DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP
Identifieur interne : 000D84 ( Istex/Corpus ); précédent : 000D83; suivant : 000D85DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP
Auteurs : Susan StrauberSource :
- Journal of the History of Collections [ 0954-6650 ] ; 1991.
Abstract
Re-attributions of Delacroix drawings in recent decades have introduced an important question bridging connoisseurship and ethics: how to explain the presence of the Delacroix estate stamp on numerous non-Delacroix drawings. This paper reopens discussion about stamp chronology and responsibility, a reassessment prompted by current knowledge of a false stamp used in the nineteenth century and found on both Delacroix and non-Delacroix works. The first part redefines the issues on the basis of the faux cachet, while the second considers implications of the false stamp for the history and status of Delacroix drawings by reevaluating arguments identifying Delacroix's assistant Pierre Andrieu as the responsible party.
Url:
DOI: 10.1093/jhc/3.1.61
Links to Exploration step
ISTEX:63ED039EF8929741B698C53F97E707A57D3879A1Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP</title>
<author wicri:is="90%"><name sortKey="Strauber, Susan" sort="Strauber, Susan" uniqKey="Strauber S" first="Susan" last="Strauber">Susan Strauber</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:63ED039EF8929741B698C53F97E707A57D3879A1</idno>
<date when="1991" year="1991">1991</date>
<idno type="doi">10.1093/jhc/3.1.61</idno>
<idno type="url">https://api.istex.fr/document/63ED039EF8929741B698C53F97E707A57D3879A1/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000D84</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000D84</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a">DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP</title>
<author wicri:is="90%"><name sortKey="Strauber, Susan" sort="Strauber, Susan" uniqKey="Strauber S" first="Susan" last="Strauber">Susan Strauber</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Journal of the History of Collections</title>
<idno type="ISSN">0954-6650</idno>
<idno type="eISSN">1477-8564</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published" when="1991">1991</date>
<biblScope unit="volume">3</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="61">61</biblScope>
<biblScope unit="page" to="88">88</biblScope>
</imprint>
<idno type="ISSN">0954-6650</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0954-6650</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract">Re-attributions of Delacroix drawings in recent decades have introduced an important question bridging connoisseurship and ethics: how to explain the presence of the Delacroix estate stamp on numerous non-Delacroix drawings. This paper reopens discussion about stamp chronology and responsibility, a reassessment prompted by current knowledge of a false stamp used in the nineteenth century and found on both Delacroix and non-Delacroix works. The first part redefines the issues on the basis of the faux cachet, while the second considers implications of the false stamp for the history and status of Delacroix drawings by reevaluating arguments identifying Delacroix's assistant Pierre Andrieu as the responsible party.</div>
</front>
</TEI>
<istex><corpusName>oup</corpusName>
<author><json:item><name>SUSAN STRAUBER</name>
</json:item>
</author>
<arkIstex>ark:/67375/HXZ-24NMJB4P-N</arkIstex>
<language><json:string>unknown</json:string>
</language>
<originalGenre><json:string>research-article</json:string>
</originalGenre>
<abstract>Re-attributions of Delacroix drawings in recent decades have introduced an important question bridging connoisseurship and ethics: how to explain the presence of the Delacroix estate stamp on numerous non-Delacroix drawings. This paper reopens discussion about stamp chronology and responsibility, a reassessment prompted by current knowledge of a false stamp used in the nineteenth century and found on both Delacroix and non-Delacroix works. The first part redefines the issues on the basis of the faux cachet, while the second considers implications of the false stamp for the history and status of Delacroix drawings by reevaluating arguments identifying Delacroix's assistant Pierre Andrieu as the responsible party.</abstract>
