EdenteV2, Istex, Corpus, bibRecord, 001747

Chinese Media in Perspective and Analyzing Vectors of Media Reform

Identifieur interne : 001747 ( Istex/Corpus ); précédent : 001746; suivant : 001748

Chinese Media in Perspective and Analyzing Vectors of Media Reform

Auteurs : Jaibal Naduvath

Source :

Journal of Creative Communications [ 0973-2586 ] ; 2009-07.

RBID : ISTEX:2FF1DFAFCAF96536AB9F1C2F356B62341D26CA03

English descriptors

KwdEn :
- Advertising income, Alternate viewpoints, Asian survey, Audience realities, Bartholomew, Beijing olympics, Bhattacharji, Bottom line, California press, Chan, Chen shewo, China today, Chinese context, Chinese government, Chinese journalists, Chinese life, Chinese media, Chinese newspapers, Chinese reader, Civic activism, Concomitant changes, Contributory factors, Creative communications, Curran, December, Democratic societies, Dewesternizing media studies, Economic considerations, Editorial policies, Editorial policy, Edward arnold, Epoch times, Experiential prisms, Fellow passengers, First wave, Free press, Greater leeway, Harwit clark, Herman chomsky, Hughes wacker, Human rights, Ideological practice, Illinois press, Independent expression, Institutional order, Institutional space, Internal strife, Internet, Internet porn sites, Internet websites, Jaibal, Jaibal naduvath, January, Journalistic, Journalistic independence, Localized factors, Mainstream newspapers, Many ways, Mass appeal newspapers, Mass communication, Mass media, Mcchesney schiller, Media behaviour, Media commentators, Media freedom, Media influence, Media practice, Media practitioners, Media reform, Media reports, Medium, Monetary policy, Naduvath, News media, News production, News production environment, News selection, News websites, Newspaper business, Official corruption, Opinion editors, Opinion pieces, Polity press, Press freedom, Propaganda department, Propaganda model, Provincial levels, Public debate, Public opinion, Relative anonymity, Routledge, Rowman littlefield, Sage publications, Sensitive subjects, Shanghai, Social change, Social evils, Social issues, Stark contrast, Wacker, Wang yong, Website, Western media model, Western media models, Western press.
Teeft :
- Advertising income, Alternate viewpoints, Asian survey, Audience realities, Bartholomew, Beijing olympics, Bhattacharji, Bottom line, California press, Chan, Chen shewo, China today, Chinese context, Chinese government, Chinese journalists, Chinese life, Chinese media, Chinese newspapers, Chinese reader, Civic activism, Concomitant changes, Contributory factors, Creative communications, Curran, December, Democratic societies, Dewesternizing media studies, Economic considerations, Editorial policies, Editorial policy, Edward arnold, Epoch times, Experiential prisms, Fellow passengers, First wave, Free press, Greater leeway, Harwit clark, Herman chomsky, Hughes wacker, Human rights, Ideological practice, Illinois press, Independent expression, Institutional order, Institutional space, Internal strife, Internet, Internet porn sites, Internet websites, Jaibal, Jaibal naduvath, January, Journalistic, Journalistic independence, Localized factors, Mainstream newspapers, Many ways, Mass appeal newspapers, Mass communication, Mass media, Mcchesney schiller, Media behaviour, Media commentators, Media freedom, Media influence, Media practice, Media practitioners, Media reform, Media reports, Medium, Monetary policy, Naduvath, News media, News production, News production environment, News selection, News websites, Newspaper business, Official corruption, Opinion editors, Opinion pieces, Polity press, Press freedom, Propaganda department, Propaganda model, Provincial levels, Public debate, Public opinion, Relative anonymity, Routledge, Rowman littlefield, Sage publications, Sensitive subjects, Shanghai, Social change, Social evils, Social issues, Stark contrast, Wacker, Wang yong, Website, Western media model, Western media models, Western press.

Abstract

This article argues that media in China today enjoys greater leeway for independent expression than popularly perceived outside that country, and analyzes vectors responsible for this transformation. It discusses Western and Chinese media models and deconstructs the view that while the West provides for free press, media in China provides no room for independent, anti-hegemonic thought streams. It establishes that while both media are subject to similar pressures and identify with a near similar set of social and ethical responsibilities which shape their discourse, the manner in which the two construct discourses are different, and, this manifest difference, rooted in dissimilar cultural, historical and audience realities has resulted in misconceptions regarding Chinese media. To reinforce this argument, the article analyzes articles from the Shanghai Daily, and demonstrates how, much like its Western counterparts, it too represents different sides of the debate even on issues sensitive to the state such as democracy and Tibet, albeit in a uniquely Chinese way. The article examines vectors responsible for transformation of Chinese media in the post liberalization phase, especially the Internet, and the concomitant changes they have brought in media practice. The article emphasizes the need to culturally contextualize media analyses.

