Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads
Identifieur interne : 000A30 ( Istex/Corpus ); précédent : 000A29; suivant : 000A31Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads
Auteurs : Alaina LemonSource :
- Journal of Linguistic Anthropology [ 1055-1360 ] ; 2008-09.
English descriptors
- KwdEn :
- Abbreviation, Accounting self, Alexandre dumont, Algebra, Anthropology, Business relations, Cambridge university press, Chronotope, Color revolutions, Cultural anthropology, Daphne berdahl, Duke university press, Eastern europe, Eldwork, Emotion memory, Ethnography, Exam, Exam performance, Faithful girlfriend, Genre, Gitis, Gitis instructors, Gitis teachers, Great deal, Head teacher, Hermeneutic, Hermeneutic algebra, Higher education, Human outbursts, Iron curtain, Jane hill, John thiels, Judith irvine, Kitchen wall, Lexical items, Linguistic anthropology, Lydia smirnova, Male student, Marie, Martha lampland, Masterstvo rezhissera, Matti bunzl, Memory shine, Michigan press, Moscow circles, Moscow time, Nasty habits, Notes december, Nuclear family, Other students, Palgrave macmillan, Postmillennial russia, Princeton university press, Private spheres, Public invitations, Recording january, Russian academy, Smirnova, Social contexts, Socialist period, Sovershenno sekretno, Soviet russia, Soviet state, Soviet times, Soviet union, Soviet writers, Stanislavskii, Street names, Student director, Theatrical arts, Trifunova, Unpublished manuscript, Ways people, Younger people, Zelenograd.
- Teeft :
- Abbreviation, Accounting self, Alexandre dumont, Algebra, Anthropology, Business relations, Cambridge university press, Chronotope, Color revolutions, Cultural anthropology, Daphne berdahl, Duke university press, Eastern europe, Eldwork, Emotion memory, Ethnography, Exam, Exam performance, Faithful girlfriend, Genre, Gitis, Gitis instructors, Gitis teachers, Great deal, Head teacher, Hermeneutic, Hermeneutic algebra, Higher education, Human outbursts, Iron curtain, Jane hill, John thiels, Judith irvine, Kitchen wall, Lexical items, Linguistic anthropology, Lydia smirnova, Male student, Marie, Martha lampland, Masterstvo rezhissera, Matti bunzl, Memory shine, Michigan press, Moscow circles, Moscow time, Nasty habits, Notes december, Nuclear family, Other students, Palgrave macmillan, Postmillennial russia, Princeton university press, Private spheres, Public invitations, Recording january, Russian academy, Smirnova, Social contexts, Socialist period, Sovershenno sekretno, Soviet russia, Soviet state, Soviet times, Soviet union, Soviet writers, Stanislavskii, Street names, Student director, Theatrical arts, Trifunova, Unpublished manuscript, Ways people, Younger people, Zelenograd.
Abstract
This article explores claims about how to understand others. It does so through ethnography of ways cultural producers and their apprentices struggled and colluded over what constitutes a true reading or empathic performance of another's words. The linguistic forms up for interpretation were those in Russian personal ads. Like many other forms in the region, personal ad texts are vulnerable to shallow readings as mere market imports, and so the article first unpacks Transition and Cold War ideologies in order then to discuss interactions that lay out alternate formulae for reading the ads. These latter hermeneutics are no less ideological—their makers also separate, condense, and combine “variables” to ratify the reality of categories (e.g., generation, nation, sentiment). Still, to examine how they do so does undermine Cold War paradigms and moreover suggests how people ground meta‐discourse about misunderstanding itself. The article draws from fieldwork at the Russian Academy for the Theatrical Arts in Moscow in 2002–3 and 2005, as well as from other field, archival, and media work in Russia since 1988. [hermeneutics, intertextuality, performance, sentiment, Russia]
Url:
DOI: 10.1111/j.1548-1395.2008.00021.x
Links to Exploration step
ISTEX:14C6B3559CB22A658A99124159BBBE988E2169DFLe document en format XML
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The article draws from fieldwork at the Russian Academy for the Theatrical Arts in Moscow in 2002–3 and 2005, as well as from other field, archival, and media work in Russia since 1988. 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It does so through ethnography of ways cultural producers and their apprentices struggled and colluded over what constitutes a true reading or empathic performance of another's words. The linguistic forms up for interpretation were those in Russian personal ads. Like many other forms in the region, personal ad texts are vulnerable to shallow readings as mere market imports, and so the article first unpacks Transition and Cold War ideologies in order then to discuss interactions that lay out alternate formulae for reading the ads. These latter hermeneutics are no less ideological—their makers also separate, condense, and combine “variables” to ratify the reality of categories (e.g., generation, nation, sentiment). Still, to examine how they do so does undermine Cold War paradigms and moreover suggests how people ground meta‐discourse about misunderstanding itself. 