<qualityIndicators><score>8.248</score>
<pdfWordCount>17076</pdfWordCount>
<pdfCharCount>99515</pdfCharCount>
<pdfVersion>1.5</pdfVersion>
<pdfPageCount>28</pdfPageCount>
<pdfPageSize>595.44 x 841.68 pts</pdfPageSize>
<refBibsNative>false</refBibsNative>
<abstractWordCount>104</abstractWordCount>
<abstractCharCount>721</abstractCharCount>
<keywordCount>0</keywordCount>
</qualityIndicators>
<title>DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP</title>
<genre><json:string>research-article</json:string>
</genre>
<host><title>Journal of the History of Collections</title>
<language><json:string>unknown</json:string>
</language>
<issn><json:string>0954-6650</json:string>
</issn>
<eissn><json:string>1477-8564</json:string>
</eissn>
<publisherId><json:string>hiscol</json:string>
</publisherId>
<volume>3</volume>
<issue>1</issue>
<pages><first>61</first>
<last>88</last>
</pages>
<genre><json:string>journal</json:string>
</genre>
<subject><json:item><value>Articles</value>
</json:item>
</subject>
</host>
<namedEntities><unitex><date><json:string>1893</json:string>
<json:string>1963</json:string>
<json:string>1831</json:string>
<json:string>1871</json:string>
<json:string>1930</json:string>
<json:string>1906</json:string>
<json:string>1865</json:string>
<json:string>the twentieth century</json:string>
<json:string>1920s</json:string>
<json:string>1872</json:string>
<json:string>1888</json:string>
<json:string>the nineteenth century</json:string>
<json:string>1866</json:string>
<json:string>1895</json:string>
<json:string>1925</json:string>
<json:string>1884</json:string>
<json:string>1833</json:string>
<json:string>twentieth century</json:string>
<json:string>1932</json:string>
<json:string>in the twentieth century</json:string>
<json:string>1921</json:string>
<json:string>in the nineteenth century</json:string>
<json:string>Nineteenth Century</json:string>
<json:string>1867</json:string>
<json:string>1966</json:string>
<json:string>1885</json:string>
<json:string>1904</json:string>
<json:string>1863</json:string>
<json:string>March-September 1963</json:string>
<json:string>1973</json:string>
<json:string>1892</json:string>
<json:string>1879</json:string>
<json:string>1868</json:string>
<json:string>1870</json:string>
<json:string>1938</json:string>
<json:string>1857</json:string>
<json:string>1900</json:string>
<json:string>1897</json:string>
<json:string>1927</json:string>
<json:string>1846</json:string>
<json:string>1956</json:string>
<json:string>1864</json:string>
</date>
<geogName><json:string>Lake Genesareth</json:string>
<json:string>Ill</json:string>
</geogName>
<orgName><json:string>Department of Art, Grinnell College</json:string>
<json:string>and American Drawings</json:string>
<json:string>Luxembourg Library, Saint</json:string>
<json:string>Art Institute of Chicago</json:string>
<json:string>Yale University</json:string>
</orgName>
<orgName_funder></orgName_funder>
<orgName_provider></orgName_provider>
<persName><json:string>La Revue</json:string>
<json:string>L.A. Prat</json:string>
<json:string>Theophile Silvestre</json:string>
<json:string>Maurice Rheims</json:string>
<json:string>E. Delacroix</json:string>
<json:string>M. Andrieu</json:string>
<json:string>Marcel Guerin</json:string>
<json:string>Bessis</json:string>
<json:string>Tedesco</json:string>
<json:string>Albert Monrefer</json:string>
<json:string>Hippolyte Carrier</json:string>
<json:string>M. AlfredRobautetL</json:string>
<json:string>M. Faucheux</json:string>
<json:string>Frederic Villot</json:string>
<json:string>P. Andrieu</json:string>
<json:string>Per Bjurstrom</json:string>
<json:string>See</json:string>
<json:string>P.O. Box</json:string>
<json:string>H. Bessis</json:string>
<json:string>M. Ingres</json:string>
<json:string>Faust</json:string>
<json:string>Eugene Delacroix-Dessins</json:string>
<json:string>Philippe Burry</json:string>
<json:string>Claude Roger-Marx</json:string>
<json:string>Elie Lambert</json:string>
<json:string>Michel Gallet</json:string>
<json:string>La Fontaine</json:string>
<json:string>M. Legrand</json:string>
<json:string>Muse Clio</json:string>
<json:string>Paul Pierre</json:string>
<json:string>Andre Joubin</json:string>
<json:string>Andrieu Collection</json:string>
<json:string>Maillard</json:string>
<json:string>Louis-Antoine Prat</json:string>
<json:string>Le Gentil</json:string>
<json:string>M. Piron</json:string>
<json:string>Lee Johnson</json:string>
<json:string>La Terre</json:string>
<json:string>La Ville</json:string>
<json:string>Pierre Andrieu</json:string>
<json:string>Pierre Delacroix</json:string>
<json:string>Etienne Moreau-Nelaton</json:string>
<json:string>Veronique Prat</json:string>
<json:string>J. E. Bulloz</json:string>
<json:string>Kristin L. Spangenberg</json:string>
<json:string>Susan Strauber</json:string>
<json:string>C. Le Lambert</json:string>
<json:string>Apollo Gallery</json:string>
<json:string>Jack Spector</json:string>
<json:string>M. Delacroix</json:string>
<json:string>Maurice Tourneux</json:string>
<json:string>Hans Petersen</json:string>
<json:string>Charles Lainne</json:string>
<json:string>Jules Janin</json:string>
<json:string>Maurice Serullaz</json:string>
<json:string>Paul Huet</json:string>
<json:string>Paul Colin</json:string>
<json:string>Marius Vachon</json:string>
<json:string>John Saulnier</json:string>
<json:string>M. E. Delacroix</json:string>
<json:string>Silvestre Prat</json:string>
<json:string>Lugt</json:string>
<json:string>La Republique</json:string>
<json:string>Modernes</json:string>
<json:string>Constant Dutilleux</json:string>
<json:string>Eugene Delacroix</json:string>
<json:string>Clark Collection</json:string>
<json:string>La Paix</json:string>
<json:string>Raymond Escholier</json:string>
<json:string>C. Cauboue</json:string>
<json:string>Robaut</json:string>
<json:string>A. Robaut</json:string>
<json:string>Lambert</json:string>
<json:string>M. Vatan</json:string>
<json:string>Harold Joachim</json:string>
<json:string>Jenny Le Guillou</json:string>
<json:string>Henry Lapauze</json:string>
<json:string>Alfred Bruyas</json:string>
<json:string>Karl Madsen</json:string>
<json:string>A. Prat</json:string>
<json:string>Alfred Robaut</json:string>
<json:string>Johnson</json:string>
<json:string>Francis Petit</json:string>
<json:string>Henriette Bessis</json:string>
<json:string>Camille Gronkowski</json:string>
<json:string>M. P. Andrieu</json:string>
<json:string>L. de Virmond</json:string>
<json:string>R. Piot</json:string>
<json:string>Sultan de Maroc</json:string>
<json:string>G. Hediard</json:string>
<json:string>Suzanne Damiron</json:string>
</persName>
<placeName><json:string>Paris</json:string>
<json:string>St. Sulpice</json:string>
<json:string>Dax</json:string>
<json:string>Switzerland</json:string>
<json:string>Fribourg</json:string>
<json:string>Saint Sulpice</json:string>
<json:string>Morocco</json:string>
<json:string>Saint Jerome</json:string>
<json:string>Passy</json:string>
<json:string>Dieppe</json:string>
<json:string>Luxembourg</json:string>
<json:string>Cincinnati</json:string>
<json:string>Amiens</json:string>
<json:string>Saint Thomas</json:string>
<json:string>Dijon</json:string>
<json:string>Tajllebourg</json:string>
<json:string>Toulouse</json:string>
<json:string>York</json:string>
<json:string>Stockholm</json:string>
<json:string>Tanger</json:string>
<json:string>France</json:string>
<json:string>Copenhagen</json:string>
<json:string>Algiers</json:string>
</placeName>
<ref_url></ref_url>
<ref_bibl><json:string>Paris, 1927</json:string>
<json:string>Amsterdam, 1956, p. 115</json:string>
<json:string>August 1863</json:string>
<json:string>Delacroix raconte par lui-meme (Paris, 1916</json:string>
