Serveur d'exploration Santé et pratique musicale - Exploration (Accueil)

Index « Keywords » - entrée « Time Perception (MeSH) »
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Time Out, Healthcare (statistics & numerical data) < Time Perception (MeSH) < Time Perception (physiology)  Facettes :

List of bibliographic references indexed by Time Perception (MeSH)

Number of relevant bibliographic references: 32.
[0-20] [0 - 20][0 - 32][20-31][20-40]
Ident.Authors (with country if any)Title
000392 (2020) Sara D'Amario [Royaume-Uni] ; David M. Howard [Royaume-Uni] ; Helena Daffern [Royaume-Uni] ; Nicola Pennill [Royaume-Uni]A Longitudinal Study of Intonation in an a cappella Singing Quintet.
000922 (2017) Evgenia Scheffner ; Wilma Vorwerk ; Ulrich Vorwerk[Musical abilities in children with an auditory processing disorder].
000E66 (2015) Fredrik Ullén [Suède] ; Miriam A. Mosing ; Guy MadisonAssociations between motor timing, music practice, and intelligence studied in a large sample of twins.
001114 (2013) Sandra Quinn [Royaume-Uni] ; Roger Watt [Royaume-Uni]The appropriate or optimal tempo for music: a comparison between non-musicians and musicians.
001446 (2011) Bruno Gingras [Canada] ; Tamara Lagrandeur-Ponce ; Bruno L. Giordano ; Stephen McadamsPerceiving musical individuality: performer identification is dependent on performer expertise and expressiveness, but not on listener expertise.
001491 (2011) Burak Güçlü [Turquie] ; Emre Sevinc ; Resit CanbeyliDuration discrimination by musicians and nonmusicians.
001552 (2010) Jennifer A. Bailey [Canada] ; Virginia B. PenhuneRhythm synchronization performance and auditory working memory in early- and late-trained musicians.
001573 (2010) Jose A. Ordo Ana [Espagne] ; Ana LauciricaLerdahl and Jackendoff's grouping structure rules in the performance of a Hindemith sonata.
001595 (2010) Freya Bailes [Australie]Dynamic melody recognition: distinctiveness and the role of musical expertise.
001602 (2010) Maurizio Bertollo [Italie] ; Marika Berchicci ; Attilio Carraro ; Silvia Comani ; Claudio RobazzaBlocked and random practice organization in the learning of rhythmic dance step sequences.
001646 (2009) Simon Grondin [Canada] ; Peter R. KilleenTracking time with song and count: different Weber functions for musicians and nonmusicians.
001656 (2009) Jon B. Prince [Canada] ; Mark A. Schmuckler ; William F. ThompsonThe effect of task and pitch structure on pitch-time interactions in music.
001766 (2008) Gabriella Musacchia [États-Unis] ; Dana Strait ; Nina KrausRelationships between behavior, brainstem and cortical encoding of seen and heard speech in musicians and non-musicians.
001847 (2007) I-Hui Hsieh [États-Unis] ; Kourosh SaberiTemporal integration in absolute identification of musical pitch.
001A32 (2005) Melody S. Berens [États-Unis] ; Richard E. PastoreContextual relative temporal duration judgment: an investigation of sequence interruptions.
001B14 (2003) Bruno H. Repp [États-Unis]Rate limits in sensorimotor synchronization with auditory and visual sequences: the synchronization threshold and the benefits and costs of interval subdivision.
001B18 (2003) Sarah Kurtz [Canada] ; Timothy D. LeePart and whole perceptual-motor practice of a polyrhythm.
001B87 (2002) Anthony E. Kincaid [États-Unis] ; Scott Duncan ; Samuel A. ScottAssessment of fine motor skill in musicians and nonmusicians: differences in timing versus sequence accuracy in a bimanual fingering task.
001C12 (2001) N. Inui [Japon] ; T. IchiharaIndependence of timing and force control during finger-tapping sequences by pianists.
001D12 (1998) F H Rauscher [États-Unis] ; G L ShawKey components of the Mozart effect.
001D39 (1997) B H Repp [États-Unis]The effect of tempo on pedal timing in piano performance.

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