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December 20, 2002</json:string><json:string>Briggs and Bauman (1990)</json:string><json:string>Silverstein and Urban (1996)</json:string><json:string>Lemon 2000</json:string><json:string>Musharbash 2006</json:string><json:string>[30]</json:string><json:string>field recording January 12, 2003</json:string><json:string>Tsing 2004</json:string><json:string>Pletsch 1981</json:string><json:string>Ten Dyke 2000</json:string><json:string>field recording November 28, 2002</json:string><json:string>Yurchak 2005</json:string><json:string>field notes December 10, 2002</json:string></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/WNG-84KT9QB0-N</json:string></ark><categories><wos><json:string>1 - social science</json:string><json:string>2 - linguistics</json:string><json:string>2 - anthropology</json:string></wos><scienceMetrix><json:string>1 - arts & humanities</json:string><json:string>2 - communication & textual studies</json:string><json:string>3 - languages & 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<hi rend="italic">This article explores claims about how to understand others. It does so through ethnography of ways cultural producers and their apprentices struggled and colluded over what constitutes a true reading or empathic performance of another's words. The linguistic forms up for interpretation were those in Russian personal ads. Like many other forms in the region, personal ad texts are vulnerable to shallow readings as mere market imports, and so the article first unpacks Transition and Cold War ideologies in order then to discuss interactions that lay out alternate formulae for reading the ads. These latter hermeneutics are no less ideological—their makers also separate, condense, and combine “variables” to ratify the reality of categories (e.g., generation, nation, sentiment). Still, to examine how they do so does undermine Cold War paradigms and moreover suggests how people ground meta‐discourse about misunderstanding itself. The article draws from fieldwork at the Russian Academy for the Theatrical Arts in Moscow in 2002–3 and 2005, as well as from other field, archival, and media work in Russia since 1988.</hi> [hermeneutics, intertextuality, performance, sentiment, Russia]</p></abstract><textClass><keywords rend="tocHeading1"><term>Articles</term></keywords></textClass><langUsage><language ident="en"></language></langUsage></profileDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/14C6B3559CB22A658A99124159BBBE988E2169DF/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="Wiley, elements deleted: body"><istex:xmlDeclaration>version="1.0" encoding="UTF-8" standalone="yes"</istex:xmlDeclaration><istex:document><component version="2.0" type="serialArticle" xml:lang="en"><header><publicationMeta level="product"><publisherInfo><publisherName>Blackwell Publishing Inc</publisherName><publisherLoc>Malden, USA</publisherLoc></publisherInfo><doi origin="wiley" registered="yes">10.1111/(ISSN)1548-1395</doi><issn type="print">1055-1360</issn><issn type="electronic">1548-1395</issn><idGroup><id type="product" value="JOLA"></id><id type="publisherDivision" value="ST"></id></idGroup><titleGroup><title type="main" sort="JOURNAL OF LINGUISTIC ANTHROPOLOGY">Journal of Linguistic Anthropology</title></titleGroup></publicationMeta><publicationMeta level="part" position="09002"><doi origin="wiley">10.1111/jola.2008.18.issue-2</doi><numberingGroup><numbering type="journalVolume" number="18">18</numbering><numbering type="journalIssue" number="2">2</numbering></numberingGroup><coverDate startDate="2008-09">September 2008</coverDate></publicationMeta><publicationMeta level="unit" type="article" position="4" status="forIssue"><doi origin="wiley">10.1111/j.1548-1395.2008.00021.x</doi><idGroup><id type="unit" value="JOLA021"></id></idGroup><countGroup><count type="pageTotal" number="32"></count></countGroup><titleGroup><title type="tocHeading1">Articles</title></titleGroup><copyright>© 2008 by the American Anthropological Association</copyright><eventGroup><event type="firstOnline" date="2008-11-19"></event><event type="publishedOnlineFinalForm" date="2008-11-19"></event><event type="xmlConverted" agent="Converter:BPG_TO_WML3G version:2.3.3 mode:FullText source:FullText result:FullText" date="2010-03-18"></event><event type="xmlConverted" agent="Converter:WILEY_ML3G_TO_WILEY_ML3GV2 version:3.8.8" date="2014-01-31"></event><event type="xmlConverted" agent="Converter:WML3G_To_WML3G version:4.1.7 mode:FullText,remove_FC" date="2014-10-30"></event></eventGroup><numberingGroup><numbering type="pageFirst" number="236">236</numbering><numbering type="pageLast" number="267">267</numbering></numberingGroup><correspondenceTo>Department of Anthropology
