Serveur d'exploration sur le chant choral et la santé

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Blindness and visual impairment in opera.

Identifieur interne : 000079 ( Main/Exploration ); précédent : 000078; suivant : 000080

Blindness and visual impairment in opera.

Auteurs : Pinar Aydin ; Robert Ritch ; John O'Dwyer

Source :

RBID : pubmed:29148028

Descripteurs français

English descriptors

Abstract

PURPOSE

The performing arts mirror the human condition. This study sought to analyze the reasons for inclusion of visually impaired characters in opera, the cause of the blindness or near blindness, and the dramatic purpose of the blindness in the storyline.

METHODS

We reviewed operas from the 18

RESULTS

Cases of blindness in 55 characters (2 as a choir) from 38 operas were detected over 3 centuries of repertoire: 11 had trauma-related visual impairment, 5 had congenital blindness, 18 had visual impairment of unknown cause, 9 had psychogenic or malingering blindness, and 12 were symbolic or miracle-related. One opera featured an ophthalmologist curing a patient.

CONCLUSIONS

The research illustrates that visual impairment was frequently used as an artistic device to enhance the intent and situate an opera in its time.


DOI: 10.5301/ejo.5001071
PubMed: 29148028


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

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<name sortKey="Aydin, Pinar" sort="Aydin, Pinar" uniqKey="Aydin P" first="Pinar" last="Aydin">Pinar Aydin</name>
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<nlm:affiliation>1 Eye and Neuro-Ophthalmology Clinic, Ankara - Turkey.</nlm:affiliation>
<wicri:noCountry code="subField">Ankara - Turkey</wicri:noCountry>
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<name sortKey="Ritch, Robert" sort="Ritch, Robert" uniqKey="Ritch R" first="Robert" last="Ritch">Robert Ritch</name>
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<nlm:affiliation>2 Einhorn Clinical Research Center, New York Eye and Ear Infirmary of Mount Sinai, New York, NY - USA.</nlm:affiliation>
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<name sortKey="O Dwyer, John" sort="O Dwyer, John" uniqKey="O Dwyer J" first="John" last="O'Dwyer">John O'Dwyer</name>
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<nlm:affiliation>3 Graduate School of Education, Bilkent University, Ankara - Turkey.</nlm:affiliation>
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<term>Adaptation, Psychological (MeSH)</term>
<term>Art (MeSH)</term>
<term>Blindness (psychology)</term>
<term>Blindness (rehabilitation)</term>
<term>Humans (MeSH)</term>
<term>Vision, Low (psychology)</term>
<term>Vision, Low (rehabilitation)</term>
<term>Visually Impaired Persons (rehabilitation)</term>
</keywords>
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<term>Adaptation psychologique (MeSH)</term>
<term>Art (MeSH)</term>
<term>Cécité (psychologie)</term>
<term>Cécité (rééducation et réadaptation)</term>
<term>Humains (MeSH)</term>
<term>Personnes malvoyantes (rééducation et réadaptation)</term>
<term>Vision faible (psychologie)</term>
<term>Vision faible (rééducation et réadaptation)</term>
</keywords>
<keywords scheme="MESH" qualifier="psychologie" xml:lang="fr">
<term>Cécité</term>
<term>Vision faible</term>
</keywords>
<keywords scheme="MESH" qualifier="psychology" xml:lang="en">
<term>Blindness</term>
<term>Vision, Low</term>
</keywords>
<keywords scheme="MESH" qualifier="rehabilitation" xml:lang="en">
<term>Blindness</term>
<term>Vision, Low</term>
<term>Visually Impaired Persons</term>
</keywords>
<keywords scheme="MESH" qualifier="rééducation et réadaptation" xml:lang="fr">
<term>Cécité</term>
<term>Personnes malvoyantes</term>
<term>Vision faible</term>
</keywords>
<keywords scheme="MESH" xml:lang="en">
<term>Adaptation, Psychological</term>
<term>Art</term>
<term>Humans</term>
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<p>
<b>PURPOSE</b>
</p>
<p>The performing arts mirror the human condition. This study sought to analyze the reasons for inclusion of visually impaired characters in opera, the cause of the blindness or near blindness, and the dramatic purpose of the blindness in the storyline.</p>
</div>
<div type="abstract" xml:lang="en">
<p>
<b>METHODS</b>
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<p>We reviewed operas from the 18</p>
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<div type="abstract" xml:lang="en">
<p>
<b>RESULTS</b>
</p>
<p>Cases of blindness in 55 characters (2 as a choir) from 38 operas were detected over 3 centuries of repertoire: 11 had trauma-related visual impairment, 5 had congenital blindness, 18 had visual impairment of unknown cause, 9 had psychogenic or malingering blindness, and 12 were symbolic or miracle-related. One opera featured an ophthalmologist curing a patient.</p>
</div>
<div type="abstract" xml:lang="en">
<p>
<b>CONCLUSIONS</b>
</p>
<p>The research illustrates that visual impairment was frequently used as an artistic device to enhance the intent and situate an opera in its time.</p>
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