The transgression of the real in the dramatic work of Michel Deutsch
Identifieur interne : 000055 ( Main/Exploration ); précédent : 000054; suivant : 000056The transgression of the real in the dramatic work of Michel Deutsch
Auteurs : Darine Kazan [France]Source :
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Abstract
The interest in the representation gets to the intervention or the nonintervention of the real in it. The realism in the dramatic work is measured by ell updating the historical and political-social actualities and the existing realities. In the quest for the interpretation of the conception of “real”, it is add the ethic questioning of how to show it.Our research aims the dramatic work of Michel Deutsch. Seeing the individuals failures and their social nonintegration in the actual disorganized world that the playwright testifies his realistic approach. The extrastage space dramatic configuration and the likely use of the objects installed are supporting arguments for it. “The annunciation-incarnation of reality” adds exactitude to the representing facts and prevails the implentation of symbolic feature despite the standard descriptions. Though, the non-availability of real is a challenge launch to the reproduction of a global and perfect image of all the events. The tributary incongruity of “nowhere” and the structural, factual antinaturalism of dramatic space culminates in the inappropriate exposition of consubstantials principles of the theatrical space. The jamming time markers and the timeless stress the dysfunction. The lacunar language foiled the expression, the externalization, the comprehension and the communicability. The relationship with life fails : the thinking and the individual speech ousting on account of the restarted irruption of the “rhapsode-author”. If the non-identification, the dismembrement or the indetermination of speech situation of every person is condemnable, its atomic existence or his non existence are worse.Michel Deutsch opt for the transgression of the real and preconize to reject categoricaly the imitative duplication and the principal of the deconstruction-reconstruction in the representation.
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The realism in the dramatic work is measured by ell updating the historical and political-social actualities and the existing realities. In the quest for the interpretation of the conception of “real”, it is add the ethic questioning of how to show it.Our research aims the dramatic work of Michel Deutsch. Seeing the individuals failures and their social nonintegration in the actual disorganized world that the playwright testifies his realistic approach. The extrastage space dramatic configuration and the likely use of the objects installed are supporting arguments for it. “The annunciation-incarnation of reality” adds exactitude to the representing facts and prevails the implentation of symbolic feature despite the standard descriptions. Though, the non-availability of real is a challenge launch to the reproduction of a global and perfect image of all the events. The tributary incongruity of “nowhere” and the structural, factual antinaturalism of dramatic space culminates in the inappropriate exposition of consubstantials principles of the theatrical space. The jamming time markers and the timeless stress the dysfunction. The lacunar language foiled the expression, the externalization, the comprehension and the communicability. The relationship with life fails : the thinking and the individual speech ousting on account of the restarted irruption of the “rhapsode-author”. If the non-identification, the dismembrement or the indetermination of speech situation of every person is condemnable, its atomic existence or his non existence are worse.Michel Deutsch opt for the transgression of the real and preconize to reject categoricaly the imitative duplication and the principal of the deconstruction-reconstruction in the representation.</div></front></TEI><affiliations><list><country><li>France</li></country></list><tree><country name="France"><noRegion><name sortKey="Kazan, Darine" sort="Kazan, Darine" uniqKey="Kazan D" first="Darine" last="Kazan">Darine Kazan</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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