Re, The Brunel Rooms nightclub, Swindon, 1955, The Language of Post‐Modern Architecture, Whatever Happened to Modernism?, formal tropes, graffiti, the Cheesegrater, the Pinnacle, the Shard, the Walkie Talkie, ‘digital Baroque’, ‘entertainment architecture’.

Url:

https://api.istex.fr/document/8628293FB7C3779F9B8F26A06735D5BB533C0F24/fulltext/pdf

DOI: 10.1002/ad.1291

Affiliations:

Links toward previous steps (curation, corpus...)

to stream Istex, to step Corpus: 004F38
to stream Istex, to step Curation: 004F38
to stream Istex, to step Checkpoint: 000205
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to stream Main, to step Curation: 002E32

Le document en format XML

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<term>Clement Greenberg</term>
<term>Communication</term>
<term>Dan Graham</term>
<term>David Chipperfield, Neues Museum, Berlin, 2009</term>
<term>David Harvey</term>
<term>Deconstructivism</term>
<term>Denise Scott Brown</term>
<term>Disney Corporation</term>
<term>Don Quixote</term>
<term>Edouard François</term>
<term>Edward Soja</term>
<term>Eva Branscome</term>
<term>Evan Douglis</term>
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<term>FAT, Islington Square, New Islington, Manchester, 2006</term>
<term>Frank Gehry</term>
<term>Fredric Jameson</term>
<term>Gabriel Josipovici</term>
<term>Gage Clemenceau</term>
<term>Hans Hollein</term>
<term>Herzog & de Meuron, Forum La Caixa, Madrid, 2008</term>
<term>Hild und K</term>
<term>James Stirling</term>
<term>Jean‐François Lyotard</term>
<term>Jeff Koons</term>
<term>John Summerson</term>
<term>Kester Rattenbury</term>
<term>Léa‐Catherine Szacka</term>
<term>Minimalism</term>
<term>Minoru Takeyama</term>
<term>National Gallery Sainsbury Wing</term>
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<term>Nicholas Grimshaw</term>
<term>Norman Foster</term>
<term>Pablo Picasso, Guitar, 1913</term>
<term>Peter Eisenman</term>
<term>Peter Zumthor</term>
<term>Philip Johnson</term>
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<term>Reichstag in Berlin</term>
<term>Reinhold Martin</term>
<term>Rem Koolhaas</term>
<term>Richard Hamilton, Interior II, 1964</term>
<term>Richard Rogers</term>
<term>Robert Venturi</term>
<term>Sage music centre</term>
<term>Sam Jacob</term>
<term>Sean Griffiths</term>
<term>Sheikh al Zayed National Museum in Abu Dhabi</term>
<term>Social content</term>
<term>Swiss Re</term>
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<term>Whatever Happened to Modernism?</term>
<term>formal tropes</term>
<term>graffiti</term>
<term>the Cheesegrater</term>
<term>the Pinnacle</term>
<term>the Shard</term>
<term>the Walkie Talkie</term>
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What is Radical Post‐Modernism? / Post‐Modernism: An Incomplete Project

What is Radical Post‐Modernism? / Post‐Modernism: An Incomplete Project

Source :

English descriptors

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri