Effects of vocal training in a musicophile with congenital amusia.
Identifieur interne : 000A46 ( Main/Corpus ); précédent : 000A45; suivant : 000A47Effects of vocal training in a musicophile with congenital amusia.
Auteurs : Jonathan M P. Wilbiks ; Dominique T. Vuvan ; Pier-Yves Girard ; Isabelle Peretz ; Frank A. RussoSource :
- Neurocase [ 1465-3656 ] ; 2016.
English descriptors
- KwdEn :
- Acoustic Stimulation (MeSH), Analysis of Variance (MeSH), Anisotropy (MeSH), Auditory Perceptual Disorders (physiopathology), Diffusion Magnetic Resonance Imaging (MeSH), Functional Laterality (MeSH), Humans (MeSH), Male (MeSH), Middle Aged (MeSH), Music (MeSH), Pitch Perception (physiology), Teaching (MeSH), Voice (MeSH).
- MESH :
- physiology : Pitch Perception.
- physiopathology : Auditory Perceptual Disorders.
- Acoustic Stimulation, Analysis of Variance, Anisotropy, Diffusion Magnetic Resonance Imaging, Functional Laterality, Humans, Male, Middle Aged, Music, Teaching, Voice.
Abstract
Congenital amusia is a condition in which an individual suffers from a deficit of musical pitch perception and production. Individuals suffering from congenital amusia generally tend to abstain from musical activities. Here, we present the unique case of Tim Falconer, a self-described musicophile who also suffers from congenital amusia. We describe and assess Tim's attempts to train himself out of amusia through a self-imposed 18-month program of formal vocal training and practice. We tested Tim with respect to music perception and vocal production across seven sessions including pre- and post-training assessments. We also obtained diffusion-weighted images of his brain to assess connectivity between auditory and motor planning areas via the arcuate fasciculus (AF). Tim's behavioral and brain data were compared to that of normal and amusic controls. While Tim showed temporary gains in his singing ability, he did not reach normal levels, and these gains faded when he was not engaged in regular lessons and practice. Tim did show some sustained gains with respect to the perception of musical rhythm and meter. We propose that Tim's lack of improvement in pitch perception and production tasks is due to long-standing and likely irreversible reduction in connectivity along the AF fiber tract.
DOI: 10.1080/13554794.2016.1263339
PubMed: 28001646
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Vuvan</name><affiliation><nlm:affiliation>c Department of Psychology , Skidmore College , Saratoga Springs , NY , USA.</nlm:affiliation></affiliation><affiliation><nlm:affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</nlm:affiliation></affiliation></author><author><name sortKey="Girard, Pier Yves" sort="Girard, Pier Yves" uniqKey="Girard P" first="Pier-Yves" last="Girard">Pier-Yves Girard</name><affiliation><nlm:affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</nlm:affiliation></affiliation><affiliation><nlm:affiliation>e Département de psychologie , Université de Montréal , Montreal , Canada.</nlm:affiliation></affiliation></author><author><name sortKey="Peretz, Isabelle" sort="Peretz, Isabelle" uniqKey="Peretz I" first="Isabelle" last="Peretz">Isabelle Peretz</name><affiliation><nlm:affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</nlm:affiliation></affiliation><affiliation><nlm:affiliation>e Département de psychologie , Université de Montréal , Montreal , Canada.</nlm:affiliation></affiliation></author><author><name sortKey="Russo, Frank A" sort="Russo, Frank A" uniqKey="Russo F" first="Frank A" last="Russo">Frank A. 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Wilbiks</name><affiliation><nlm:affiliation>a Department of Psychology , Ryerson University , Toronto , Canada.</nlm:affiliation></affiliation><affiliation><nlm:affiliation>b Department of Psychology , Mount Allison University , Sackville , Canada.</nlm:affiliation></affiliation></author><author><name sortKey="Vuvan, Dominique T" sort="Vuvan, Dominique T" uniqKey="Vuvan D" first="Dominique T" last="Vuvan">Dominique T. Vuvan</name><affiliation><nlm:affiliation>c Department of Psychology , Skidmore College , Saratoga Springs , NY , USA.</nlm:affiliation></affiliation><affiliation><nlm:affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</nlm:affiliation></affiliation></author><author><name sortKey="Girard, Pier Yves" sort="Girard, Pier Yves" uniqKey="Girard P" first="Pier-Yves" last="Girard">Pier-Yves Girard</name><affiliation><nlm:affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</nlm:affiliation></affiliation><affiliation><nlm:affiliation>e Département de psychologie , Université de Montréal , Montreal , Canada.