Finding the Necessary Distance: Theorizing Ethnographic Research-Based Theater
Identifieur interne :
000880 ( PascalFrancis/Corpus );
précédent :
000879;
suivant :
000881
Finding the Necessary Distance: Theorizing Ethnographic Research-Based Theater
Auteurs : Kate Rossiter ;
Rebecca GodderisSource :
-
Journal of contemporary ethnography [ 0891-2416 ] ; 2011.
RBID : Francis:12-0207415
Descripteurs français
English descriptors
Abstract
Over the past two decades, methodological approaches that operate at the intersection of theater and ethnography have gained both popularity and critical attention. However, given the newness of these endeavors, certain methodological and theoretical elements of such approaches remain unexplored. This is particularly the case in fields such as health research, where people often use theater as a tool of knowledge translation. This article aims to broaden and enrich the growing canon of work in this area in two directions. First, it provides an empirical example of a theatrical script that emerged from a health research project informed both by ethnographic and creative, performance-based practices. In this project the authors used fictionalized accounts of history to help audiences engage with contemporary cultural/ethical issues regarding pandemic planning and response. Second, the authors theorize that this project can be usefully understood as having incorporated a hermeneutic approach to inquiry, and we introduce the notion of mimetic distance as a means of making sense of this project's success. This article asserts that these theoretical contentions provide further interpretive and creative scope for ethnographic research-based theater and, thus, can usefully expand this growing field.
Notice en format standard (ISO 2709)
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Format Inist (serveur)
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FT : | (Découverte de la distance nécessaire : théoriser la recherche ethnographique en se basant sur le théâtre) |
ET : | Finding the Necessary Distance: Theorizing Ethnographic Research-Based Theater |
AU : | ROSSITER (Kate); GODDERIS (Rebecca); SANDERS (Carrie); PUDDEPHATT (Antony) |
AF : | Wilfrid Laurier University, Brantford Campus/Etats-Unis (1 aut., 2 aut.); Wilfrid Laurier University/Canada (1 aut.); Lakehead University/Canada (2 aut.) |
DT : | Publication en série; Congrès; Niveau analytique |
SO : | Journal of contemporary ethnography; ISSN 0891-2416; Etats-Unis; Da. 2011; Vol. 40; No. 6; Pp. 652-681; Bibl. 2 p.1/4 |
LA : | Anglais |
EA : | Over the past two decades, methodological approaches that operate at the intersection of theater and ethnography have gained both popularity and critical attention. However, given the newness of these endeavors, certain methodological and theoretical elements of such approaches remain unexplored. This is particularly the case in fields such as health research, where people often use theater as a tool of knowledge translation. This article aims to broaden and enrich the growing canon of work in this area in two directions. First, it provides an empirical example of a theatrical script that emerged from a health research project informed both by ethnographic and creative, performance-based practices. In this project the authors used fictionalized accounts of history to help audiences engage with contemporary cultural/ethical issues regarding pandemic planning and response. Second, the authors theorize that this project can be usefully understood as having incorporated a hermeneutic approach to inquiry, and we introduce the notion of mimetic distance as a means of making sense of this project's success. This article asserts that these theoretical contentions provide further interpretive and creative scope for ethnographic research-based theater and, thus, can usefully expand this growing field. |
CC : | 529103A; 529 |
FD : | Recherche; Théâtre; Herméneutique; Ethnographie; Santé; Méthodologie; Grippe |
ED : | Research; Theatre; Hermeneutics; Ethnography; Health; Methodology |
LO : | INIST-26881.354000508629790020 |
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Links to Exploration step
Francis:12-0207415
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