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Pitch Discrimination (physiology) < Pitch Perception (MeSH) < Pitch Perception (physiology)  Facettes :

List of bibliographic references indexed by Pitch Perception (MeSH)

Number of relevant bibliographic references: 36.
[0-20] [0 - 20][0 - 36][20-35][20-40]
Ident.Authors (with country if any)Title
000392 (2020) Sara D'Amario [Royaume-Uni] ; David M. Howard [Royaume-Uni] ; Helena Daffern [Royaume-Uni] ; Nicola Pennill [Royaume-Uni]A Longitudinal Study of Intonation in an a cappella Singing Quintet.
000703 (2018) Eline Adrianne Smit [Australie, Pays-Bas] ; Makiko Sadakata [Pays-Bas]The effect of handedness on spatial and motor representation of pitch patterns in pianists.
000898 (2018) Yue Ding [République populaire de Chine] ; Kathleen Gray [États-Unis] ; Alexander Forrence [États-Unis] ; Xiaoqin Wang [République populaire de Chine, États-Unis] ; Juan Huang [États-Unis]A behavioral study on tonal working memory in musicians and non-musicians.
000959 (2017) Mickael L D. Deroche [Canada] ; Charles J. Limb [États-Unis] ; Monita Chatterjee [États-Unis] ; Vincent L. Gracco [États-Unis]Similar abilities of musicians and non-musicians to segregate voices by fundamental frequency.
000B22 (2016) Tracy Bourne [Australie] ; Dianna Kenny [Australie]Vocal Qualities in Music Theater Voice: Perceptions of Expert Pedagogues.
000E10 (2015) Pauline Larrouy-Maestri [Belgique] ; David Magis [Belgique] ; Matthias Grabenhorst [Allemagne] ; Dominique Morsomme [Belgique]Layman versus Professional Musician: Who Makes the Better Judge?
001175 (2013) David M. Howard [Royaume-Uni] ; Helena Daffern ; Jude BreretonFour-part choral synthesis system for investigating intonation in a cappella choral singing.
001219 (2013) Jessica Phillips-Silver [Canada] ; Petri Toiviainen ; Nathalie Gosselin ; Isabelle PeretzAmusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.
001226 (2013) François Rigaud [France] ; Bertrand David ; Laurent DaudetA parametric model and estimation techniques for the inharmonicity and tuning of the piano.
001265 (2012) Kate Gfeller [États-Unis] ; Dingfeng Jiang ; Jacob J. Oleson ; Virginia Driscoll ; Carol Olszewski ; John F. Knutson ; Christopher Turner ; Bruce GantzThe effects of musical and linguistic components in recognition of real-world musical excerpts by cochlear implant recipients and normal-hearing adults.
001269 (2012) Christopher S. Gaskill [États-Unis] ; Dana M. QuinneyThe effect of resonance tubes on glottal contact quotient with and without task instruction: a comparison of trained and untrained voices.
001446 (2011) Bruno Gingras [Canada] ; Tamara Lagrandeur-Ponce ; Bruno L. Giordano ; Stephen McadamsPerceiving musical individuality: performer identification is dependent on performer expertise and expressiveness, but not on listener expertise.
001573 (2010) Jose A. Ordo Ana [Espagne] ; Ana LauciricaLerdahl and Jackendoff's grouping structure rules in the performance of a Hindemith sonata.
001595 (2010) Freya Bailes [Australie]Dynamic melody recognition: distinctiveness and the role of musical expertise.
001709 (2009) Robert Kang [États-Unis] ; Grace Liu Nimmons ; Ward Drennan ; Jeff Longnion ; Chad Ruffin ; Kaibao Nie ; Jong Ho Won ; Tina Worman ; Bevan Yueh ; Jay RubinsteinDevelopment and validation of the University of Washington Clinical Assessment of Music Perception test.
001727 (2009) Diana Deutsch [États-Unis] ; Kevin Dooley ; Trevor Henthorn ; Brian HeadAbsolute pitch among students in an American music conservatory: association with tone language fluency.
001766 (2008) Gabriella Musacchia [États-Unis] ; Dana Strait ; Nina KrausRelationships between behavior, brainstem and cortical encoding of seen and heard speech in musicians and non-musicians.
001806 (2008) Molly L. Erickson [États-Unis]Dissimilarity and the classification of male singing voices.
001810 (2008) Sandra E. Trehub [Canada] ; E. Glenn Schellenberg ; Takayuki NakataCross-cultural perspectives on pitch memory.
001819 (2008) Peter E. Keller [Allemagne] ; Iring KochAction planning in sequential skills: relations to music performance.
001837 (2007) Annemarie Seither-Preisler [Allemagne] ; Linda Johnson ; Katrin Krumbholz ; Andrea Nobbe ; Roy Patterson ; Stefan Seither ; Bernd LütkenhönerTone sequences with conflicting fundamental pitch and timbre changes are heard differently by musicians and nonmusicians.

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