Léo Malet, the poet and the penpusher
Identifieur interne : 000091 ( Hal/Curation ); précédent : 000090; suivant : 000092Léo Malet, the poet and the penpusher
Auteurs : Cédric Pérolini [France]Source :
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Abstract
This study’s purpose is to survey and analyse Leo Malet’s work. It is mainly devoted to his written productions (more than 5.000 pages…), from Surrealist poems to popular and detective novels. Nevertheless, other artistic fields are not left apart. Because of his taking part in them, or because of his contribution, some films, TV productions or comics are also mentioned. Given the size of this corpus, a guiding thread had to be found, which could deal with the author’s personality as well as his work. The search for unity behind apparent heterogeneity seemed to be the best way to guide the analysis: it thus constitutes the central line of this study.The structure of this work decomposes into seven parts:The first one is devoted to the presentation of the author’s life; it allows to show how autobiographic his work is.The study of his ideological evolution follows, in a second part.The Surrealist period is evoked, because of its importance and of its apparent peculiarity within Malet’s work.Fourth part deals with Malet’s choice to turn towards popular literature.Then it is explained how he provoked a major evolution of the 20th century French detective novel.A survey of his personal style brings to light the specificity of his vision and of his way of writing.The last part eventually analyses Leo Malet’s long-lasting influence in French popular culture.
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It is mainly devoted to his written productions (more than 5.000 pages…), from Surrealist poems to popular and detective novels. Nevertheless, other artistic fields are not left apart. Because of his taking part in them, or because of his contribution, some films, TV productions or comics are also mentioned. Given the size of this corpus, a guiding thread had to be found, which could deal with the author’s personality as well as his work. The search for unity behind apparent heterogeneity seemed to be the best way to guide the analysis: it thus constitutes the central line of this study.The structure of this work decomposes into seven parts:The first one is devoted to the presentation of the author’s life; it allows to show how autobiographic his work is.The study of his ideological evolution follows, in a second part.The Surrealist period is evoked, because of its importance and of its apparent peculiarity within Malet’s work.Fourth part deals with Malet’s choice to turn towards popular literature.Then it is explained how he provoked a major evolution of the 20th century French detective novel.A survey of his personal style brings to light the specificity of his vision and of his way of writing.The last part eventually analyses Leo Malet’s long-lasting influence in French popular culture.</div></front></TEI><hal api="V3"><titleStmt><title xml:lang="en">Léo Malet, the poet and the penpusher</title><title xml:lang="fr">Léo Malet le poète et le gratte-papier</title><author role="aut"><persName><forename type="first">Cédric</forename><surname>Pérolini</surname></persName><email type="md5">abca7751b4469bf90cc0186980139933</email><email type="domain">univ-avignon.fr</email><idno type="idhal" notation="string">cedric-perolini</idno><idno type="idhal" notation="numeric">9175</idno><idno type="halauthorid">1358021</idno><affiliation ref="#struct-109351"></affiliation></author><editor role="depositor"><persName><forename>Cédric</forename><surname>Pérolini</surname></persName><email type="md5">abca7751b4469bf90cc0186980139933</email><email type="domain">univ-avignon.fr</email></editor></titleStmt><editionStmt><edition n="v1" type="current"><date type="whenSubmitted">2016-07-01 08:01:26</date><date type="whenModified">2016-07-02 01:05:10</date><date type="whenReleased">2016-07-01 10:04:00</date><date type="whenProduced">2009-07-03</date><date type="whenEndEmbargoed">2016-07-01</date><ref type="file" target="https://hal.archives-ouvertes.fr/tel-01340378/document"><date notBefore="2016-07-01"></date></ref><ref type="file" n="1" target="https://hal.archives-ouvertes.fr/tel-01340378/file/Th%C3%A8se%20dat%C3%A9e.pdf"><date notBefore="2016-07-01"></date></ref></edition><respStmt><resp>contributor</resp><name key="440125"><persName><forename>Cédric</forename><surname>Pérolini</surname></persName><email type="md5">abca7751b4469bf90cc0186980139933</email><email type="domain">univ-avignon.fr</email></name></respStmt></editionStmt><publicationStmt><distributor>CCSD</distributor><idno type="halId">tel-01340378</idno><idno type="halUri">https://hal.archives-ouvertes.fr/tel-01340378</idno><idno type="halBibtex">perolini:tel-01340378</idno><idno type="halRefHtml">Littératures. UNIVERSITE SORBONNE NOUVELLE – PARIS 3 2009. Français</idno><idno type="halRef">Littératures. UNIVERSITE SORBONNE NOUVELLE – PARIS 3 2009. Français</idno><availability status="restricted"><licence target="http://creativecommons.org/licenses/by-nc-nd/">Attribution - NonCommercial - NoDerivatives</licence></availability></publicationStmt><seriesStmt><idno type="stamp" n="ICTT" p="UNIV-AVIGNON">Laboratoire Identité Culturelle, Textes et Théâtralité</idno><idno type="stamp" n="UNIV-AVIGNON">Université d'Avignon</idno><idno type="stamp" n="SHS">Sciences de l'Homme et de la Société</idno></seriesStmt><notesStmt></notesStmt><sourceDesc><biblStruct><analytic><title xml:lang="en">Léo Malet, the poet and the penpusher</title><title xml:lang="fr">Léo Malet le poète et le gratte-papier</title><author role="aut"><persName><forename type="first">Cédric</forename><surname>Pérolini</surname></persName><email type="md5">abca7751b4469bf90cc0186980139933</email><email type="domain">univ-avignon.fr</email><idno type="idhal" notation="string">cedric-perolini</idno><idno type="idhal" notation="numeric">9175</idno><idno type="halauthorid">1358021</idno><affiliation ref="#struct-109351"></affiliation></author></analytic><monogr><imprint><date type="dateDefended">2009-07-03</date></imprint><authority type="institution">UNIVERSITE SORBONNE NOUVELLE – PARIS 3 </authority><authority type="supervisor">M. Daniel Compère</authority><authority type="jury">Mme Lucette Le Van Lemesle</authority><authority type="jury">M. Daniel Compère</authority><authority type="jury">M. Marc Dambre</authority><authority type="jury">M. Marc Lits</authority></monogr></biblStruct></sourceDesc><profileDesc><langUsage><language ident="fr">French</language></langUsage><textClass><keywords scheme="author"><term xml:lang="en">Nestor Burma </term><term xml:lang="en"> Roman noir </term><term xml:lang="en"> detective novel </term><term xml:lang="en"> surrealism </term><term xml:lang="en"> anarchism </term><term xml:lang="en"> popular literature</term><term xml:lang="fr">roman noir</term><term xml:lang="fr">roman policier</term><term xml:lang="fr">surréalisme</term><term xml:lang="fr">anarchisme</term><term xml:lang="fr">littérature populaire</term></keywords><classCode scheme="halDomain" n="shs.litt">Humanities and Social Sciences/Literature</classCode><classCode scheme="halTypology" n="THESE">Theses</classCode></textClass><abstract xml:lang="en">This study’s purpose is to survey and analyse Leo Malet’s work. It is mainly devoted to his written productions (more than 5.000 pages…), from Surrealist poems to popular and detective novels. Nevertheless, other artistic fields are not left apart. Because of his taking part in them, or because of his contribution, some films, TV productions or comics are also mentioned. Given the size of this corpus, a guiding thread had to be found, which could deal with the author’s personality as well as his work. The search for unity behind apparent heterogeneity seemed to be the best way to guide the analysis: it thus constitutes the central line of this study.The structure of this work decomposes into seven parts:The first one is devoted to the presentation of the author’s life; it allows to show how autobiographic his work is.The study of his ideological evolution follows, in a second part.The Surrealist period is evoked, because of its importance and of its apparent peculiarity within Malet’s work.Fourth part deals with Malet’s choice to turn towards popular literature.Then it is explained how he provoked a major evolution of the 20th century French detective novel.A survey of his personal style brings to light the specificity of his vision and of his way of writing.The last part eventually analyses Leo Malet’s long-lasting influence in French popular culture.</abstract><abstract xml:lang="fr">L’objectif de cette étude est de présenter une lecture critique et raisonnée de l’œuvre de Léo Malet. Une part importante est consacrée à sa production écrite, constituée de plus de cinq mille pages, allant des poèmes surréalistes aux romans populaires et policiers. Mais l’apport de l’écrivain à d’autres champs de la création n’en est pas exclu pour autant.A cet important corpus, il a fallu trouver un fil directeur, permettant d’aborder à la fois la personnalité et l’œuvre de l’auteur. C’est la quête d’une unité derrière une apparente hétérogénéité qui a semblé l’axe le plus à même de guider l’analyse : elle constitue la problématique de fond de ce travail. Le développement suit une progression en sept temps : Le premier est consacré à la présentation de la vie de l’auteur, soulignant la dimension éminemment autobiographique de son œuvre. L’étude de son évolution idéologique en est le prolongement naturel.La période surréaliste est abordée, du fait de son importance et de son apparente singularité dans le parcours de Malet. La quatrième partie analyse le choix de Malet de s’orienter vers la littérature populaire.On voit alors comment il se trouve à l’origine de la triple rupture épistémologique du roman policier français au cours du XXe siècle. La spécificité de son regard et de son écriture est ensuite évoquée, à travers une approche plus stylistique. Pour finir est évoquée la durable influence qu’a eue Léo Malet sur les diverses formes de la culture populaire française.</abstract></profileDesc></hal></record>Pour manipuler ce document sous Unix (Dilib)
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