Polite Gaiety: Cultural Hierarchy and Musical Comedy, 1893-1904
Identifieur interne : 000453 ( Main/Merge ); précédent : 000452; suivant : 000454Polite Gaiety: Cultural Hierarchy and Musical Comedy, 1893-1904
Auteurs : Michael NewburySource :
- The Journal of the Gilded Age and Progressive Era [ 1537-7814 ] ; 2005-10.
Abstract
In 1903, Alan Dale, the theater critic for the New York American and Journal, when contemplating the state of the American stage, came to the conclusion that “the only national theatre I can find, after severe cogitation, is that beautiful, flip, and classic commodity known as musical comedy.” Dale pointed out that musical comedy's exorbitant popularity was a recent development, emerging only in the previous five or ten years, and that his anointing of the form as the national theater would not sit well with more serious-minded devotees of drama. “Well read gentlemen with heavy minds,” wrote Dale, would prefer different sorts of productions, plays that “mere commercial managers don't want to stage and mere amusement seekers don't want to see.” Seeking an improbable bridge over this cultural divide, Dale suggested that “[Henrik] Ibsen might air his neat little views on heredity in happy verse set to music…[His] favorite subject of maggots on the brain” could feature a “chorus of pretty girls disguised as maggots.”
Url:
DOI: 10.1017/S1537781400002760
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000951
- to stream Istex, to step Curation: 000950
- to stream Istex, to step Checkpoint: 000192
Links to Exploration step
ISTEX:F22B9C785485246C244E2A3FF9F278DD54D88F63Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>Polite Gaiety: Cultural Hierarchy and Musical Comedy, 1893-1904</title>
<author><name sortKey="Newbury, Michael" sort="Newbury, Michael" uniqKey="Newbury M" first="Michael" last="Newbury">Michael Newbury</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:F22B9C785485246C244E2A3FF9F278DD54D88F63</idno>
<date when="2005" year="2005">2005</date>
<idno type="doi">10.1017/S1537781400002760</idno>
<idno type="url">https://api.istex.fr/document/F22B9C785485246C244E2A3FF9F278DD54D88F63/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000951</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000951</idno>
<idno type="wicri:Area/Istex/Curation">000950</idno>
<idno type="wicri:Area/Istex/Checkpoint">000192</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000192</idno>
<idno type="wicri:doubleKey">1537-7814:2005:Newbury M:polite:gaiety:cultural</idno>
<idno type="wicri:Area/Main/Merge">000453</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a">Polite Gaiety: Cultural Hierarchy and Musical Comedy, 1893-1904</title>
<author><name sortKey="Newbury, Michael" sort="Newbury, Michael" uniqKey="Newbury M" first="Michael" last="Newbury">Michael Newbury</name>
<affiliation><wicri:noCountry code="no comma">Middlebury College</wicri:noCountry>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">The Journal of the Gilded Age and Progressive Era</title>
<title level="j" type="abbrev">J. gilded age prog. era</title>
<idno type="ISSN">1537-7814</idno>
<idno type="eISSN">1943-3557</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="2005-10">2005-10</date>
<biblScope unit="volume">4</biblScope>
<biblScope unit="issue">4</biblScope>
<biblScope unit="page" from="381">381</biblScope>
<biblScope unit="page" to="407">407</biblScope>
</imprint>
<idno type="ISSN">1537-7814</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">1537-7814</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract">In 1903, Alan Dale, the theater critic for the New York American and Journal, when contemplating the state of the American stage, came to the conclusion that “the only national theatre I can find, after severe cogitation, is that beautiful, flip, and classic commodity known as musical comedy.” Dale pointed out that musical comedy's exorbitant popularity was a recent development, emerging only in the previous five or ten years, and that his anointing of the form as the national theater would not sit well with more serious-minded devotees of drama. “Well read gentlemen with heavy minds,” wrote Dale, would prefer different sorts of productions, plays that “mere commercial managers don't want to stage and mere amusement seekers don't want to see.” Seeking an improbable bridge over this cultural divide, Dale suggested that “[Henrik] Ibsen might air his neat little views on heredity in happy verse set to music…[His] favorite subject of maggots on the brain” could feature a “chorus of pretty girls disguised as maggots.”</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Psychologie/explor/BernheimV1/Data/Main/Merge
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000453 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Merge/biblio.hfd -nk 000453 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Psychologie |area= BernheimV1 |flux= Main |étape= Merge |type= RBID |clé= ISTEX:F22B9C785485246C244E2A3FF9F278DD54D88F63 |texte= Polite Gaiety: Cultural Hierarchy and Musical Comedy, 1893-1904 }}
![]() | This area was generated with Dilib version V0.6.33. | ![]() |