Documentation < Doigts < Dominance cérébrale

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List of bibliographic references indexed by Doigts

Number of relevant bibliographic references: 41.
[0-20] [0 - 20][0 - 41][20-40]

Ident.	Authors (with country if any)	Title
000251 (2020)	Koichi Hiraoka [Japon] ; Shun Ito [Japon] ; Momoko Lutton [Japon] ; Maya Nakano [Japon] ; Noritaka Yonei [Japon]	Long-term practice of isolated finger movements reduces enslaved response of tonically contracting little finger abductor to tonic index finger abduction.
000429 (2019)	Weihuang Qi [Japon] ; Tsuyoshi Nakajima [Japon] ; Masanori Sakamoto [Japon] ; Kouki Kato [Japon] ; Yasuo Kawakami [Japon] ; Kazuyuki Kanosue [Japon]	Walking and finger tapping can be done with independent rhythms.
000451 (2019)	R. Colombo ; A. Raglio ; M. Panigazzi ; A. Mazzone ; G. Bazzini ; C. Imarisio ; D. Molteni ; C. Caltagirone ; M. Imbriani	The SonicHand Protocol for Rehabilitation of Hand Motor Function: A Validation and Feasibility Study.
000508 (2019)	Yudai Kimoto [Japon] ; Takanori Oku [Japon] ; Shinichi Furuya [Japon]	Neuromuscular and biomechanical functions subserving finger dexterity in musicians.
000715 (2018)	Shinichi Furuya [Japon] ; Sayuri Yokota [Japon]	Temporal exploration in sequential movements shapes efficient neuromuscular control.
000718 (2018)	Gonzalo Márquez [Espagne] ; Martin Keller [Suisse] ; Jesper Lundbye-Jensen [Danemark] ; Wolfgang Taube [Suisse]	Surround Inhibition in the Primary Motor Cortex is Task-specifically Modulated in Non-professional Musicians but not in Healthy Controls During Real Piano Playing.
000849 (2018)	Jagna Sobierajewicz [Pologne] ; Ryszard Naskr Cki [Pologne] ; Wojciech Ja Kowski [Pologne] ; Rob H J. Van Der Lubbe [Pologne, Pays-Bas]	Do musicians learn a fine sequential hand motor skill differently than non-musicians?
000B65 (2016)	Moe Hosoda [Japon] ; Shinichi Furuya [Japon]	Shared somatosensory and motor functions in musicians.
000E43 (2015)	S A Winges [États-Unis] ; S. Furuya [Japon]	Distinct digit kinematics by professional and amateur pianists.
000E45 (2015)	Chi-Ying Lin [Taïwan] ; Chia-Min Tsai [Taïwan] ; Pei-Cheng Shih [Taïwan] ; Hsiao-Ching Wu [Taïwan]	Development of a novel haptic glove for improving finger dexterity in poststroke rehabilitation.
000E49 (2015)	Marianne A. Stephan [Suisse] ; Brittany Heckel ; Sunbin Song ; Leonardo G. Cohen	Crossmodal encoding of motor sequence memories.
000E66 (2015)	Fredrik Ullén [Suède] ; Miriam A. Mosing ; Guy Madison	Associations between motor timing, music practice, and intelligence studied in a large sample of twins.
000E70 (2015)	A. Lee [Allemagne] ; E. Schoonderwaldt [Allemagne] ; M. Chadde [Allemagne] ; E. Altenmüller [Allemagne]	Analysis of dystonic tremor in musicians using empirical mode decomposition.
001016 (2014)	Shinichi Furuya [Japon] ; Ayumi Nakamura [Japon] ; Noriko Nagata [Japon]	Extraction of practice-dependent and practice-independent finger movement patterns.
001049 (2014)	June T. Spector [États-Unis] ; Raymond Yong [Allemagne] ; Eckart Altenmüller [Allemagne] ; Hans-Christian Jabusch [Allemagne]	Biographic and behavioral factors are associated with music-related motor skills in children pianists.
001066 (2014)	S. Furuya [Allemagne] ; A. Nakamura [Japon] ; N. Nagata [Japon]	Acquisition of individuated finger movements through musical practice.
001100 (2013)	Shinichi Furuya [Allemagne] ; Ayumi Nakamura ; Noriko Nagata	Transfer of piano practice in fast performance of skilled finger movements.
001117 (2013)	Werner Goebl [Autriche] ; Caroline Palmer	Temporal control and hand movement efficiency in skilled music performance.
001193 (2013)	Shinichi Furuya [Allemagne] ; Michael A. Nitsche ; Walter Paulus ; Eckart Altenmüller	Early optimization in finger dexterity of skilled pianists: implication of transcranial stimulation.
001292 (2012)	Hae-Won Shin [Corée du Sud] ; Suk Y. Kang ; Mark Hallett ; Young H. Sohn	Reduced surround inhibition in musicians.
001337 (2012)	Luciane Fernanda Rodrigues Martinho Fernandes [Brésil] ; Ricardo Machado Leite De Barros	Grip pattern and finger coordination differences between pianists and non-pianists.

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