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Index « ISSN » - entrée « 0001-4966 »
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0001-4575 < 0001-4966 < 0001-5172  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 17.
Ident.Authors (with country if any)Title
001877 (2007) Christoph Buksnowitz ; Alfred Teischinger ; Ulrich Müller ; Andreas Pahler ; Robert EvansResonance wood [Picea abies (L.) Karst.]--evaluation and prediction of violin makers' quality-grading.
001A03 (2005) Robert A. Lutfi ; Eunmi Oh ; Eileen Storm ; Joshua M. AlexanderClassification and identification of recorded and synthesized impact sounds by practiced listeners, musicians, and nonmusicians.
001A93 (2004) Brian CapletonFalse beats in coupled piano string unisons.
001B13 (2003) Joe DickeyThe structural dynamics of the American five-string banjo.
001C06 (2001) N. Nishihara ; T. Hidaka ; L L BeranekMechanism of sound absorption by seated audience in halls.
001C72 (2000) A. SevgenA principle of least complexity for musical scales.
001C80 (1999) J G Svec ; H K Schutte ; D G MillerOn pitch jumps between chest and falsetto registers in voice: data from living and excised human larynges.
001C89 (1999) R A Van Buuren ; J M Festen ; T. HoutgastCompression and expansion of the temporal envelope: evaluation of speech intelligibility and sound quality.
001D89 (1995) B H ReppExpressive timing in Schumann's "Träumerei:" an analysis of performances by graduate student pianists.
001E79 (1991) J D Royster ; L H Royster ; M C KillionSound exposures and hearing thresholds of symphony orchestra musicians.
001E80 (1991) C. Semal ; L. DemanyDissociation of pitch from timbre in auditory short-term memory.
001E85 (1990) J. Hillenbrand ; G J Canter ; B L SmithPerception of intraphonemic differences by phoneticians, musicians, and inexperienced listeners.
001F42 (1983) R A RaschDescription of regular twelve-tone musical tunings.
001F48 (1982) G R LockheadPractically perfect performance.
001F66 (1978) P L Divenyi ; I J HirshSome figural properties of auditory patterns.
001F70 (1978) E M Burns ; W D WardCategorical perception--phenomenon or epiphenomenon: evidence from experiments in the perception of melodic musical intervals.
001F91 (1968) L L CuddyPractice effects in the absolute judgment of pitch.

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