</nlm:affiliation></affiliation></author><author><name sortKey="Peretz, Isabelle" sort="Peretz, Isabelle" uniqKey="Peretz I" first="Isabelle" last="Peretz">Isabelle Peretz</name><affiliation><nlm:affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</nlm:affiliation></affiliation><affiliation><nlm:affiliation>e Département de psychologie , Université de Montréal , Montreal , Canada.</nlm:affiliation></affiliation></author><author><name sortKey="Russo, Frank A" sort="Russo, Frank A" uniqKey="Russo F" first="Frank A" last="Russo">Frank A. Russo</name><affiliation><nlm:affiliation>a Department of Psychology , Ryerson University , Toronto , Canada.</nlm:affiliation></affiliation></author></analytic><series><title level="j">Neurocase</title><idno type="eISSN">1465-3656</idno><imprint><date when="2016" type="published">2016</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Acoustic Stimulation (MeSH)</term><term>Analysis of Variance (MeSH)</term><term>Anisotropy (MeSH)</term><term>Auditory Perceptual Disorders (physiopathology)</term><term>Diffusion Magnetic Resonance Imaging (MeSH)</term><term>Functional Laterality (MeSH)</term><term>Humans (MeSH)</term><term>Male (MeSH)</term><term>Middle Aged (MeSH)</term><term>Music (MeSH)</term><term>Pitch Perception (physiology)</term><term>Teaching (MeSH)</term><term>Voice (MeSH)</term></keywords><keywords scheme="MESH" qualifier="physiology" xml:lang="en"><term>Pitch Perception</term></keywords><keywords scheme="MESH" qualifier="physiopathology" xml:lang="en"><term>Auditory Perceptual Disorders</term></keywords><keywords scheme="MESH" xml:lang="en"><term>Acoustic Stimulation</term><term>Analysis of Variance</term><term>Anisotropy</term><term>Diffusion Magnetic Resonance Imaging</term><term>Functional Laterality</term><term>Humans</term><term>Male</term><term>Middle Aged</term><term>Music</term><term>Teaching</term><term>Voice</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Congenital amusia is a condition in which an individual suffers from a deficit of musical pitch perception and production. Individuals suffering from congenital amusia generally tend to abstain from musical activities. Here, we present the unique case of Tim Falconer, a self-described musicophile who also suffers from congenital amusia. We describe and assess Tim's attempts to train himself out of amusia through a self-imposed 18-month program of formal vocal training and practice. We tested Tim with respect to music perception and vocal production across seven sessions including pre- and post-training assessments. We also obtained diffusion-weighted images of his brain to assess connectivity between auditory and motor planning areas via the arcuate fasciculus (AF). Tim's behavioral and brain data were compared to that of normal and amusic controls. While Tim showed temporary gains in his singing ability, he did not reach normal levels, and these gains faded when he was not engaged in regular lessons and practice. Tim did show some sustained gains with respect to the perception of musical rhythm and meter. We propose that Tim's lack of improvement in pitch perception and production tasks is due to long-standing and likely irreversible reduction in connectivity along the AF fiber tract.</div></front></TEI><pubmed><MedlineCitation Status="MEDLINE" Owner="NLM"><PMID Version="1">28001646</PMID><DateCompleted><Year>2018</Year><Month>02</Month><Day>07</Day></DateCompleted><DateRevised><Year>2018</Year><Month>03</Month><Day>19</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Electronic">1465-3656</ISSN><JournalIssue CitedMedium="Internet"><Volume>22</Volume><Issue>6</Issue><PubDate><Year>2016</Year><Month>12</Month></PubDate></JournalIssue><Title>Neurocase</Title><ISOAbbreviation>Neurocase</ISOAbbreviation></Journal><ArticleTitle>Effects of vocal training in a musicophile with congenital amusia.