pipes < pitch < pits

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List of bibliographic references indexed by pitch

Number of relevant bibliographic references: 33.
[0-20] [0 - 20][0 - 33][20-32][20-40]

Ident.	Authors (with country if any)	Title
000069 (2021)	Niels Chr Hansen [Danemark] ; Lindsey Reymore [Canada]	Articulatory motor planning and timbral idiosyncrasies as underlying mechanisms of instrument-specific absolute pitch in expert musicians.
000166 (2020)	Stephen C. Van Hedger [États-Unis, Canada] ; John Veillette [États-Unis] ; Shannon L M. Heald [États-Unis] ; Howard C. Nusbaum [États-Unis]	Revisiting discrete versus continuous models of human behavior: The case of absolute pitch.
000188 (2020)	Geonsang Jo [Corée du Sud] ; Young-Min Kim [Corée du Sud] ; Dae Won Jun [Corée du Sud] ; Eunju Jeong [Corée du Sud]	Pitch Processing Can Indicate Cognitive Alterations in Chronic Liver Disease: An fNIRS Study.
000259 (2020)	Carlotta Lega [Italie] ; Zaira Cattaneo [Italie] ; Noemi Ancona [Italie] ; Tomaso Vecchi [Italie] ; Luca Rinaldi [Italie]	Instrumental expertise and musical timbre modulate the spatial representation of pitch.
000639 (2019)	Stephen C. Van Hedger [États-Unis] ; Shannon L M. Heald [États-Unis] ; Howard C. Nusbaum [États-Unis]	Absolute pitch can be learned by some adults.
000703 (2018)	Eline Adrianne Smit [Australie, Pays-Bas] ; Makiko Sadakata [Pays-Bas]	The effect of handedness on spatial and motor representation of pitch patterns in pianists.
000798 (2018)	Kelly L. Whiteford [États-Unis] ; Andrew J. Oxenham [États-Unis]	Learning for pitch and melody discrimination in congenital amusia.
000804 (2018)	Stephen C. Van Hedger [États-Unis] ; Howard C. Nusbaum [États-Unis]	Individual differences in absolute pitch performance: Contributions of working memory, musical expertise, and tonal language background.
000C05 (2016)	Raphael B C. Leite [Brésil] ; Sergio A. Mota-Rolim [Brésil] ; Claudio M T. Queiroz [Brésil]	Music Proficiency and Quantification of Absolute Pitch: A Large-Scale Study among Brazilian Musicians.
000C21 (2016)	Seung-Goo Kim [Allemagne] ; Thomas R. Knösche [Allemagne]	Intracortical myelination in musicians with absolute pitch: Quantitative morphometry using 7-T MRI.
000C45 (2016)	Mary Kim Ngo ; Kim-Phuong L. Vu ; Thomas Z. Strybel	Effects of Music and Tonal Language Experience on Relative Pitch Performance.
000D80 (2015)	Peter Q. Pfordresher [États-Unis] ; Pauline Larrouy-Maestri [Allemagne]	On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?
000F37 (2014)	Michael J. Hove [États-Unis] ; Céline Marie [Canada] ; Ian C. Bruce [Canada] ; Laurel J. Trainor [Canada]	Superior time perception for lower musical pitch explains why bass-ranged instruments lay down musical rhythms.
001106 (2013)	Gavin M. Bidelman [États-Unis]	The role of the auditory brainstem in processing musically relevant pitch.
001219 (2013)	Jessica Phillips-Silver [Canada] ; Petri Toiviainen ; Nathalie Gosselin ; Isabelle Peretz	Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.
001261 (2012)	Jon B. Prince [Australie] ; Peter Q. Pfordresher	The role of pitch and temporal diversity in the perception and production of musical sequences.
001537 (2010)	Michael J. Silverman [États-Unis]	The effect of pitch, rhythm, and familiarity on working memory and anxiety as measured by digit recall performance.
001656 (2009)	Jon B. Prince [Canada] ; Mark A. Schmuckler ; William F. Thompson	The effect of task and pitch structure on pitch-time interactions in music.
001727 (2009)	Diana Deutsch [États-Unis] ; Kevin Dooley ; Trevor Henthorn ; Brian Head	Absolute pitch among students in an American music conservatory: association with tone language fluency.
001796 (2008)	Jean Mary Zarate [Canada] ; Robert J. Zatorre	Experience-dependent neural substrates involved in vocal pitch regulation during singing.
001810 (2008)	Sandra E. Trehub [Canada] ; E. Glenn Schellenberg ; Takayuki Nakata	Cross-cultural perspectives on pitch memory.

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