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Images and Meaning-Making in a World of Resemblance: The Bavarian-Saxon Kidney Stone Affair of 1580

Identifieur interne : 000105 ( Pmc/Corpus ); précédent : 000104; suivant : 000106

Images and Meaning-Making in a World of Resemblance: The Bavarian-Saxon Kidney Stone Affair of 1580

Auteurs : Claudia Stein

Source :

RBID : PMC:4538784

Abstract

This article de-constructs and re-constructs the dynamic of a sixteenth-century political dispute between the Catholic Bavarian Duke Wilhelm V and the Protestant Saxon Elector August I. By focusing on the visual imagery which ignited the dispute, the paper explores sixteenth-century ‘ways of seeing’ and the epistemic role realistic images played in the production of knowledge about the natural world. While the peculiar dynamic of the affair is based on a specific understanding of the evidential role of images, the paper also argues that the wider socio-cultural context, in particular certain strategies of truth-telling, provide further clues as to the dynamic and closure of the affair.


Url:
DOI: 10.1177/0265691413479085
PubMed: 26290618
PubMed Central: 4538784

Links to Exploration step

PMC:4538784

Le document en format XML

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<p id="P1">This article de-constructs and re-constructs the dynamic of a sixteenth-century political dispute between the Catholic Bavarian Duke Wilhelm V and the Protestant Saxon Elector August I. By focusing on the visual imagery which ignited the dispute, the paper explores sixteenth-century ‘ways of seeing’ and the epistemic role realistic images played in the production of knowledge about the natural world. While the peculiar dynamic of the affair is based on a specific understanding of the evidential role of images, the paper also argues that the wider socio-cultural context, in particular certain strategies of truth-telling, provide further clues as to the dynamic and closure of the affair.</p>
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Claudia Stein, History Department, University of Warwick, Coventry CV4 7AL, UK.
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<p id="P1">This article de-constructs and re-constructs the dynamic of a sixteenth-century political dispute between the Catholic Bavarian Duke Wilhelm V and the Protestant Saxon Elector August I. By focusing on the visual imagery which ignited the dispute, the paper explores sixteenth-century ‘ways of seeing’ and the epistemic role realistic images played in the production of knowledge about the natural world. While the peculiar dynamic of the affair is based on a specific understanding of the evidential role of images, the paper also argues that the wider socio-cultural context, in particular certain strategies of truth-telling, provide further clues as to the dynamic and closure of the affair.</p>
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