<json:string>Paris, 1873</json:string>
<json:string>Paris, 1856</json:string>
<json:string>Paris, 1884</json:string>
<json:string>June 1878</json:string>
<json:string>Paris, 1904</json:string>
<json:string>Paris, 1878</json:string>
<json:string>Arras, 1879</json:string>
<json:string>Serullaz et al.</json:string>
<json:string>Paris and Douai, 1864</json:string>
<json:string>May 1971</json:string>
<json:string>Delacroix, 1930</json:string>
<json:string>Chicago, 1978</json:string>
<json:string>Cincinthe document is given as 'Proposition de vente des dessins nati, 1978</json:string>
<json:string>Amsterdam, 1921</json:string>
<json:string>Paris, 1925</json:string>
<json:string>Paris, 1953</json:string>
<json:string>[3]</json:string>
<json:string>Paris, 1975</json:string>
<json:string>Paris, 1882</json:string>
<json:string>Paris, 1930</json:string>
<json:string>Paris, 1963</json:string>
<json:string>Rene Huyghe et al.</json:string>
<json:string>Paris, 1864</json:string>
<json:string>Catalogue de la vente qui aura lieu par suite de dices dc Eugene Delacroix (Paris, 1864</json:string>
<json:string>Paris, 1886</json:string>
<json:string>Paris, 1984</json:string>
<json:string>Paris, 1967</json:string>
<json:string>New Haven, 1964</json:string>
<json:string>Paris, 1885</json:string>
<json:string>Maurice Serullaz et al.</json:string>
<json:string>[1971]</json:string>
</ref_bibl>
<bibl></bibl>
</unitex>
</namedEntities>
<ark><json:string>ark:/67375/HXZ-24NMJB4P-N</json:string>
</ark>
<categories><wos></wos>
<scienceMetrix><json:string>arts & humanities</json:string>
<json:string>visual & performing arts</json:string>
<json:string>art practice, history & theory</json:string>
</scienceMetrix>
<scopus><json:string>1 - Social Sciences</json:string>
<json:string>2 - Arts and Humanities</json:string>
<json:string>3 - Museology</json:string>
<json:string>1 - Social Sciences</json:string>
<json:string>2 - Arts and Humanities</json:string>
<json:string>3 - Visual Arts and Performing Arts</json:string>
<json:string>1 - Social Sciences</json:string>
<json:string>2 - Arts and Humanities</json:string>
<json:string>3 - Conservation</json:string>
</scopus>
<inist><json:string>sciences humaines et sociales</json:string>
<json:string>histoire et sciences des religions</json:string>
</inist>
</categories>
<publicationDate>1991</publicationDate>
<copyrightDate>1991</copyrightDate>
<doi><json:string>10.1093/jhc/3.1.61</json:string>
</doi>
<id>63ED039EF8929741B698C53F97E707A57D3879A1</id>
<score>1</score>
<fulltext><json:item><extension>pdf</extension>
<original>true</original>
<mimetype>application/pdf</mimetype>
<uri>https://api.istex.fr/document/63ED039EF8929741B698C53F97E707A57D3879A1/fulltext/pdf</uri>
</json:item>
<json:item><extension>zip</extension>
<original>false</original>
<mimetype>application/zip</mimetype>
<uri>https://api.istex.fr/document/63ED039EF8929741B698C53F97E707A57D3879A1/fulltext/zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/63ED039EF8929741B698C53F97E707A57D3879A1/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a">DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP</title>
<respStmt><resp>Références bibliographiques récupérées via GROBID</resp>
<name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name>
</respStmt>
</titleStmt>
<publicationStmt><authority>ISTEX</authority>
<publisher scheme="https://publisher-list.data.istex.fr">Oxford University Press</publisher>
<availability><licence><p>© Oxford University Press</p>
</licence>
<p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-GTWS0RDP-M">oup</p>
</availability>
<date>1991</date>
</publicationStmt>
<notesStmt><note type="research-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</note>
<note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note>
<note>Address for correspondence Professor Susan Strauber, Department of Art, Grinnell College, P.O. Box 805, Grinnell, Iowa, 50112–0806, USA.</note>
</notesStmt>
