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List of bibliographic references

Number of relevant bibliographic references: 13.
Ident.Authors (with country if any)Title
001A21 (2005) Melody S. Berens ; Richard E. PastoreContextual relative temporal duration judgment: an investigation of sequence interruptions.
001B11 (2003) Simone Dalla Bella ; Isabelle Peretz ; Neil AronoffTime course of melody recognition: a gating paradigm study.
001D47 (1997) A J Waters ; G. Underwood ; J M FindlayStudying expertise in music reading: use of a pattern-matching paradigm.
001D69 (1996) B E Acker ; R E PastorePerceptual integrality of major chord components.
001D95 (1995) R. Parncutt ; A J CohenIdentification of microtonal melodies: effects of scale-step size, serial order, and training.
001E18 (1994) F. LoosenTuning of diatonic scales by violinists, pianists, and nonmusicians.
001E54 (1993) C. DrakeReproduction of musical rhythms by children, adult musicians, and adult nonmusicians.
001F11 (1988) K. MiyazakiMusical pitch identification by absolute pitch possessors.
001F15 (1988) D. DeutschPriming effects and the Deutsch scale illusion: comments on "The effects of familiarity and previous training on perception of an ambiguous musical figure," by Davidson, Power, and Michie.
001F21 (1987) J. Elliot ; J R Platt ; R J RacineAdjustment of successive and simultaneous intervals by musically experienced and inexperienced subjects.
001F47 (1982) A D Musicant ; R A ButlerMonaural localization following exposure to different segments of acoustic space.
001F57 (1980) A D Musicant ; R A ButlerMonaural localization: an analysis of practice effects.
001F68 (1978) W J DowlingDichotic recognition of musical canons: effects of leading ear and time lag between ears.

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