</ArticleTitle><Pagination><MedlinePgn>526-537</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.1080/13554794.2016.1263339</ELocationID><Abstract><AbstractText>Congenital amusia is a condition in which an individual suffers from a deficit of musical pitch perception and production. Individuals suffering from congenital amusia generally tend to abstain from musical activities. Here, we present the unique case of Tim Falconer, a self-described musicophile who also suffers from congenital amusia. We describe and assess Tim's attempts to train himself out of amusia through a self-imposed 18-month program of formal vocal training and practice. We tested Tim with respect to music perception and vocal production across seven sessions including pre- and post-training assessments. We also obtained diffusion-weighted images of his brain to assess connectivity between auditory and motor planning areas via the arcuate fasciculus (AF). Tim's behavioral and brain data were compared to that of normal and amusic controls. While Tim showed temporary gains in his singing ability, he did not reach normal levels, and these gains faded when he was not engaged in regular lessons and practice. Tim did show some sustained gains with respect to the perception of musical rhythm and meter. We propose that Tim's lack of improvement in pitch perception and production tasks is due to long-standing and likely irreversible reduction in connectivity along the AF fiber tract.</AbstractText></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Wilbiks</LastName><ForeName>Jonathan M P</ForeName><Initials>JM</Initials><AffiliationInfo><Affiliation>a Department of Psychology , Ryerson University , Toronto , Canada.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>b Department of Psychology , Mount Allison University , Sackville , Canada.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Vuvan</LastName><ForeName>Dominique T</ForeName><Initials>DT</Initials><AffiliationInfo><Affiliation>c Department of Psychology , Skidmore College , Saratoga Springs , NY , USA.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Girard</LastName><ForeName>Pier-Yves</ForeName><Initials>PY</Initials><AffiliationInfo><Affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>e Département de psychologie , Université de Montréal , Montreal , Canada.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Peretz</LastName><ForeName>Isabelle</ForeName><Initials>I</Initials><AffiliationInfo><Affiliation>d International Laboratory for Brain, Music and Sound Research (BRAMS) , Montreal , Canada.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>e Département de psychologie , Université de Montréal , Montreal , Canada.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Russo</LastName><ForeName>Frank A</ForeName><Initials>FA</Initials><AffiliationInfo><Affiliation>a Department of Psychology , Ryerson University , Toronto , Canada.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><GrantList CompleteYN="Y"><Grant><Agency>CIHR</Agency><Country>Canada</Country></Grant></GrantList><PublicationTypeList><PublicationType UI="D002363">Case Reports</PublicationType><PublicationType UI="D016428">Journal Article</PublicationType><PublicationType UI="D013485">Research Support, Non-U.S. Gov't</PublicationType></PublicationTypeList></Article><MedlineJournalInfo><Country>England</Country><MedlineTA>Neurocase</MedlineTA><NlmUniqueID>9511374</NlmUniqueID><ISSNLinking>1355-4794</ISSNLinking></MedlineJournalInfo><SupplMeshList><SupplMeshName Type="Disease" UI="C566019">Tune Deafness</SupplMeshName></SupplMeshList><CitationSubset>IM</CitationSubset><MeshHeadingList><MeshHeading><DescriptorName UI="D000161" MajorTopicYN="N">Acoustic Stimulation</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D000704" MajorTopicYN="N">Analysis of Variance</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D016880" MajorTopicYN="N">Anisotropy</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D001308" MajorTopicYN="N">Auditory Perceptual Disorders</DescriptorName><QualifierName UI="Q000503" MajorTopicYN="Y">physiopathology</QualifierName></MeshHeading><MeshHeading><DescriptorName UI="D038524" MajorTopicYN="N">Diffusion Magnetic Resonance Imaging</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D007839" MajorTopicYN="N">Functional Laterality</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D008297" MajorTopicYN="N">Male</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D008875" MajorTopicYN="N">Middle Aged</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009146" MajorTopicYN="Y">Music</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D010898" 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