<sourceDesc><biblStruct type="inbook"><analytic><title level="a">DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP</title>
<author xml:id="author-0000"><persName><forename type="first">SUSAN</forename>
<surname>STRAUBER</surname>
</persName>
</author>
<idno type="istex">63ED039EF8929741B698C53F97E707A57D3879A1</idno>
<idno type="ark">ark:/67375/HXZ-24NMJB4P-N</idno>
<idno type="DOI">10.1093/jhc/3.1.61</idno>
</analytic>
<monogr><title level="j">Journal of the History of Collections</title>
<idno type="pISSN">0954-6650</idno>
<idno type="eISSN">1477-8564</idno>
<idno type="publisher-id">hiscol</idno>
<idno type="PublisherID-hwp">hiscol</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published" when="1991"></date>
<biblScope unit="volume">3</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="61">61</biblScope>
<biblScope unit="page" to="88">88</biblScope>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><creation><date>1991</date>
</creation>
<abstract><p>Re-attributions of Delacroix drawings in recent decades have introduced an important question bridging connoisseurship and ethics: how to explain the presence of the Delacroix estate stamp on numerous non-Delacroix drawings. This paper reopens discussion about stamp chronology and responsibility, a reassessment prompted by current knowledge of a false stamp used in the nineteenth century and found on both Delacroix and non-Delacroix works. The first part redefines the issues on the basis of the faux cachet, while the second considers implications of the false stamp for the history and status of Delacroix drawings by reevaluating arguments identifying Delacroix's assistant Pierre Andrieu as the responsible party.</p>
</abstract>
<textClass><keywords scheme="Journal Subject"><list><head></head>
<item><term>Articles</term>
</item>
</list>
</keywords>
</textClass>
</profileDesc>
<revisionDesc><change when="1991">Published</change>
<change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-10-5">References added</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item><extension>txt</extension>
<original>false</original>
<mimetype>text/plain</mimetype>
<uri>https://api.istex.fr/document/63ED039EF8929741B698C53F97E707A57D3879A1/fulltext/txt</uri>
</json:item>
</fulltext>
<metadata><istex:metadataXml wicri:clean="corpus oup, element #text not found" wicri:toSee="no header"><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType>
<istex:document><article article-type="research-article">
<front>
<journal-meta>
<journal-id journal-id-type="hwp">hiscol</journal-id>
<journal-id journal-id-type="publisher-id">hiscol</journal-id>
<journal-id journal-id-type="pmc">hiscol</journal-id>
<journal-title>Journal of the History of Collections</journal-title>
<issn pub-type="epub">1477-8564</issn>
<issn pub-type="ppub">0954-6650</issn>
<publisher>
<publisher-name>Oxford University Press</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.1093/jhc/3.1.61</article-id>
<article-categories>
<subj-group>
<subject>Articles</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name><surname>STRAUBER</surname>
<given-names>SUSAN</given-names>
</name>
<xref ref-type="corresp" rid="cor1"><sup>1</sup>
</xref>
</contrib>
</contrib-group>
<author-notes>
<corresp id="cor1">Address for correspondence Professor Susan Strauber, Department of Art, Grinnell College, P.O. Box 805, Grinnell, Iowa, 50112–0806, USA.</corresp>
</author-notes>
<pub-date pub-type="ppub">
<year>1991</year>
</pub-date>
<volume>3</volume>
<issue>1</issue>
<fpage>61</fpage>
<lpage>88</lpage>
<copyright-statement>© Oxford University Press</copyright-statement>
<copyright-year>1991</copyright-year>
<abstract>
