Pitch Discrimination < Pitch Perception < Planning Techniques

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List of bibliographic references

Number of relevant bibliographic references: 60.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000523 (2019)	Marina Kliuchko [Danemark, Finlande] ; Elvira Brattico [Danemark] ; Benjamin P. Gold [Canada] ; Mari Tervaniemi [Finlande] ; Brigitte Bogert [Finlande] ; Petri Toiviainen [Finlande] ; Peter Vuust [Danemark]	Fractionating auditory priors: A neural dissociation between active and passive experience of musical sounds.
000671 (2018)	Stephen C. Van Hedger [États-Unis] ; Howard C. Nusbaum [États-Unis]	Individual differences in absolute pitch performance: Contributions of working memory, musical expertise, and tonal language background.
000714 (2020)	Sara D'Amario [Royaume-Uni] ; David M. Howard [Royaume-Uni] ; Helena Daffern [Royaume-Uni] ; Nicola Pennill [Royaume-Uni]	A Longitudinal Study of Intonation in an a cappella Singing Quintet.
000728 (2018)	Yue Ding [République populaire de Chine] ; Kathleen Gray [États-Unis] ; Alexander Forrence [États-Unis] ; Xiaoqin Wang [République populaire de Chine, États-Unis] ; Juan Huang [États-Unis]	A behavioral study on tonal working memory in musicians and non-musicians.
000781 (2018)	Eline Adrianne Smit [Australie, Pays-Bas] ; Makiko Sadakata [Pays-Bas]	The effect of handedness on spatial and motor representation of pitch patterns in pianists.
000792 (2018)	Kelly L. Whiteford [États-Unis] ; Andrew J. Oxenham [États-Unis]	Learning for pitch and melody discrimination in congenital amusia.
000902 (2017)	Mickael L D. Deroche [Canada] ; Charles J. Limb [États-Unis] ; Monita Chatterjee [États-Unis] ; Vincent L. Gracco [États-Unis]	Similar abilities of musicians and non-musicians to segregate voices by fundamental frequency.
000918 (2017)	Bastien Intartaglia [France] ; Travis White-Schwoch [États-Unis] ; Nina Kraus [États-Unis] ; Daniele Schön [France]	Music training enhances the automatic neural processing of foreign speech sounds.
000A24 (2018)	Mathias S. Oechslin [Suisse] ; Markus Gschwind [Suisse] ; Clara E. James [Suisse]	Tracking Training-Related Plasticity by Combining fMRI and DTI: The Right Hemisphere Ventral Stream Mediates Musical Syntax Processing.
000A46 (2016)	Jonathan M P. Wilbiks [Canada] ; Dominique T. Vuvan [États-Unis, Canada] ; Pier-Yves Girard [Canada] ; Isabelle Peretz [Canada] ; Frank A. Russo [Canada]	Effects of vocal training in a musicophile with congenital amusia.
000B49 (2016)	Mary Kim Ngo ; Kim-Phuong L. Vu ; Thomas Z. Strybel	Effects of Music and Tonal Language Experience on Relative Pitch Performance.
000D24 (2015)	Pauline Larrouy-Maestri [Belgique] ; David Magis [Belgique] ; Matthias Grabenhorst [Allemagne] ; Dominique Morsomme [Belgique]	Layman versus Professional Musician: Who Makes the Better Judge?
000E07 (2016)	Tracy Bourne [Australie] ; Dianna Kenny [Australie]	Vocal Qualities in Music Theater Voice: Perceptions of Expert Pedagogues.
000F56 (2014)	María Herrojo Ruiz [Allemagne] ; Marco Rusconi [Allemagne] ; Christof Brücke [Allemagne] ; John-Dylan Haynes [Allemagne] ; Thomas Schönecker [Allemagne] ; Andrea A. Kühn [Allemagne]	Encoding of sequence boundaries in the subthalamic nucleus of patients with Parkinson's disease.
000F71 (2014)	Michael J. Hove [États-Unis] ; Céline Marie [Canada] ; Ian C. Bruce [Canada] ; Laurel J. Trainor [Canada]	Superior time perception for lower musical pitch explains why bass-ranged instruments lay down musical rhythms.
001070 (2013)	Jessica Phillips-Silver [Canada] ; Petri Toiviainen ; Nathalie Gosselin ; Isabelle Peretz	Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.
001143 (2013)	David M. Howard [Royaume-Uni] ; Helena Daffern ; Jude Brereton	Four-part choral synthesis system for investigating intonation in a cappella choral singing.
001171 (2013)	François Rigaud [France] ; Bertrand David ; Laurent Daudet	A parametric model and estimation techniques for the inharmonicity and tuning of the piano.
001252 (2012)	Jon B. Prince [Australie] ; Peter Q. Pfordresher	The role of pitch and temporal diversity in the perception and production of musical sequences.
001273 (2012)	Kate Gfeller [États-Unis] ; Dingfeng Jiang ; Jacob J. Oleson ; Virginia Driscoll ; Carol Olszewski ; John F. Knutson ; Christopher Turner ; Bruce Gantz	The effects of musical and linguistic components in recognition of real-world musical excerpts by cochlear implant recipients and normal-hearing adults.
001314 (2012)	Peter Vuust [Danemark] ; Elvira Brattico ; Miia Sepp Nen ; Risto N T Nen ; Mari Tervaniemi	The sound of music: differentiating musicians using a fast, musical multi-feature mismatch negativity paradigm.

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