Psychiatry (trends) < Psychoacoustics (MeSH) < Psychoanalysis (MeSH)

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List of bibliographic references indexed by Psychoacoustics (MeSH)

Number of relevant bibliographic references: 31.
[0-20] [0 - 20][0 - 31][20-30][20-40]

Ident.	Authors (with country if any)	Title
000496 (2019)	Ruijing Ning [États-Unis] ; Samuel J. Trosman [États-Unis] ; Andrew T. Sabin [États-Unis] ; Beverly A. Wright [États-Unis]	Perceptual-learning evidence for inter-onset-interval- and frequency-specific processing of fast rhythms.
000D72 (2015)	Michael W. Weiss [Canada] ; Patrícia Vanzella ; E Glenn Schellenberg ; Sandra E. Trehub	Pianists exhibit enhanced memory for vocal melodies but not piano melodies.
001260 (2012)	Peter Vuust [Danemark] ; Elvira Brattico ; Miia Sepp Nen ; Risto N T Nen ; Mari Tervaniemi	The sound of music: differentiating musicians using a fast, musical multi-feature mismatch negativity paradigm.
001261 (2012)	Jon B. Prince [Australie] ; Peter Q. Pfordresher	The role of pitch and temporal diversity in the perception and production of musical sequences.
001561 (2010)	Séverine Morange [France] ; Danièle Dubois ; Jean-Marc Fontaine	Perception of recorded singing voice quality and expertise: cognitive linguistics and acoustic approaches.
001573 (2010)	Jose A. Ordo Ana [Espagne] ; Ana Laucirica	Lerdahl and Jackendoff's grouping structure rules in the performance of a Hindemith sonata.
001605 (2010)	Christian E. Stilp [États-Unis] ; Joshua M. Alexander ; Michael Kiefte ; Keith R. Kluender	Auditory color constancy: calibration to reliable spectral properties across nonspeech context and targets.
001656 (2009)	Jon B. Prince [Canada] ; Mark A. Schmuckler ; William F. Thompson	The effect of task and pitch structure on pitch-time interactions in music.
001702 (2009)	H K Park [Corée du Sud] ; J S Bradley	Evaluating signal-to-noise ratios, loudness, and related measures as indicators of airborne sound insulation.
001743 (2008)	Sebastian Klotz [Allemagne]	[Tone psychology and music research as catalysts of experimental-scientific practice and methodology in the circle of Carl Stumpf].
001924 (2006)	Jean-Pierre Chartrand [Canada] ; Pascal Belin	Superior voice timbre processing in musicians.
001948 (2006)	Christophe Micheyl [États-Unis] ; Karine Delhommeau ; Xavier Perrot ; Andrew J. Oxenham	Influence of musical and psychoacoustical training on pitch discrimination.
001A32 (2005)	Melody S. Berens [États-Unis] ; Richard E. Pastore	Contextual relative temporal duration judgment: an investigation of sequence interruptions.
001A34 (2005)	Robert A. Lutfi [États-Unis] ; Eunmi Oh ; Eileen Storm ; Joshua M. Alexander	Classification and identification of recorded and synthesized impact sounds by practiced listeners, musicians, and nonmusicians.
001A76 (2004)	Brian Capleton [Royaume-Uni]	False beats in coupled piano string unisons.
001B06 (2003)	Simone Dalla Bella [Canada] ; Isabelle Peretz ; Neil Aronoff	Time course of melody recognition: a gating paradigm study.
001D39 (1997)	B H Repp [États-Unis]	The effect of tempo on pedal timing in piano performance.
001D70 (1996)	B E Acker [États-Unis] ; R E Pastore	Perceptual integrality of major chord components.
001D80 (1996)	E G Schellenberg [Canada]	Expectancy in melody: tests of the implication-realization model.
001D82 (1996)	P A Huf [Australie] ; S P Parker ; M P Corbo ; K M Stevens	Effect of music training on monaural perception of pitch and rhythm.
001D95 (1995)	C. Palmer [États-Unis] ; C. Van De Sande	Range of planning in music performance.

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