Url:

https://api.istex.fr/document/2FF1DFAFCAF96536AB9F1C2F356B62341D26CA03/fulltext/pdf

DOI: 10.1177/097325861000400203

Links to Exploration step

ISTEX:2FF1DFAFCAF96536AB9F1C2F356B62341D26CA03

Le document en format XML

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<abstract>This article argues that media in China today enjoys greater leeway for independent expression than popularly perceived outside that country, and analyzes vectors responsible for this transformation. It discusses Western and Chinese media models and deconstructs the view that while the West provides for free press, media in China provides no room for independent, anti-hegemonic thought streams. It establishes that while both media are subject to similar pressures and identify with a near similar set of social and ethical responsibilities which shape their discourse, the manner in which the two construct discourses are different, and, this manifest difference, rooted in dissimilar cultural, historical and audience realities has resulted in misconceptions regarding Chinese media. To reinforce this argument, the article analyzes articles from the Shanghai Daily, and demonstrates how, much like its Western counterparts, it too represents different sides of the debate even on issues sensitive to the state such as democracy and Tibet, albeit in a uniquely Chinese way. The article examines vectors responsible for transformation of Chinese media in the post liberalization phase, especially the Internet, and the concomitant changes they have brought in media practice. The article emphasizes the need to culturally contextualize media analyses.</abstract>
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         <contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Naduvath</surname>
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<aff>Jaibal Naduvath is a Mumbai-based Corporate Affairs professional. His area of interest is media practice and policy, especially how cultural embeddings manifest themselves in media narratives. E-Mail: <email xlink:type="simple">njaibal@gmail.com</email>
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            <p>This article argues that media in China today enjoys greater leeway for independent expression than popularly perceived outside that country, and analyzes vectors responsible for this transformation. It discusses Western and Chinese media models and deconstructs the view that while the West provides for free press, media in China provides no room for independent, anti-hegemonic thought streams. It establishes that while both media are subject to similar pressures and identify with a near similar set of social and ethical responsibilities which shape their discourse, the manner in which the two construct discourses are different, and, this manifest difference, rooted in dissimilar cultural, historical and audience realities has resulted in misconceptions regarding Chinese media. To reinforce this argument, the article analyzes articles from the <italic>Shanghai Daily</italic>
, and demonstrates how, much like its Western counterparts, it too represents different sides of the debate even on issues sensitive to the state such as democracy and Tibet, albeit in a uniquely Chinese way. The article examines vectors responsible for transformation of Chinese media in the post liberalization phase, especially the Internet, and the concomitant changes they have brought in media practice. The article emphasizes the need to culturally contextualize media analyses.</p> 
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<name type="personal"><namePart type="given">Jaibal</namePart>
<namePart type="family">Naduvath</namePart>
<affiliation>Jaibal Naduvath is a Mumbai-based Corporate Affairs professional. His area of interest is media practice and policy, especially how cultural embeddings manifest themselves in media narratives. E-Mail:</affiliation>
<affiliation>E-mail: njaibal@gmail.com</affiliation>
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<dateIssued encoding="w3cdtf">2009-07</dateIssued>
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<abstract lang="en">This article argues that media in China today enjoys greater leeway for independent expression than popularly perceived outside that country, and analyzes vectors responsible for this transformation. It discusses Western and Chinese media models and deconstructs the view that while the West provides for free press, media in China provides no room for independent, anti-hegemonic thought streams. It establishes that while both media are subject to similar pressures and identify with a near similar set of social and ethical responsibilities which shape their discourse, the manner in which the two construct discourses are different, and, this manifest difference, rooted in dissimilar cultural, historical and audience realities has resulted in misconceptions regarding Chinese media. To reinforce this argument, the article analyzes articles from the Shanghai Daily, and demonstrates how, much like its Western counterparts, it too represents different sides of the debate even on issues sensitive to the state such as democracy and Tibet, albeit in a uniquely Chinese way. The article examines vectors responsible for transformation of Chinese media in the post liberalization phase, especially the Internet, and the concomitant changes they have brought in media practice. The article emphasizes the need to culturally contextualize media analyses.</abstract>
<subject><genre>keywords</genre>
<topic>China</topic>
<topic>press freedom</topic>
<topic>reform</topic>
<topic>discourse</topic>
<topic>Internet</topic>
</subject>
<relatedItem type="host"><titleInfo><title>Journal of Creative Communications</title>
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<identifier type="ISSN">0973-2586</identifier>
<identifier type="eISSN">0973-2594</identifier>
<identifier type="PublisherID">CRC</identifier>
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<part><date>2009</date>
<detail type="volume"><caption>vol.</caption>
<number>4</number>
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<detail type="issue"><caption>no.</caption>
<number>2</number>
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<extent unit="pages"><start>111</start>
<end>130</end>
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Chinese Media in Perspective and Analyzing Vectors of Media Reform

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