Perceptual evaluations of voice scatter in unison choir sounds.
Identifieur interne : 000308 ( Main/Corpus ); précédent : 000307; suivant : 000309Perceptual evaluations of voice scatter in unison choir sounds.
Auteurs : S. TernströmSource :
- Journal of voice : official journal of the Voice Foundation [ 0892-1997 ] ; 1993.
English descriptors
- KwdEn :
- MESH :
- anatomy & histology : Larynx.
- physiology : Larynx, Phonation, Voice.
- Female, Humans, Male, Phonetics, Speech Acoustics, Voice Quality, Voice Training.
Abstract
The preferences of experiences listerners for pitch and formant frequency dispersion in unison choir sounds were explored using synthesized stimuli. Two types of dispersion were investigated: (a) pitch scatter, which arises when voices in an ensemble exhibit small differences in mean fundamental frequency, and (b) spectral smear, defined as such dispersion of formants 3 to 5 as arises from differences in vocal tract length. Each stimulus represented a choir section of five bass, tenor, alto, or soprano voices, producing the vowel [u], [a], or [ae]. Subjects chose one dispersion level out of six available, selecting the "maximum tolerable" in a first run and the "preferred" in a second run. The listeners were very different in their tolerance for dispersion. Typical scatter choices were 14 cent standard deviation for "tolerable" and 0 or 5 cent for "preferred." The smear choices were less consistent; the standard deviations were 12 and 7%, respectively. In all modes of assessment, the largest dispersion was chosen for the vowel [u] on a bass tone. There was a vowel effect on the smear choices. The effects of voice category were not significant.
DOI: 10.1016/s0892-1997(05)80342-x
PubMed: 8353626
Links to Exploration step
pubmed:8353626Le document en format XML
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<author><name sortKey="Ternstrom, S" sort="Ternstrom, S" uniqKey="Ternstrom S" first="S" last="Ternström">S. Ternström</name>
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<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Female (MeSH)</term>
<term>Humans (MeSH)</term>
<term>Larynx (anatomy & histology)</term>
<term>Larynx (physiology)</term>
<term>Male (MeSH)</term>
<term>Phonation (physiology)</term>
<term>Phonetics (MeSH)</term>
<term>Speech Acoustics (MeSH)</term>
<term>Voice (physiology)</term>
<term>Voice Quality (MeSH)</term>
<term>Voice Training (MeSH)</term>
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<keywords scheme="MESH" qualifier="anatomy & histology" xml:lang="en"><term>Larynx</term>
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<keywords scheme="MESH" qualifier="physiology" xml:lang="en"><term>Larynx</term>
<term>Phonation</term>
<term>Voice</term>
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<keywords scheme="MESH" xml:lang="en"><term>Female</term>
<term>Humans</term>
<term>Male</term>
<term>Phonetics</term>
<term>Speech Acoustics</term>
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<front><div type="abstract" xml:lang="en">The preferences of experiences listerners for pitch and formant frequency dispersion in unison choir sounds were explored using synthesized stimuli. Two types of dispersion were investigated: (a) pitch scatter, which arises when voices in an ensemble exhibit small differences in mean fundamental frequency, and (b) spectral smear, defined as such dispersion of formants 3 to 5 as arises from differences in vocal tract length. Each stimulus represented a choir section of five bass, tenor, alto, or soprano voices, producing the vowel [u], [a], or [ae]. Subjects chose one dispersion level out of six available, selecting the "maximum tolerable" in a first run and the "preferred" in a second run. The listeners were very different in their tolerance for dispersion. Typical scatter choices were 14 cent standard deviation for "tolerable" and 0 or 5 cent for "preferred." The smear choices were less consistent; the standard deviations were 12 and 7%, respectively. In all modes of assessment, the largest dispersion was chosen for the vowel [u] on a bass tone. There was a vowel effect on the smear choices. The effects of voice category were not significant.</div>
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<Title>Journal of voice : official journal of the Voice Foundation</Title>
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<Abstract><AbstractText>The preferences of experiences listerners for pitch and formant frequency dispersion in unison choir sounds were explored using synthesized stimuli. Two types of dispersion were investigated: (a) pitch scatter, which arises when voices in an ensemble exhibit small differences in mean fundamental frequency, and (b) spectral smear, defined as such dispersion of formants 3 to 5 as arises from differences in vocal tract length. Each stimulus represented a choir section of five bass, tenor, alto, or soprano voices, producing the vowel [u], [a], or [ae]. Subjects chose one dispersion level out of six available, selecting the "maximum tolerable" in a first run and the "preferred" in a second run. The listeners were very different in their tolerance for dispersion. Typical scatter choices were 14 cent standard deviation for "tolerable" and 0 or 5 cent for "preferred." The smear choices were less consistent; the standard deviations were 12 and 7%, respectively. In all modes of assessment, the largest dispersion was chosen for the vowel [u] on a bass tone. There was a vowel effect on the smear choices. The effects of voice category were not significant.</AbstractText>
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