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Index « Titre (en) » - entrée « tone »
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tonal < tone < tones  Facettes :

List of bibliographic references indexed by tone

Number of relevant bibliographic references: 11.
Ident.Authors (with country if any)Title
000332 (2020) Ying-Zi Xiong ; Ding-Lan Tang ; Yu-Xuan Zhang ; Cong YuComplete cross-frequency transfer of tone frequency learning after double training.
000696 (2018) Katherine M. Clark ; Kyle O. Hardman ; Todd R. Schachtman ; J Scott Saults ; Bret A. Glass ; Nelson CowanTone series and the nature of working memory capacity development.
000712 (2018) Cho Kwan Tse [République populaire de Chine] ; Calvin Kai-Ching Yu [République populaire de Chine]The Effects of Visual Cues, Blindfolding, Synesthetic Experience, and Musical Training on Pure-Tone Frequency Discrimination.
001727 (2009) Diana Deutsch [États-Unis] ; Kevin Dooley ; Trevor Henthorn ; Brian HeadAbsolute pitch among students in an American music conservatory: association with tone language fluency.
001743 (2008) Sebastian Klotz [Allemagne][Tone psychology and music research as catalysts of experimental-scientific practice and methodology in the circle of Carl Stumpf].
001837 (2007) Annemarie Seither-Preisler [Allemagne] ; Linda Johnson ; Katrin Krumbholz ; Andrea Nobbe ; Roy Patterson ; Stefan Seither ; Bernd LütkenhönerTone sequences with conflicting fundamental pitch and timbre changes are heard differently by musicians and nonmusicians.
001A85 (2004) Jessica M. Foxton [Royaume-Uni] ; Jennifer L. Dean ; Rosemary Gee ; Isabelle Peretz ; Timothy D. GriffithsCharacterization of deficits in pitch perception underlying 'tone deafness'.
001E06 (1995) S. Prosser [Italie]Aspects of short-term auditory memory as revealed by a recognition task on multi-tone sequences.
001E96 (1989) P G Vos [Pays-Bas] ; H H EllermannPrecision and accuracy in the reproduction of simple tone sequences.
001F44 (1983) R A RaschDescription of regular twelve-tone musical tunings.
001F57 (1980) D W Massaro ; H J Kallman ; J L KellyThe role of tone height, melodic contour, and tone chroma in melody recognition.

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