<p>Re-attributions of Delacroix drawings in recent decades have introduced an important question bridging connoisseurship and ethics: how to explain the presence of the Delacroix estate stamp on numerous non-Delacroix drawings. This paper reopens discussion about stamp chronology and responsibility, a reassessment prompted by current knowledge of a false stamp used in the nineteenth century and found on both Delacroix and non-Delacroix works. The first part redefines the issues on the basis of the faux cachet, while the second considers implications of the false stamp for the history and status of Delacroix drawings by reevaluating arguments identifying Delacroix's assistant Pierre Andrieu as the responsible party.</p>
</abstract>
</article-meta>
</front>
</article>
</istex:document>
</istex:metadataXml>
<mods version="3.6"><titleInfo><title>DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA"><title>DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP</title>
</titleInfo>
<name type="personal"><namePart type="given">SUSAN</namePart>
<namePart type="family">STRAUBER</namePart>
</name>
<typeOfResource>text</typeOfResource>
<genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre>
<originInfo><publisher>Oxford University Press</publisher>
<dateIssued encoding="w3cdtf">1991</dateIssued>
<copyrightDate encoding="w3cdtf">1991</copyrightDate>
</originInfo>
<abstract>Re-attributions of Delacroix drawings in recent decades have introduced an important question bridging connoisseurship and ethics: how to explain the presence of the Delacroix estate stamp on numerous non-Delacroix drawings. This paper reopens discussion about stamp chronology and responsibility, a reassessment prompted by current knowledge of a false stamp used in the nineteenth century and found on both Delacroix and non-Delacroix works. The first part redefines the issues on the basis of the faux cachet, while the second considers implications of the false stamp for the history and status of Delacroix drawings by reevaluating arguments identifying Delacroix's assistant Pierre Andrieu as the responsible party.</abstract>
<note type="author-notes">Address for correspondence Professor Susan Strauber, Department of Art, Grinnell College, P.O. Box 805, Grinnell, Iowa, 50112–0806, USA.</note>
<relatedItem type="host"><titleInfo><title>Journal of the History of Collections</title>
</titleInfo>
<genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre>
<subject><topic>Articles</topic>
</subject>
<identifier type="ISSN">0954-6650</identifier>
<identifier type="eISSN">1477-8564</identifier>
<identifier type="PublisherID">hiscol</identifier>
<identifier type="PublisherID-hwp">hiscol</identifier>
<part><date>1991</date>
<detail type="volume"><caption>vol.</caption>
<number>3</number>
</detail>
<detail type="issue"><caption>no.</caption>
<number>1</number>
</detail>
<extent unit="pages"><start>61</start>
<end>88</end>
</extent>
</part>
</relatedItem>
<identifier type="istex">63ED039EF8929741B698C53F97E707A57D3879A1</identifier>
<identifier type="DOI">10.1093/jhc/3.1.61</identifier>
<accessCondition type="use and reproduction" contentType="copyright">© Oxford University Press</accessCondition>
<recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-GTWS0RDP-M">oup</recordContentSource>
<recordOrigin>© Oxford University Press</recordOrigin>
</recordInfo>
</mods>
<json:item><extension>json</extension>
<original>false</original>
<mimetype>application/json</mimetype>
<uri>https://api.istex.fr/document/63ED039EF8929741B698C53F97E707A57D3879A1/metadata/json</uri>
</json:item>
</metadata>
<annexes><json:item><extension>pdf</extension>
<original>true</original>
<mimetype>application/pdf</mimetype>
<uri>https://api.istex.fr/document/63ED039EF8929741B698C53F97E707A57D3879A1/annexes/pdf</uri>
</json:item>
</annexes>
<serie></serie>
</istex>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Psychologie/explor/BernheimV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000D84 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000D84 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Psychologie |area= BernheimV1 |flux= Istex |étape= Corpus |type= RBID |clé= ISTEX:63ED039EF8929741B698C53F97E707A57D3879A1 |texte= DELACROIX DRAWINGS AND THE FALSE ESTATE STAMP }}
![]() | This area was generated with Dilib version V0.6.33. | ![]() |