101 West Hall
1085 S. University Ave
Ann Arbor, MI 48109‐1107
<email>amlemon@umich.edu</email></correspondenceTo><linkGroup><link type="toTypesetVersion" href="file:JOLA.JOLA021.pdf"></link></linkGroup></publicationMeta><contentMeta><countGroup><count type="figureTotal" number="3"></count><count type="tableTotal" number="18"></count><count type="formulaTotal" number="0"></count><count type="referenceTotal" number="64"></count><count type="wordTotal" number="17013"></count><count type="linksPubMed" number="0"></count><count type="linksCrossRef" number="0"></count></countGroup><titleGroup><title type="main">Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads</title><title type="shortAuthors">Journal of Linguistic Anthropology</title><title type="short">Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads</title></titleGroup><creators><creator creatorRole="author" xml:id="cr1" affiliationRef="#a1"><personName><givenNames>Alaina</givenNames><familyName>Lemon</familyName></personName></creator></creators><affiliationGroup><affiliation xml:id="a1" countryCode="US"><unparsedAffiliation>UNIVERSITY OF MICHIGAN</unparsedAffiliation></affiliation></affiliationGroup><abstractGroup><abstract type="main" xml:lang="en"><p> <i>This article explores claims about how to understand others. It does so through ethnography of ways cultural producers and their apprentices struggled and colluded over what constitutes a true reading or empathic performance of another's words. The linguistic forms up for interpretation were those in Russian personal ads. Like many other forms in the region, personal ad texts are vulnerable to shallow readings as mere market imports, and so the article first unpacks Transition and Cold War ideologies in order then to discuss interactions that lay out alternate formulae for reading the ads. These latter hermeneutics are no less ideological—their makers also separate, condense, and combine “variables” to ratify the reality of categories (e.g., generation, nation, sentiment). Still, to examine how they do so does undermine Cold War paradigms and moreover suggests how people ground meta‐discourse about misunderstanding itself. The article draws from fieldwork at the Russian Academy for the Theatrical Arts in Moscow in 2002–3 and 2005, as well as from other field, archival, and media work in Russia since 1988.</i> [hermeneutics, intertextuality, performance, sentiment, Russia]</p></abstract></abstractGroup></contentMeta></header></component></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads</title></titleInfo><titleInfo type="abbreviated" lang="en"><title>Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>Hermeneutic Algebra: Solving for Love, Time/Space, and Value in Putin‐Era Personal Ads</title></titleInfo><name type="personal"><namePart type="given">Alaina</namePart><namePart type="family">Lemon</namePart><affiliation>UNIVERSITY OF MICHIGAN</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="article" displayLabel="article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-6N5SZHKN-D">article</genre><originInfo><publisher>Blackwell Publishing Inc</publisher><place><placeTerm type="text">Malden, USA</placeTerm></place><dateIssued encoding="w3cdtf">2008-09</dateIssued><copyrightDate encoding="w3cdtf">2008</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><physicalDescription><extent unit="figures">3</extent><extent unit="tables">18</extent><extent unit="formulas">0</extent><extent unit="references">64</extent><extent unit="linksCrossRef">0</extent><extent unit="words">17013</extent></physicalDescription><abstract lang="en">This article explores claims about how to understand others. It does so through ethnography of ways cultural producers and their apprentices struggled and colluded over what constitutes a true reading or empathic performance of another's words. The linguistic forms up for interpretation were those in Russian personal ads. Like many other forms in the region, personal ad texts are vulnerable to shallow readings as mere market imports, and so the article first unpacks Transition and Cold War ideologies in order then to discuss interactions that lay out alternate formulae for reading the ads. These latter hermeneutics are no less ideological—their makers also separate, condense, and combine “variables” to ratify the reality of categories (e.g., generation, nation, sentiment). Still, to examine how they do so does undermine Cold War paradigms and moreover suggests how people ground meta‐discourse about misunderstanding itself. The article draws from fieldwork at the Russian Academy for the Theatrical Arts in Moscow in 2002–3 and 2005, as well as from other field, archival, and media work in Russia since 1988. 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